In ancient times, the beaver was hunted for its testicles, which it was thought had medicinal qualities. The story that the animal would gnaw these off to save itself when hunted was preserved by some ancient Greek naturalists and perpetuated into the Middle Ages. [1] It also appeared as a Greek fable ascribed to Aesop and is numbered 118 in the Perry Index.
In Latin literary sources, the fable was versified by Phaedrus [2] and is alluded to by Juvenal in a satire. There the merchant Catullus jettisons his rich cargo from a ship caught in a storm 'in imitation of the beaver that in its desire to escape death, will bite off its testicles and render itself a eunuch'. [3] The moral that Juvenal and later fabulists drew from the story is that in order to preserve oneself it is better to sacrifice lesser considerations.
The beaver's example was eventually to be recommended to good Christians. In Classical times the priests of Cybele castrated themselves in order to devote themselves wholly to their goddess. A saying by Jesus that 'there are eunuchs which have made themselves eunuchs for the kingdom of heaven's sake' (Matthew 19.12) was taken by some in the early Church as seeming to recommend a similar practice, rather than abstinence, and the early Church Fathers had constantly to argue that this had to be taken metaphorically. It was in this context that Tertullian scorned the celibate followers of Marcion with a reference to the fable, asking "Is any beaver more self castrating?" [4]
Once the metaphorical nature of the saying of Jesus was established, the fable was looked on more favorably as a reference to Christian renunciation. So the 12th century Aberdeen Bestiary comments on the beaver's behaviour that in a similar way "every man who heeds God's commandment and wishes to live chastely should cut off all his vices and shameless acts, and cast them from him". [5] It is further mentioned in this bestiary that if a beaver, already castrated, encounters another hunter, he stands on two legs to show that he no longer has what the hunter seeks and so is spared. A scene depicting this is incorporated into at least one example of Church architecture. [6] The passage has also been set by the composer R. Murray Schafer in his A Medieval Bestiary (1996). [7]
The fable was later reinterpreted by Andrea Alciato as part of the emblem tradition as the type of self-preservation. The Latin poem beneath the illustration in his Emblemata (1531) counsels, "By the example of this animal, learn not to spare your possessions but to give money to your enemies, in order to preserve your life". [8] In England the fable appeared in Roger L'Estrange's collection with the same interpretation and later in that of Samuel Croxall with the added political reflection that a politician pursued for peculation should buy himself off by sharing his gains with his prosecutors. [9]
Thomas Browne, writing of this supposed behaviour of the beaver in his Pseudodoxia Epidemica (1646), cites not only Aesop and Aristotle but Pliny and Solinus. Other ancient authorities disagree, he adds: Sestius (a physician mentioned by Pliny) [10] "and Dioscorides, who plainly affirms that this tradition is false". Additionally, Browne notes that more modern authors who wrote of American beavers, such as Aldrovandus, Mathiolus and Bellonius, do not mention beavers castrating themselves. Ultimately, he concludes that the fable originates from Egyptian hieroglyphs which "became Mythologicall unto the Greeks, and so set down by Aesop". The fable reflects a moral value, however, and "the sagacity and wisdome of that animal; which indeed from the works it performs, and especially its artifice in building, is very strange, and surely not to be matched by any other". [11]
The amphisbaena is a mythological, ant-eating serpent with a head at each end. The creature is alternatively called the amphisbaina, amphisbene, amphisboena, amphisbona, amphista, amfivena, amphivena, or anphivena, and is also known as the "Mother of Ants". Its name comes from the Greek words amphis, meaning "both ways", and bainein, meaning "to go".
A bestiary is a compendium of beasts. Originating in the ancient world, bestiaries were made popular in the Middle Ages in illustrated volumes that described various animals and even rocks. The natural history and illustration of each beast was usually accompanied by a moral lesson. This reflected the belief that the world itself was the Word of God and that every living thing had its own special meaning. For example, the pelican, which was believed to tear open its breast to bring its young to life with its own blood, was a living representation of Jesus. Thus the bestiary is also a reference to the symbolic language of animals in Western Christian art and literature.
Claudius Aelianus, commonly Aelian, born at Praeneste, was a Roman author and teacher of rhetoric who flourished under Septimius Severus and probably outlived Elagabalus, who died in 222. He spoke Greek so fluently that he was called "honey-tongued" ; Roman-born, he preferred Greek authors, and wrote in a slightly archaizing Greek himself.
Fable is a literary genre defined as a succinct fictional story, in prose or verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized, and that illustrates or leads to a particular moral lesson, which may at the end be added explicitly as a concise maxim or saying.
The Satires are a collection of satirical poems by the Latin author Juvenal written between the end of the first and the early second centuries A.D.
A eunuch is a male who has been castrated. Throughout history, castration often served a specific social function. The earliest records for intentional castration to produce eunuchs are from the Sumerian city of Lagash in the 2nd millennium BCE. Over the millennia since, they have performed a wide variety of functions in many different cultures: courtiers or equivalent domestics, for espionage or clandestine operations, castrato singers, concubines or sexual partners, religious specialists, soldiers, royal guards, government officials, and guardians of women or harem servants.
Castration is any action, surgical, chemical, or otherwise, by which a male loses use of the testicles: the male gonad. Surgical castration is bilateral orchiectomy, while chemical castration uses pharmaceutical drugs to deactivate the testes. Castration causes sterilization ; it also greatly reduces the production of hormones, such as testosterone and estrogen. Surgical castration in animals is often called neutering.
Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller who lived in ancient Greece between 620 and 564 BCE. Of varied and unclear origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers and in popular as well as artistic media.
"The Tortoise and the Hare" is one of Aesop's Fables and is numbered 226 in the Perry Index. The account of a race between unequal partners has attracted conflicting interpretations. The fable itself is a variant of a common folktale theme in which ingenuity and trickery are employed to overcome a stronger opponent.
In the magical tradition of Europe and the Near East, the aetites or aetite (anglicized) is a stone used to promote childbirth. It is also called an eagle-stone, aquiline, or aquilaeus. The stone is said to prevent spontaneous abortion and premature delivery, while shortening labor and birth for a full-term birth.
The story and metaphor of The Dog in the Manger derives from an old Greek fable which has been transmitted in several different versions. Interpreted variously over the centuries, the metaphor is now used to speak of one who spitefully prevents others from having something for which one has no use. Although the story was ascribed to Aesop's Fables in the 15th century, there is no ancient source that does so.
Sexual attitudes and behaviors in ancient Rome are indicated by art, literature, and inscriptions, and to a lesser extent by archaeological remains such as erotic artifacts and architecture. It has sometimes been assumed that "unlimited sexual license" was characteristic of ancient Rome, but sexuality was not excluded as a concern of the mos maiorum, the traditional social norms that affected public, private, and military life. Pudor, "shame, modesty", was a regulating factor in behavior, as were legal strictures on certain sexual transgressions in both the Republican and Imperial periods. The censors—public officials who determined the social rank of individuals—had the power to remove citizens from the senatorial or equestrian order for sexual misconduct, and on occasion did so. The mid-20th-century sexuality theorist Michel Foucault regarded sex throughout the Greco-Roman world as governed by restraint and the art of managing sexual pleasure.
The Dog and Its Reflection is one of Aesop's Fables and is numbered 133 in the Perry Index. The Greek language original was retold in Latin and in this way was spread across Europe, teaching the lesson to be contented with what one has and not to relinquish substance for shadow. There also exist Indian variants of the story. The morals at the end of the fable have provided both English and French with proverbs and the story has been applied to a variety of social situations.
Decimus Junius Juvenalis, known in English as Juvenal, was a Roman poet active in the late first and early second century AD. He is the author of the collection of satirical poems known as the Satires. The details of Juvenal's life are unclear, although references within his text to known persons of the late first and early second centuries AD fix his earliest date of composition. One recent scholar argues that his first book was published in 100 or 101. A reference to a political figure dates his fifth and final surviving book to sometime after 127.
The salamander is an amphibian of the order Urodela which, as with many real creatures, often has been ascribed fantastic and sometimes occult qualities by pre-modern authors not possessed by the real organism. The legendary salamander is often depicted as a typical salamander in shape with a lizard-like form, but is usually ascribed an affinity with fire, sometimes specifically elemental fire.
The idea that there are specific marine counterparts to land creatures, inherited from the writers on natural history in Antiquity, was firmly believed in Islam and in Medieval Europe. It is exemplified by the creatures represented in the medieval animal encyclopedias called bestiaries, and in the parallels drawn in the moralising attributes attached to each. "The creation was a mathematical diagram drawn in parallel lines," T. H. White said a propos the bestiary he translated. "Things did not only have a moral they often had physical counterparts in other strata. There was a horse in the land and a sea-horse in the sea. For that matter there was probably a Pegasus in heaven". The idea of perfect analogies in the fauna of land and sea was considered part of the perfect symmetry of the Creator's plan, offered as the "book of nature" to mankind, for which a text could be found in Job:
But ask the animals, and they will teach you, or the birds of the air, and they will tell you; or speak to the earth, and it will teach you, or let the fish of the sea inform you. Which of all these does not know that the hand of the Lord has done this? In his hand is the life of every creature and the breath of all mankind.
Aesop is an almost certainly legendary Greek fabulist and storyteller, said to have lived c. 620–564 BCE, and credited with a number of fables now collectively known as Aesop's Fables. Although his existence remains unclear and no writings by him survive, numerous tales credited to him were gathered across the centuries and in many languages in a storytelling tradition that continues to this day. Many of the tales associated with him are characterized by anthropomorphic animal characters.
"The Blind Man and the Lame" is a fable that recounts how two individuals collaborate in an effort to overcome their respective disabilities. The theme is first attested in Greek about the first century BCE. Stories with this feature occur in Asia, Europe and North America.
The Ass Carrying an Image is one of Aesop's Fables and is numbered 182 in the Perry Index. It is directed against human conceit but at one period was also used to illustrate the argument in Canon Law that the sacramental act is not diminished by the priest's unworthiness.
The Trumpeter Taken Captive is one of Aesop's Fables and is numbered 370 in the Perry Index. One of the rare tales in which only human beings figure, it teaches that association with wrongdoers makes one equally culpable.