The amphisbaena is a mythological, ant-eating serpent with a head at each end. The creature is alternatively called the amphisbaina, amphisbene, amphisboena, amphisbona, amphista, amfivena, amphivena, or anphivena, and is also known as the "Mother of Ants". Its name comes from the Greek words amphis, meaning "both ways", and bainein, meaning "to go".
A bestiary is a compendium of beasts. Originating in the ancient world, bestiaries were made popular in the Middle Ages in illustrated volumes that described various animals and even rocks. The natural history and illustration of each beast was usually accompanied by a moral lesson. This reflected the belief that the world itself was the Word of God and that every living thing had its own special meaning. For example, the pelican, which was believed to tear open its breast to bring its young to life with its own blood, was a living representation of Jesus. Thus the bestiary is also a reference to the symbolic language of animals in Western Christian art and literature.
Claudius Aelianus, commonly Aelian, born at Praeneste, was a Roman author and teacher of rhetoric who flourished under Septimius Severus and probably outlived Elagabalus, who died in 222. He spoke Greek so fluently that he was called "honey-tongued" ; Roman-born, he preferred Greek authors, and wrote in a slightly archaizing Greek himself.
The Satires are a collection of satirical poems by the Latin author Juvenal written between the end of the first and the early second centuries A.D.
A eunuch is a male who has been castrated. Throughout history, castration often served a specific social function.
Castration is any action, surgical, chemical, or otherwise, by which a male loses use of the testicles: the male gonad. Surgical castration is bilateral orchiectomy, while chemical castration uses pharmaceutical drugs to deactivate the testes. Castration causes sterilization ; it also greatly reduces the production of hormones, such as testosterone and estrogen. Surgical castration in animals is often called neutering.
Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller who lived in ancient Greece between 620 and 564 BCE. Of diverse origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers and in popular as well as artistic media.
"The Tortoise and the Hare" is one of Aesop's Fables and is numbered 226 in the Perry Index. The account of a race between unequal partners has attracted conflicting interpretations. The fable itself is a variant of a common folktale theme in which ingenuity and trickery are employed to overcome a stronger opponent.
In the magico-medical tradition of Europe and the Near East, the aetites or aetite (anglicized) is a stone used to promote childbirth. It is also called an eagle-stone, aquiline, or aquilaeus. The stone is said to prevent spontaneous abortion and premature delivery, while shortening labor and birth for a full-term birth.
The story and metaphor of The Dog in the Manger derives from an old Greek fable which has been transmitted in several different versions. Interpreted variously over the centuries, the metaphor is now used to speak of one who spitefully prevents others from having something for which one has no use. Although the story was ascribed to Aesop's Fables in the 15th century, there is no ancient source that does so.
Sexual attitudes and behaviors in ancient Rome are indicated by art, literature, and inscriptions, and to a lesser extent by archaeological remains such as erotic artifacts and architecture. It has sometimes been assumed that "unlimited sexual license" was characteristic of ancient Rome, but sexuality was not excluded as a concern of the mos maiorum, the traditional social norms that affected public, private, and military life. Pudor, "shame, modesty", was a regulating factor in behavior, as were legal strictures on certain sexual transgressions in both the Republican and Imperial periods. The censors—public officials who determined the social rank of individuals—had the power to remove citizens from the senatorial or equestrian order for sexual misconduct, and on occasion did so. The mid-20th-century sexuality theorist Michel Foucault regarded sex throughout the Greco-Roman world as governed by restraint and the art of managing sexual pleasure.
The Dog and Its Reflection is one of Aesop's Fables and is numbered 133 in the Perry Index. The Greek language original was retold in Latin and in this way was spread across Europe, teaching the lesson to be contented with what one has and not to relinquish substance for shadow. There also exist Indian variants of the story. The morals at the end of the fable have provided both English and French with proverbs and the story has been applied to a variety of social situations.
Decimus Junius Juvenalis, known in English as Juvenal, was a Roman poet active in the late first and early second century CE. He is the author of the collection of satirical poems known as the Satires. The details of Juvenal's life are unclear, although references within his text to known persons of the late first and early second centuries CE fix his earliest date of composition. One recent scholar argues that his first book was published in 100 or 101. A reference to a political figure dates his fifth and final surviving book to sometime after 127.
The salamander is an amphibian of the order Urodela which, as with many real creatures, often has been ascribed fantastic and sometimes occult qualities by pre-modern authors not possessed by the real organism. The legendary salamander is often depicted as a typical salamander in shape with a lizard-like form, but is usually ascribed an affinity with fire, sometimes specifically elemental fire.
The idea that there are specific marine counterparts to land creatures, inherited from the writers on natural history in Antiquity, was firmly believed in Islam and in Medieval Europe. It is exemplified by the creatures represented in the medieval animal encyclopedias called bestiaries, and in the parallels drawn in the moralising attributes attached to each. "The creation was a mathematical diagram drawn in parallel lines," T. H. White said a propos the bestiary he translated. "Things did not only have a moral they often had physical counterparts in other strata. There was a horse in the land and a sea-horse in the sea. For that matter there was probably a Pegasus in heaven". The idea of perfect analogies in the fauna of land and sea was considered part of the perfect symmetry of the Creator's plan, offered as the "book of nature" to mankind, for which a text could be found in Job:
But ask the animals, and they will teach you, or the birds of the air, and they will tell you; or speak to the earth, and it will teach you, or let the fish of the sea inform you. Which of all these does not know that the hand of the Lord has done this? In his hand is the life of every creature and the breath of all mankind.
Aesop was a Greek fabulist and storyteller credited with a number of fables now collectively known as Aesop's Fables. Although his existence remains unclear and no writings by him survive, numerous tales credited to him were gathered across the centuries and in many languages in a storytelling tradition that continues to this day. Many of the tales associated with him are characterized by anthropomorphic animal characters.
The Crow or Raven and the Snake or Serpent is one of Aesop's Fables and numbered 128 in the Perry Index. Alternative Greek versions exist and two of these were adopted during the European Renaissance. The fable is not to be confused with the story of this title in the Panchatantra, which is completely different.
The Ass Carrying an Image is one of Aesop's Fables and is numbered 182 in the Perry Index. It is directed against human conceit but at one period was also used to illustrate the argument in Canon Law that the sacramental act is not diminished by the priest's unworthiness.
The Trumpeter Taken Captive is one of Aesop's Fables and is numbered 370 in the Perry Index. One of the rare tales in which only human beings figure, it teaches that association with wrongdoers makes one equally culpable.
The Bear and the Bees is a fable of North Italian origin that became popular in other countries between the 16th - 19th centuries. There it has often been ascribed to Aesop's fables, although there is no evidence for this and it does not appear in the Perry Index. Various versions have been given different interpretations over time and artistic representations have been common.
