A bestiary is a compendium of beasts. Originating in the ancient world, bestiaries were made popular in the Middle Ages in illustrated volumes that described various animals and even rocks. The natural history and illustration of each beast was usually accompanied by a moral lesson. This reflected the belief that the world itself was the Word of God and that every living thing had its own special meaning. For example, the pelican, which was believed to tear open its breast to bring its young to life with its own blood, was a living representation of Jesus. Thus the bestiary is also a reference to the symbolic language of animals in Western Christian art and literature.
Isidore of Seville was a Visigothic scholar and cleric. He is widely regarded, in the words of 19th-century historian Montalembert, as "the last scholar of the ancient world".
The Physiologus is a didactic Christian text written or compiled in Greek by an unknown author, in Alexandria; its composition has been traditionally dated to the 2nd century AD by readers who saw parallels with writings of Clement of Alexandria, who is asserted to have known the text, though Alan Scott has made a case for a date at the end of the 3rd or in the 4th century. The Physiologus consists of descriptions of animals, birds, and fantastic creatures, sometimes stones and plants, provided with moral content. Each animal is described, and an anecdote follows, from which the moral and symbolic qualities of the animal are derived. Manuscripts are often, but not always, given illustrations, often lavish.
In Greek mythology, the sirens were humanlike beings with alluring voices; they appear in a scene in the Odyssey in which Odysseus saves his crew's lives. Roman poets placed them on some small islands called Sirenum scopuli. In some later, rationalized traditions, the literal geography of the "flowery" island of Anthemoessa, or Anthemusa, is fixed: sometimes on Cape Pelorum and at others in the islands known as the Sirenuse, near Paestum, or in Capreae. All such locations were surrounded by cliffs and rocks.
Etymologiae, also known as the Origines ("Origins") and usually abbreviated Orig., is an etymological encyclopedia compiled by Isidore of Seville towards the end of his life. Isidore was encouraged to write the book by his friend Braulio, Bishop of Saragossa. The Etymologies summarized and organized a wealth of knowledge from hundreds of classical sources; three of its books are derived largely from Pliny the Elder's Natural History. Isidore acknowledges Pliny, but not his other principal sources, namely Cassiodorus, Servius and Solinus. The work contains whatever Isidore, an influential Christian bishop, thought worth keeping.
The manticore or mantichore is a Persian legendary creature similar to the Egyptian sphinx that proliferated in western European medieval art as well. It has the head of a human, the body of a lion and a tail of venomous spines similar to porcupine quills, while other depictions have it with the tail of a scorpion. There are some accounts that the spines can be shot like arrows, thus making the manticore a lethal predator.
The Codex Mendoza is an Aztec codex, believed to have been created around the year 1541. It contains a history of both the Aztec rulers and their conquests as well as a description of the daily life of pre-conquest Aztec society. The codex is written in the Nahuatl language using traditional Aztec pictograms with a translation and explanation of the text provided in Spanish. It is named after Don Antonio de Mendoza (1495-1552), the viceroy of New Spain, who supervised its creation and who was a leading patron of native artists.
A T and O map or O–T or T–O map, also known as an Isidoran map, is a type of early world map that represents the physical world as first described by the 7th-century scholar Isidore of Seville in his De Natura Rerum and later his Etymologiae.
The Codex Gigas is the largest extant medieval illuminated manuscript in the world, at a length of 92 cm (36 in). Very large illuminated bibles were a typical feature of Romanesque monastic book production, but even within this group, the page-size of the Codex Gigas is noted as exceptional. The manuscript is also known as the Devil's Bible, due to its highly unusual full-page portrait of Satan, and the legend surrounding its creation.
The cinnamon bird, also known as Cinnamologus, Cinomolgus, or Cynnamolgus is a mythical creature described in various bestiaries as a giant bird that collected cinnamon to build its nests.
Hugh of Fouilloy was a French cleric, prior of St.-Nicholas-de-Regny (1132) and St.-Laurent-au-Bois (1152). He is notable for writing De claustro animae and De medicina animae, allegorical texts on monastic spirituality. His De avibus, a moral treatise on birds was incorporated into many versions of the popular medieval bestiary.
The Fécamp Bible is an illuminated Latin Bible. It was produced in Paris during the third quarter of the 13th century, and had previously belonged in the collection of Henry Yates Thompson.
According to the tradition of the Physiologus and medieval bestiaries, the aspidochelone is a fabled sea creature, variously described as a large whale or vast sea turtle, and a giant sea monster with huge spines on the ridge of its back. No matter what form it is, it is always described as being so huge that it is often mistaken for an island and appears to be rocky with crevices and valleys with trees and greenery and having sand dunes all over it. The name aspidochelone appears to be a compound word combining Greek aspis, and chelone, the turtle. It rises to the surface from the depths of the sea, and entices unwitting sailors with its island appearance to make landfall on its huge shell and then the whale is able to pull them under the ocean, ship and all the people, drowning them. It also emits a sweet smell that lures fish into its trap where it then devours them. In the moralistic allegory of the Physiologus and bestiary tradition, the aspidochelone represents Satan, who deceives those whom he seeks to devour.
A pard is the Greek word for the leopard, which is listed in Medieval bestiaries and in Pliny the Elder's book Natural History. Over the years, there have been many different depictions of the creature including some adaptations with and without manes and some in later years with shorter tails. However, one consistent representation shows them as large felines often with spots.
The Scitalis or Scytale is a serpent from Medieval bestiaries, such as the Aberdeen Bestiary, supposed to have such marvelous markings on its back that its appearance would stun the viewer, slowing the person down so that they could be caught. Its bodily heat was so great that it shed its skin even in the winter.
Liber Floridus is a medieval encyclopedia that was compiled between 1090 and 1120 by Lambert, Canon of Saint-Omer. The text compiles extracts from some 192 or so different works.
Fons memorabilium universi is an early encyclopedia, written in Latin by the Italian humanist Domenico Bandini of Arezzo . Planned to inform and edify educated men who lack other books, the work covered God and the natural world, as was common for encyclopedias of the time, but also added a voluminous last part dealing with man and historical figures, philosophy and history, theology, ethics, heretics and women.
The Rochester Bestiary is a richly illuminated manuscript copy of a medieval bestiary, a book describing the appearance and habits of a large number of familiar and exotic animals, both real and legendary. The animals' characteristics are frequently allegorised, with the addition of a Christian moral.
The Worksop Bestiary, also known as the Morgan Bestiary, most likely from Lincoln or York, England, is an illuminated manuscript created around 1185, containing a bestiary and other compiled medieval Latin texts on natural history. The manuscript has influenced many other bestiaries throughout the medieval world and is possibly part of the same group as the Aberdeen Bestiary, Alnwick Bestiary, St.Petersburg Bestiary, and other similar Bestiaries. Now residing in the Morgan Library & Museum in New York, the manuscript has had a long history of church, royal, government, and scholarly ownership.
