Lullingstone Roman Villa is a villa built during the Roman occupation of Britain, situated in Lullingstone near the village of Eynsford in Kent, south-eastern England. The villa is located in the Darent Valley, along with six others, including those at Crofton, Crayford and Dartford. Constructed in the 1st century, perhaps around 80–90 AD, the house was repeatedly expanded and occupied until it was destroyed by fire in the 4th or 5th century. The villa was occupied over various periods within the Romano-British period, but after its destruction, it is only thought to have been reoccupied during the medieval period. The occupants were most likely wealthy Romans or native Britons who had adopted Roman customs.
Ancient Roman architecture adopted the external language of classical ancient Greek architecture for the purposes of the ancient Romans, but was different from Greek buildings, becoming a new architectural style. The two styles are often considered one body of classical architecture. Roman architecture flourished in the Roman Republic and to an even greater extent under the Empire, when the great majority of surviving buildings were constructed. It used new materials, particularly Roman concrete, and newer technologies such as the arch and the dome to make buildings that were typically strong and well engineered. Large numbers remain in some form across the former empire, sometimes complete and still in use today.
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world.
The Alexander Mosaic, also known as the Battle of Issus Mosaic, is a Roman floor mosaic originally from the House of the Faun in Pompeii, Italy.
The art of Ancient Rome, and the territories of its Republic and later Empire, includes architecture, painting, sculpture and mosaic work. Luxury objects in metal-work, gem engraving, ivory carvings, and glass are sometimes considered to be minor forms of Roman art, although they were not considered as such at the time. Sculpture was perhaps considered as the highest form of art by Romans, but figure painting was also highly regarded. A very large body of sculpture has survived from about the 1st century BC onward, though very little from before, but very little painting remains, and probably nothing that a contemporary would have considered to be of the highest quality.
The National Archaeological Museum of Naples is an important Italian archaeological museum, particularly for ancient Roman remains. Its collection includes works from Greek, Roman and Renaissance times, and especially Roman artifacts from the nearby Pompeii, Stabiae and Herculaneum sites. From 1816 to 1861, it was known as Real Museo Borbonico.
The Villa of the Mysteries is a well-preserved suburban ancient Roman villa on the outskirts of Pompeii, southern Italy. It is famous for the series of exquisite frescos in Room 5, which are usually interpreted as showing the initiation of a bride into a Greco-Roman mystery cult. These are now among the best known of the relatively rare survivals of Ancient Roman painting from the 1st century BC.
The Pompeian Styles are four periods which are distinguished in ancient Roman mural painting. They were originally delineated and described by the German archaeologist August Mau (1840–1909) from the excavation of wall paintings at Pompeii, which is one of the largest groups of surviving Roman frescoes.
Opus vermiculatum is a method of laying mosaic tesserae to emphasise an outline around a subject. This can be of one or more rows and may also provide background contrast, e.g. as a shadow, sometimes with opus tessellatum. The outline created is often light and offset by a dark background for greater contrast. The name opus vermiculatum literally means "worm-like work", and has been described as one of the most demanding and elaborate forms of mosaic work. Usually opus vermiculatum is meant to put emphasis on the main design and foreground details of a work, using a smooth and flowing halo-effect. Sometimes it was used only around the head of a figure. The tesserae used were often square but can be variously shaped.
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BC, when the Greek mainland was taken, and essentially ending in 30 BC with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including Laocoön and His Sons, Venus de Milo, and the Winged Victory of Samothrace. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends.
The House of the Faun, constructed in the 2nd century BC during the Samnite period, was a grand Hellenistic palace that was framed by peristyle in Pompeii, Italy. The historical significance in this impressive estate is found in the many great pieces of art that were well preserved from the ash of the eruption of Mount Vesuvius in 79 AD. It is one of the most luxurious aristocratic houses from the Roman Republic, and reflects this period better than most archaeological evidence found even in Rome itself.
The House of the Tragic Poet is a Roman house in Pompeii, Italy dating to the 2nd century BC. The house is famous for its elaborate mosaic floors and frescoes depicting scenes from Greek mythology.
Villa Boscoreale is a name given to any of several Roman villas discovered in the district of Boscoreale, Italy. They were all buried and preserved by the eruption of Mount Vesuvius in 79 AD, along with Pompeii and Herculaneum. The only one visible in situ today is the Villa Regina, the others being reburied soon after their discovery. Although these villas can be classified as "rustic" rather than of otium due to their agricultural sections and sometimes lack of the most luxurious amenities, they were often embellished with extremely luxurious decorations such as frescoes, testifying to the wealth of the owners. Among the most important finds are the exquisite frescoes from the Villa of Publius Fannius Synistor and the sumptuous Boscoreale Treasure of the Villa della Pisanella, which is now displayed in several major museums.
Orpheus mosaics are found throughout the Roman Empire, normally in large Roman villas. The scene normally shown is Orpheus playing his lyre, and attracting birds and animals of many species to gather around him. Orpheus was a popular subject in classical art, and was also used in Early Christian art as a symbol for Christ.
The Domus Romana, stylized as the Domvs Romana, is a ruined Roman-era house located on the boundary between Mdina and Rabat, Malta. It was built in the 1st century BC as an aristocratic town house (domus) within the Roman city of Melite. In the 11th century, a Muslim cemetery was established on the remains of the domus.
The Zliten mosaic is a Roman floor mosaic from about the 2nd century AD, found in the town of Zliten in Libya, on the east coast of Leptis Magna. The mosaic was discovered by the Italian archaeologist Salvatore Aurigemma in 1913 and is now on display at The Archaeological Museum of Tripoli. It depicts gladiatorial contests, animal hunts, and scenes from everyday life.
Paphos Archaeological Park contains the major part of the important ancient Greek and Roman city and is located in Paphos, southwest Cyprus. The park, still under excavation, is within the Nea Pafos section of the coastal city.
Aydın Archaeological Museum is in Aydın, western Turkey. Established in 1959, it contains numerous statues, tombs, columns and stone carvings from the Hellenistic, Roman, Byzantine, Seljuk and Ottoman periods, unearthed in ancient cities such as Alinda, Alabanda, Amyzon, Harpasa, Magnesia on the Maeander, Mastaura, Myus, Nisa, Orthosia, Piginda, Pygela and Tralleis. The museum also has a section devoted to ancient coin finds.
The mosaics of Delos are a significant body of ancient Greek mosaic art. Most of the surviving mosaics from Delos, Greece, an island in the Cyclades, date to the last half of the 2nd century BC and early 1st century BC, during the Hellenistic period and beginning of the Roman period of Greece. Hellenistic mosaics were no longer produced after roughly 69 BC, due to warfare with the Kingdom of Pontus and the subsequently abrupt decline of the island's population and position as a major trading center. Among Hellenistic Greek archaeological sites, Delos contains one of the highest concentrations of surviving mosaic artworks. Approximately half of all surviving tessellated Greek mosaics from the Hellenistic period come from Delos.
Several non-native societies had an influence on Ancient Pompeian culture. Historians’ interpretation of artefacts, preserved by the Eruption of Mount Vesuvius in 79, identify that such foreign influences came largely from Greek and Hellenistic cultures of the Eastern Mediterranean, including Egypt. Greek influences were transmitted to Pompeii via the Greek colonies in Magna Graecia, which were formed in the 8th century BC. Hellenistic influences originated from Roman commerce, and later conquest of Egypt from the 2nd century BC.
