The Bravest Knight | |
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Genre | Magical, adventure, fantasy |
Created by | Daniel Errico |
Written by |
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Directed by | Shabnam Rezaei |
Creative director | Shabnam Rezaei |
Voices of |
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Theme music composer |
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Opening theme | Justin Tranter |
Composers |
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Country of origin | Canada |
Original language | English |
No. of seasons | 1 |
No. of episodes | 13 |
Production | |
Executive producers |
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Production locations |
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Editor | Randy Rogel |
Running time | 12 minutes |
Production company | Big Bad Boo Studios |
Original release | |
Network | Hulu |
Release | June 21, 2019 – present |
The Bravest Knight is a Canadian animated television series, produced by Big Bad Boo Studios and a Hulu original [ broken anchor ] which became the first kids original on the streaming service. [1] The first episodes were added to the streaming service on June 21, 2019 [2] [3] and the other eight on October 11, 2019. [4] The show, which was created by Daniel Errico, and directed by Shabnam Rezaei. It is a fantasy and adventure story focused on how a young kid and pumpkin farmer turned into the "bravest knight" through wild adventures across the lands, which he tells his adopted daughter. [5] [6] [7] The series is one of the first all-ages animations to have an "openly gay main character". [8]
On February 20, 2024, it was announced a second season is currently in production. [9]
Cedric, formerly a pumpkin farmer and now married to a prince named Andrew, tells the story of how he became the "greatest knight" to his 10-year-old adopted daughter, Nia.
In an attempt to get Nia, a not-yet-knight, to learn from his example, he recounts the challenges he encountered along the way, accompanied by his friend Grunt. [10] Nia, in the process, learns how to be her "best self" and that being a knight is more than just slaying dragons. [11] [12]
Season | Episodes | Originally aired | ||
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First aired | Last aired | |||
1 | 13 | June 21, 2019 | October 11, 2019 |
No. overall | No. in season | Title | Directed by | Written by | Original air date | Prod. code |
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1 | 1 | "Cedric & the Troll" | Shabnam Rezaei | Daniel Errico | June 21, 2019 | 1TBK01 |
While Nia learns how to save someone from a tower, Cedric tells of when he met Grunt, a troll, and how both escaped a witch who tricked them. | ||||||
2 | 2 | "Cedric & the Green Leaf" | Shabnam Rezaei | Daniel Errico | June 21, 2019 | 1TBK02 |
A jousting lesson for Nia morphs into a story of when Cedric, as a not-yet-knight, had a tournament as a jouster, and the lesson to never underestimate whoever is your opponent. | ||||||
3 | 3 | "Cedric & the Cave" | Shabnam Rezaei | Daniel Errico | June 21, 2019 | 1TBK03 |
As Nia learns how to use tracks, Cedric tells her of the time when he and grunt hid in a cave from a Yeti and how they were able to escape by using the resources they had at hand. | ||||||
4 | 4 | "Cedric & the Giant" | Shabnam Rezaei | Daniel Errico | June 21, 2019 | 1TBK04 |
Nia learns the importance of being generous, as a member of the kingdom's royal family. In the process, Cedric remembers back to when a giant greedily captures him and Grunt, forcing both to ask a magic flute for help to get them out of their predicament. | ||||||
5 | 5 | "Cedric & the Fairies" | Shabnam Rezaei | Daniel Errico | June 21, 2019 | 1TBK05 |
Cedric tells a story of how he helped fairies who are threatened by a bear as he tries to stop Grunt and Nia from fighting each other. | ||||||
6 | 6 | "Cedric & the Dark Castle" | Shabnam Rezaei | Daniel Errico | October 11, 2019 | 1TBK06 |
In an effort to find a map that shows where Grunt's bridge is, Grunt and Cedric sneak inside the Dark Castle. While they can't find anything inside, not even in the Hall of Records, they find and free Saylor, and have to escape the castle before the dragon slumbering nearby finds them. | ||||||
7 | 7 | "Cedric & the Wizard" | Shabnam Rezaei | Daniel Errico | October 11, 2019 | 1TBK07 |
In an attempt to tell the King and Queen about the dragon in the Dark Castle, Cedric and his two friends travel to the Royal Castle. However, when a wizard comes and freezes everyone in sight, these heroes have to come with a plan to stop her in her tracks. | ||||||
8 | 8 | "Cedric & the Sea Monster" | Shabnam Rezaei | Daniel Errico | October 11, 2019 | 1TBK08 |
The interest of Nia in the nearby Serpent River leads to a story from Cedric about a time that a sea monster pulled the boat which he, Saylor, and Grunt were on, underwater and their daring escape. | ||||||
9 | 9 | "Cedric & the Potion Maker" | Shabnam Rezaei | Daniel Errico | October 11, 2019 | 1TBK09 |
Cedric tells Nia the story of a magical dragon scale, a person who makes potions, and a newt that spits lava, learning the importance of believing in herself. | ||||||
10 | 10 | "Cedric & the Big Bad Wolf" | Shabnam Rezaei | Daniel Errico | October 11, 2019 | 1TBK10 |
Coming to a carrot farm in an attempt to help a person in need, Cedric tells Nia about a time that he, Saylor, and Grunt, saved a town from a wolf who was seen as menacing but was actually misunderstood. | ||||||
11 | 11 | "Cedric & the Pixies" | Shabnam Rezaei | Daniel Errico | October 11, 2019 | 1TBK11 |
Nia, overwhelmed with her responsibilities as a not-yet knight, is told another story by her dad, Cedric, who tells of a time when he was also overwhelmed when a group of rambunctious pixies caused mayhem in a place known as Quiet Town. | ||||||
12 | 12 | "Cedric & the Dragon" | Shabnam Rezaei | Daniel Errico | October 11, 2019 | 1TBK12 |
Cedric and his two friends are trapped in a cave by the dragon which has been causing chaos throughout the kingdom. Only with a riddle and luck, they have a chance to get past her, which allow them to complete their quest. | ||||||
13 | 13 | "Grunt & the Bridge" | Shabnam Rezaei | Daniel Errico | October 11, 2019 | 1TBK13 |
At long last, Saylor, Cedric, and Grunt finally reach their destination: Grunt's bridge. They have to defeat a troll named Sturk who stole the bridge from Grunt, and in a contest, Grunt has to use his smarts in order to retake his home. |
The show is based on Errico's novel The Bravest Knight Who Ever Lived and a short animation which premiered in 2015 of the same name. [24]
Shabnam Rezaei, who founded Big Bad Boo Studios with her husband Aly Jetha, [25] was the producer of the series. [26] Rezaei later said that it has been a "pleasure to work alongside Hulu." [4] She also said that the show is teaching life lessons and called it an "adventure about how to be a great knight" and how to be a good person. [27] She also remained confident the show would air in Canada, parts of Western Europe, the UK, and Australia. The show itself was greenlit by Hulu in November 2017 and went into production in early 2018, with "approximately 120 people working on the show," with Errico and Randy Rogel writing the stories for each episode, with the animation done in Vancouver. [25] The show was supervised by Eddie Soriano, while Paddy Gillen was VP of production, and Benjie Randall was the casting director. The show's biggest challenge was, as Rezaei admitted, the budget, in trying to cast big-name stars like RuPaul and Wanda Sykes.
Apart from this, Enrico, in a September 2019 interview, said that he was inspired to create the character after reading fairytales and trying to create "multi-dimensional protagonists who also happened to be gay," but stated that it was not a sure thing that Hulu would take the series. [22] He also said that while he hasn't had the opportunity of working with many other writers, he realizes that as a white and cisgender man, that "fair access to opportunities in family entertainment demands a dedication to change," with the necessity of working with "creative writers of color." Furthermore, he said that each episode has a lesson, and to touch on themes like self-confidence, forgiveness, and a message of "being yourself and being true to yourself." Elsewhere he stated the importance of "giving children more role models, more diverse examples or heroes" and noted that most networks he approached with the story were "resistant to having an LGBTQ protagonist," but Hulu gave the show a green light. [28] [23]
The series was positively received. GLAAD's chief communications officer, Rich Ferraro, praised the series as bringing "important lessons about diversity and acceptance to young audiences," giving children with gay parents an "animated family that they can relate to and applaud." [27] Curtis M. Wong of HuffPost called the series "forward-thinking" and "LGBTQ-inclusive." [29] Jamie Sugah of The Geekiary was also supportive, saying that the show will "join the ranks of children's programming that has featured openly LGBTQ+ characters" and applauded Hulu, and platforms like Netflix for "creating this sort of content for children" which features "an interracial gay couple and their daughter." [30] In contrast, Lapacazo Sandoval in the Los Angeles Sentinel criticized the series for "coloring in a Black or Brown character" in the series, since the creator is a White man, rather than someone from the Black community, even as he called it a "good show." [22] Similarly, James Michael Nichols of HuffPost said that the series helps make the representation of "the whole spectrum of human love and experience" a reality [31] and Brian T. Carney of the Washington Blade described the series as family-friendly, having a terrific voice cast, along with lively and colorful animation, and presenting "issues of diversity in an age-appropriate and matter-of-fact manner." [32] Additionally, Joyce Slaton of Common Sense Media stated that there are "stellar messages" in the series, with a "same-sex relationship at the emotional heart of the story," toned down violence, with hories often using their wits to "escape dangerous situations than to physically fight." [33] Slayton also remarked that the "gentle messages" of the series are "easy to love."
The show was praised for being "groundbreaking" because it features a household of two dads (Cedic and Andrew), making it one of the first all-ages animations to have an "openly gay main character." [8] [11] [34] [35] Justin Tranter, a board member of GLAAD, composed the opening theme song of the series. [15] [36] [37] The series also generated considerable debate, with a "fierce battle" on the show's Facebook page between those who defended it and critics from the religious right who criticized it. [26] The series later won the MIPCOM Diversify TV Excellence award in kids’ programming at the MIPCOM Diversify TV Excellence awards in October 2019. [38] [39] [40]
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