The Brothers Karamazov | |
---|---|
Directed by | Richard Brooks |
Screenplay by | Richard Brooks Julius J. Epstein Philip G. Epstein |
Based on | The Brothers Karamazov 1880 novel by Fyodor Dostoevsky |
Produced by | Pandro S. Berman |
Starring | Yul Brynner Maria Schell Claire Bloom Lee J. Cobb Albert Salmi Richard Basehart William Shatner |
Cinematography | John Alton |
Edited by | John Dunning |
Music by | Bronislau Kaper |
Production company | Avon Productions |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 145 minutes |
Country | United States |
Language | English |
Budget | $2.7 million [2] |
Box office | $5.4 million [2] |
The Brothers Karamazov is a 1958 American period drama film [3] directed by Richard Brooks from a screenplay co-written with Julius and Philip Epstein, based on Fyodor Dostoevsky's 1880 novel. It stars Yul Brynner, Maria Schell, Claire Bloom, Lee J. Cobb, Albert Salmi, Richard Basehart, and William Shatner in his film debut.
The film was released by Metro-Goldwyn-Mayer on February 20, 1958. It received mixed-to-positive reviews from critics, though the performances were widely praised. It was nominated for the Palme d'Or at the Cannes Film Festival, [4] and Lee J. Cobb received an Oscar nomination performance as Fyodor Karamazov. The National Board of Review ranked The Brothers Karamazov as one of its Top 10 Films of 1958.
In 1870 Russia, Fyodor Karamazov, a dissipated and unscrupulous businessman, manipulates three legitimate sons, Dmitri, an army officer; Ivan, a writer; and Alexey, a monk; as well as a bastard son, Smerdyakov, who lives like a servant in Fyodor’s home.
Impractical with money, Dmitri spends on drinking, partying, and women whatever money he can wrest from his father from an inheritance his mother left him. Before giving Dimitri any money, Fyodor forces him to sign a promissory note. Alexey delivers to Dimitri a portion of the amount he has requested from Fyodor, and Dimitri proceeds to drink and wreck a tavern in a brawl.
Besides financial irresponsibility, Dimitri has an idiosyncratic sense of gallantry. The desperate daughter of a military commander, Katya, has agreed to exchange sexual favors for five thousand rubles to replace the amount stolen from her father’s charge. When Katya presents herself to fulfill the bargain, Dimitri sardonically proposes marriage, but Katya declines, saying that would be a greater degradation. Dmitri gives Katya the money without holding her to any bargain and sends her away.
After Dmitri is arrested for the tavern brawl, Katya visits him in gratitude in a military prison. When Dimitri asserts he always intended to give her the money, Katya declares her admiration to him and takes charge. Her grandmother has given her a generous dowry, and Katya now accepts his earlier half-serious proposal. Unenthusiastically, Dmitry agrees to their betrothal. Katya then intends to settle his debts with Fyodor, but Dmitri refuses. She bails Dmitri out of prison.
When Katya asks Ivan for details of Dmitri's youth, Ivan becomes attracted to her. Fyodor presses Dmitri to pay off his notes, and Dmitri leaves town for several months. During Dmitri’s absence, Ivan visits Katya daily, while Fyodor targets young, beautiful, shrewd tavern owner Grushenka.
Fyodor and Grushenka plot to cheat Dmitri of his inheritance. To gain Grushenka’s regard, Fyodor has given her Dmitri's notes to collect for herself. Grushenka refuses Fyodor’s advances, but has former army captain Snegiryov, an employee, buy all Dmitri's debts at fraction value and demand repayment. Unable to pay, Dmitry will go to debtor's prison, and Fyodor can keep Dmitri's inheritance legally. Dmitri confronts Snegiryov in the street, humiliating the meek man in front of his young son Illusha. Katya again offers to pay Dmitri’s debts, but Dmitri refuses. She then asks him to mail a letter containing three thousand rubles to her father, knowing that Dimitri will keep the money.
Dmitri confronts Grushenka, but the two are strongly attracted and spend Katya's money on a binge. Grushenka forgives Dmitri his debts when he determines not to marry Katya. Dmitri asks Alexey to speak to Katya to break their engagement. Dmitri and Grushenka start a passionate affair, but Dmitri’s obsession increasingly turns into corrosive, possessive jealousy.
Smerdyakov greatly admires Ivan, the intellectual, and in conversation both agree that if God does not exist, all behavior is permissible. Dmitri bursts in, looking for Grushenka, who he suspects is seeing his father. When Fyodor taunts him, Dmitri attacks his father, threatening to kill him if he sees Grushenka.
Alexey goes to Katya on his errand from Dmitri. He finds Grushenka with Katya, who assures Alexey that Grushenka is tired of Dmitri's jealousy and wants to return to a Polish officer. Angered by Katya's presumptuousness, Grushenka insists she has not promised to leave Dmitri and departs. Ivan arrives to inform Katya he is going to Moscow. When Katya urges him to stay, Ivan derides her for using him while besotted with an indifferent Dmitri.
Pawning his pistols, Dmitry asks Alexey to give the money to Snegiryov as an apology for his insult. Dmitri realizes he must take responsibility for his actions. While Dmitri collects debts owed him by army colleagues, Alexey takes the money to Snegiryov. Shamed by the insult, Illusha convinces his father not to accept the apology or the money.
Smerdyakov brags to Ivan that he is planning to arrange a confrontation between Fyodor and Dmitri and believes Dmitri will kill his father. After Ivan goes to Moscow, Smerdyakov puts his plot into action, arranging a rendezvous between Grushenka and the Polish officer. When Dmitri finds Grushenka gone, he goes to Fyodor's, but Dmitri is unable to assault his father, even when Fyodor attacks him.
Confronting Grushenka and the Polish officer, Dmitri finds that the officer has been gambling all evening, and a neglected Grushenka realizes that he only wants her for her money. Grushenka apologizes to Dmitri and reconciles with him.
The police arrive and Dmitri is stunned to learn that Fyodor has been murdered. At his trial, Dmitri pleads guilty to a life of debauchery and debt but innocent of murdering Fyodor. The prosecutor discloses that three thousand rubles were stolen from Fyodor the night of his murder. Katya testifies that Dmitri had taken the same amount from her but insists she did not want reimbursement. Afterward, Ivan tells Katya that he expects Dmitri will be found guilty, but he has a plan to smuggle Dmitri out of Russia.
At home, Ivan confronts Smerdyakov, wearing Fyodor's clothes and drinking his liquor. Smerdyakov confesses to killing Fyodor and stealing three thousand rubles to implicate Dmitri but insists that Ivan was complicit when he took off knowing Smerdyakov’s plot. Ivan departs for the police. Later that evening, Alexey and Grushenka find Smerdyakov has hanged himself.
At trial, Ivan testifies to Smerdyakov's confession and his own implication. A vindictive Katya produces a letter from Dmitri claiming he will repay her money even if he has to kill Fyodor to get it. Dmitri is found guilty. The next day, Katya watches the train transporting prisoners to prison camp, disappointed that Dmitri is not among them. Ivan and Alexey have arranged to get Dmitri and Grushenka out of Russia.
As a last stop on their escape route, despite the obvious risks of wasting time, Dmitri visits the Snegiryov family, where Illusha lies in bed with a grave illness. First, Dmitri tries to buy the pardon of the boy with small gifts but the boy refuses and turns away. Then Dmitri pretends it was just a duel that happened between the former captain and himself, and he was afraid for his own life, knowing the marksmanship of the former captain, and asks for forgiveness. The boy finally turns to his father and asks him to spare Dmitri's life and release him from his bond. After this reconciliation, Dmitri and Grushenka resume their escape.
Source: [3]
Marilyn Monroe was rumored to be in negotiations to play the role of Grushenka, but several conflicting accounts arose around the time the film entered production. An MGM executive said she'd turned down the role in part because she was expecting a baby, but Monroe's agent denied this and claimed that the studio had never even made her an offer. [5] Richard Brooks said that Monroe would have made a "fine" Grushenka, but claimed that negotiations fell through "because of her contractual demands and personal troubles." [6] Carroll Baker was the next choice for the role, but Warner Bros. put her on suspension and would not loan her out after she refused to play Diana Barrymore in Too Much, Too Soon . Maria Schell stepped in instead, making her American film debut. [7] [8] It was also the film debut for William Shatner, Albert Salmi and Simon Oakland.
The film was shot from June to August 1957 [1] in London and Paris. [8]
This section is missing information about the film's theatrical/home media releases.(July 2019) |
The film had its premiere at Radio City Music Hall in New York on February 20, 1958. It opened at the Pantages Theatre in Los Angeles on February 26 and a day later at 3 theaters in Florida before expanding to 20 US cities in March. [9]
In its opening week at Radio City Music Hall it grossed $157,000. [10] In its third week of release, the film reached number one at the U.S. box office. [11] According to MGM records, the film made $2,390,000 in the U.S. and Canada [12] and $3,050,000 in other markets, resulting in a profit of $441,000. [2]
Contemporary reviews were mixed to positive.
Bosley Crowther of The New York Times wrote "Except for a halfway happy ending that blunts the drama's irony, [Brooks] has done a good job of compressing the substance of the book...But most of all, Mr. Brooks and Mr. Berman have put upon the screen a large splash of vigorous drama and passion involving interesting, robust characters." [13] Variety declared "Sumptuous and sensitive MGM production by Pandro S. Berman doesn't sacrifice art to entertainment nor lose entertainment in a false conception of what constitutes art. 'The Brothers Karamazov' should be one of the year's commercial successes." [14] Harrison's Reports wrote: "Excellent is the word for this absorbing and vigorous screen version of Fyodor Dostoyevsky's epic novel...The acting is superb, with brilliant performances turned in by Lee J. Cobb, as the lecherous and crafty father, and by Yul Brynner, as his fiery, quick-tempered eldest son." [15] For the Los Angeles Times, Philip K. Scheuer called Brynner's performance "impressive" and wrote that Lee J. Cobb as Fyodor "succeeds in striking a recognizable and responsive chord with an audience," but found that Maria Schell's Grushenka was played "with a persisting Mona Lisa smile that I felt was not only foreign to the role of the materialistic, venal harlot but was also incomprehensibly at variance with her changing moods." [16]
In more critical reviews, John McCarten of The New Yorker declared that the film "goes on for about two and a half hours, most of which you'd be better off spending at some more rewarding pursuit...I think that Mr. Brooks, in addition to being saddled with actors who just can't stand up to the obligations they've assumed, never quite grapples with the ideas that Dostoevski was trying to propound." [17] The Monthly Film Bulletin wrote "There is none of Dostoievsky's profundity or exciting exploration of motive. All the brothers emerge as quite inexplicable people. It is hard to be sympathetic to Dmitri, and not to be embarrassed by Alyosha or scornful of Ivan. The performances throughout suggest that the cast never really knew what it was all about." [18]
Award | Category | Nominee(s) | Result |
---|---|---|---|
Academy Award | Best Supporting Actor | Lee J. Cobb | Nominated |
Cannes Film Festival | Palme d'Or | Richard Brooks | Nominated |
Directors Guild of America Award | Outstanding Directorial Achievement in Motion Pictures | Nominated | |
Laurel Award | Top Male Dramatic Performance | Lee J. Cobb | Nominated |
Top Cinematography – Color | John Alton | Nominated | |
Top Music Composer | Bronislau Kaper | Nominated | |
National Board of Review Award | Top Ten Films | 8th Place | |
Best Supporting Actor | Albert Salmi (also for The Bravados ) | Won | |
New York Film Critics Circle Award | Best Director | Richard Brooks | Nominated |
Fyodor Mikhailovich Dostoevsky, sometimes transliterated as Dostoyevsky, was a Russian novelist, short story writer, essayist and journalist. Numerous literary critics regard him as one of the greatest novelists in all of world literature, as many of his works are considered highly influential masterpieces. Dostoevsky's literary works explore the human condition in the troubled political, social, and spiritual atmospheres of 19th-century Russia, and engage with a variety of philosophical and religious themes. His most acclaimed novels include Crime and Punishment (1866), The Idiot (1869), Demons (1872), and The Brothers Karamazov (1880). His 1864 novella Notes from Underground is considered to be one of the first works of existentialist literature.
Maria Margarethe Anna Schell was an Austrian-Swiss actress. She was one of the leading stars of German cinema in the 1950s and 1960s. In 1954, she was awarded the Cannes Best Actress Award for her performance in Helmut Käutner's war drama The Last Bridge, and in 1956, she won the Volpi Cup for Best Actress at the Venice Film Festival for Gervaise.
The Brothers Karamazov, also translated as The Karamazov Brothers, is the last novel by Russian author Fyodor Dostoevsky. Dostoevsky spent nearly two years writing The Brothers Karamazov, which was published as a serial in The Russian Messenger from January 1879 to November 1880. Dostoevsky died less than four months after its publication. It has been acclaimed as one of the supreme achievements in world literature.
Humiliated and Insulted — also known in English as The Insulted and Humiliated, The Insulted and the Injured or Injury and Insult — is a novel by Fyodor Dostoevsky, first published in 1861 in the monthly magazine Vremya.
The Flying Karamazov Brothers (FKB) are a juggling and comedy troupe that has been performing since 1973. They learned their trade busking as street artists starting in Santa Cruz, California, eventually going on to perform nationally and internationally, including on Broadway stages.
Alexei Fyodorovich Karamazov, usually referred to simply as Alyosha, is the protagonist in the 1880 novel The Brothers Karamazov by Fyodor Dostoevsky. He is the youngest of the Karamazov brothers, being nineteen years old at the start of the novel. The preface and the opening chapter proclaim him as the hero. Dostoevsky intended to write a sequel, which would detail the rest of Alyosha's life, but died shortly after the publication of The Brothers Karamazov.
Fyodor Pavlovich Karamazov is a fictional character from the 1879–1880 novel The Brothers Karamazov by Fyodor Dostoevsky. He is the father of Alexei, Ivan, and Dmitri Karamazov, and rumoured also to be the father of his house servant Pavel Fyodorovich Smerdyakov. His conflict with the eldest son—Dimitri—comprises a major part of the book's overt plot, although it becomes clear as events unfold that Ivan's relation to him is equally significant. Each of the sons represents a distinct character, life orientation and filial attitude that allows Dostoevsky to examine the theme of the father-son relationship in all its complexity and moral ambiguity. Fyodor Pavlovich is a self-indulgent and shameless libertine, apparently not concerned in any way with the normal responsibilities of fatherhood or the welfare of his children. Moral questions, particularly those arising from notions of filial obligation, are thus tested in great depth, and the consideration of their relation to the wider reality of Russian social disintegration is always in the background.
The Brothers Karamazov is a 1969 Soviet film directed by Kirill Lavrov, Ivan Pyryev and Mikhail Ulyanov. It is based on the 1880 novel by the Fyodor Dostoevsky. It was nominated for the Academy Award for Best Foreign Language Film. It was also entered into the 6th Moscow International Film Festival, winning Pyryev a Special Prize.
Ivan Aleksandrovich Pyryev was a Soviet and Russian film director, screenwriter, actor and pedagogue remembered as the high priest of Stalinist cinema. He was awarded six Stalin Prizes, served as Director of the Mosfilm studios (1954–57) and was, for a time, the most influential man in the Soviet motion picture industry.
The Karamazov Brothers is a 2008 Czech film directed by Petr Zelenka, with a soundtrack by Jan A. P. Kaczmarek.
Crime and Punishment is a 1935 American drama film directed by Josef von Sternberg for Columbia Pictures. The screenplay was adapted by Joseph Anthony and S.K. Lauren from Fyodor Dostoevsky's 1866 novel of the same title. The film stars Peter Lorre in the lead role of Raskolnikov.
Courier, also known as Messenger Boy is a 1986 Soviet romantic comedy-drama film directed by Karen Shakhnazarov. It was entered into the 15th Moscow International Film Festival where it won a Special Prize.
The Brothers Karamazov is a 1947 Italian historical drama film directed by Giacomo Gentilomo and starring Fosco Giachetti, Lamberto Picasso and Mariella Lotti. It is based on the 1880 novel of the same title by Fyodor Dostoyevsky. It won two Nastro d'Argento Awards, for best screenplay and for best score. The film's sets were designed by the art director Alberto Boccianti.
Winter Sleep is a 2014 Turkish drama film directed by Nuri Bilge Ceylan, adapted from the novella "The Wife" by Anton Chekhov and one subplot of The Brothers Karamazov by Fyodor Dostoyevsky. The story is set in Anatolia and examines the significant divide between the rich and the poor as well as the powerful and the powerless in Turkey. It stars Haluk Bilginer, Demet Akbag and Melisa Sözen.
Iyobinte Pusthakam is a 2014 Indian Malayalam-language period action-thriller film directed by Amal Neerad and written by Gopan Chithambaran, with dialogues written by Syam Pushkaran. It stars a huge ensemble cast including Fahadh Faasil, Jayasurya, Lal, Isha Sharvani, Jinu Joseph, Chemban Vinod Jose, Vinayakan, Padmapriya, Sreejith Ravi, T.G Ravi, Amith Chakalakkal, John Vijay, Soubin Shahir and Lena. Aashiq Abu makes a cameo appearance as P.J. Antony. Faasil and Neerad co-produced the film.
Vitaly Stepanovich Logvinovsky PAR was a Soviet and later Russian stage and film actor.
Gennadi Leonidovich Bortnikov was a Russian and Soviet actor.
The Murderer Dimitri Karamazov is a 1931 German drama film directed by Erich Engels and Fedor Ozep, starring Fritz Kortner and Anna Sten. It tells the story of a lieutenant who is suspected of having murdered his father. The film is based on motifs from Fyodor Dostoyevsky's novel The Brothers Karamazov. A separate French version The Brothers Karamazov was produced.
Yolki 2, is 2011 Russian New Year comedy film directed by Dmitry Kiselyov and written by Timur Bekmambetov. The main roles are played by Ivan Urgant, Sergey Svetlakov, Alexey Petrenko and Timur Ortsuev. The film is a continuation of the New Year's film "Yolki" (2010) directed by Timur Bekmambetov. The phrase "Someone loses, someone finds. Someone leaves, and someone comes”, which the deputy says, was borrowed from the film “Day Watch”, where it is also said by the character of Viktor Verzhbitsky - Zabulon.
Ivan Fyodorovich Karamazov is a fictional character from the 1880 novel The Brothers Karamazov by Fyodor Dostoevsky. Ivan is 24 years old at the start of the novel; he is the elder brother of Alyosha Karamazov, younger brother of Dmitri Karamazov, and the son of Fyodor Karamazov. His relationships with his brothers, his father, and Katerina Ivanovna are hugely important to the novel's plot.