The Changing Room | |
---|---|
Written by | David Storey |
Characters | 22 men: rugby players and staff |
Date premiered | 9 November 1971 |
Place premiered | Royal Court Theatre, London |
Genre | Drama |
Setting | Changing room of a rugby field |
The Changing Room is a 1971 play by David Storey, set in a men's changing room before, during and after a rugby league football game. It premiered at the Royal Court Theatre on 9 November 1971, directed by Lindsay Anderson. The 1973 Broadway production, directed by Michael Rudman, won several awards including the New York Drama Critics' Circle award for Best Play and the Tony Award for Best Featured Actor for John Lithgow. The technical director for the play was the former Great Britain Rugby League captain Bev Risman.
At the play's core is a semi-pro Northern England rugby league team. During the week, its members are peaceable men toiling away at mindless, working class jobs. On Saturday, they prepare for gory combat on the playing field. The changing room is where they perform their pre-game initiation rites, strip down, loosen muscles, and get into their uniforms. After the match they return, often broken, muddy, and bloody, regretting their loss or giddy with victory in the communal shower. There is little in the way of plot, but Storey engages his audience with his ability to dissect his characters' hurts, hopes, desires, and fighting instincts.
Premiering on 9 November 1971 at London's Royal Court Theatre, The Changing Room had a limited, sold-out run before transferring to the Globe in the West End on 14 December. [1] It was directed by Lindsay Anderson and the cast included Jim Norton, David Daker, Warren Clarke, Brian Glover, Alun Armstrong and John Barrett. [2] [3]
The U.S. premiere was at New Haven's Long Wharf Theatre on 17 November 1972. [4] After three previews, the Broadway production, directed by Michael Rudman, opened on 6 March 1973 at the Morosco Theatre, where it ran for 192 performances. The cast included George Hearn, John Lithgow, Richard Masur, John Tillinger, and Tom Atkins. [5]
The play was revived in 1996 by the Royal Court, in their 'Classics' season, premiering on 1 February and running for two months at the Duke of York's Theatre. [6]
Despite extensive male nudity, there was very little controversy associated with the play in 1971. Critical reception was favourable, with the treatment of male relationships praised particularly. Most criticism focused upon the lack of character development and plot. Noël Coward commented, leaving the theatre: "15 acorns are hardly worth the price of admission," referring to the male nudity. [7]
American critics were more glowing in their praise, with the production hailed by Walter Kerr of The New York Times as "mysterious and ultimately mesmerizing." [8] Clive Barnes, also of The New York Times, wrote: "It is a remarkable play because while it only purports to document what goes on in a locker room before, during and after a football game, the playwright's skill is such that we seem to get to know these football players and the society that produced them." [5]
The Broadway production of The Changing Room won the New York Drama Critics' Circle award for best play for the 1973 season. John Lithgow won the Tony Award for Best Featured Actor in a Play and the Drama Desk Award for Outstanding Performance. Tom Atkins won the Drama Desk Award for Most Promising Performer, and Michael Rudman won for Outstanding Director.[ citation needed ]
During the 1996 revival, critical reception was more mixed. Some critics commented on how the play had aged; both rugby league and the global politics mentioned in the play had moved on a long way in the intervening two decades. Many women's publications criticised the macho nature of the play.[ citation needed ] In contrast, Paul Taylor of The Independent wrote, "...The Changing Room seems, in 1996, at once a timeless study of male bonding rites and a preservation in art of a fast-vanishing culture." [7]
The Great White Hope is a 1967 play written by Howard Sackler, later adapted in 1970 for a film of the same name.
No, No, Nanette is a musical with a book by Otto Harbach and Frank Mandel based on Mandel's 1919 Broadway play My Lady Friends; lyrics by Irving Caesar and Harbach; and music by Vincent Youmans. The farcical story centers on three couples who find themselves together at a cottage in Atlantic City, New Jersey, in the midst of a blackmail scheme focusing on a fun-loving Manhattan heiress who has run off, leaving an unhappy fiancé. Its songs include the well-known "Tea for Two" and "I Want to Be Happy".
Joel Grey is an American actor, singer, dancer, photographer, and theatre director. He is best known for portraying the Master of Ceremonies in the musical Cabaret on Broadway and in Bob Fosse's 1972 film adaptation. He has won an Academy Award, a BAFTA Award, a Golden Globe Award, and a Tony Award. He earned the Lifetime Achievement Tony Award in 2023.
Linda Lavin is an American actress and singer. She is known for playing the title character in the sitcom Alice and for her stage performances, both on and off-Broadway.
The Norman Conquests is a trilogy of plays written in 1973 by Alan Ayckbourn. Each of the plays depicts the same six characters over the same weekend in a different part of a house. Table Manners is set in the dining room, Living Together in the living room, and Round and Round the Garden in the garden.
A. J. Antoon was an American theatre director. He attended the Yale School of Drama. Beginning in 1971, Antoon directed numerous plays at the New York Shakespeare Festival over a period of nearly 20 years. In 1973, Antoon became one of the few directors to have been nominated for two Tony Awards in the same category in the same year. In addition to winning the Tony Award with one of his nominations, Antoon was also the winner of a Drama Desk Award, a New York Drama Critics' Circle Award, and an Obie Award. His career lasted until 1991; he died less than a year later from AIDS-related lymphoma.
Douglas Carter Beane is an American playwright and screenwriter. He has been nominated for five Tony Awards and won two Drama Desk Awards. His plays are essentially works with sophisticated, "drawing room" humor but just as often farce, particularly his work in musical theater.
Dance With Me is a musical written by Greg Antonacci. It opened on Broadway on January 23, 1975, and ran at the Mayfair Theatre for 396 performances. The musical was directed and choreographed by Joel Zwick.
A Moon for the Misbegotten is a play in four acts by Eugene O'Neill. The play is a sequel to O'Neill's Long Day's Journey into Night, with the Jim Tyrone character as an older version of Jamie Tyrone. He began drafting the play late in 1941, set it aside after a few months and returned to it a year later, completing the text in 1943 – his final work, as his failing health made it physically impossible for him to write. The play premiered on Broadway in 1957 and has had four Broadway revivals, plus a West End engagement.
The House of Blue Leaves is a play by American playwright John Guare which premiered Off-Broadway in 1971, and was revived in 1986, both Off-Broadway and on Broadway, and was again revived on Broadway in 2011. The play won the Drama Critics' Circle Award for Best American Play and the Obie Award for Best American Play in 1971. The play is set in 1965, when Pope Paul VI visited New York City.
Don't Bother Me, I Can't Cope is a musical revue first staged in 1971 with music, lyrics and book by Micki Grant. It was originally produced by Edward Padula.
A Memory of Two Mondays is a one-act play by Arthur Miller. He began writing the play in 1952, while working on The Crucible, and completed it in 1955. Based on Miller's own experiences, the play focuses on a group of desperate workers earning their livings in a Brooklyn automobile parts warehouse during the Great Depression in the 1930s, a time of 25 percent unemployment in the United States. Concentrating more on character than plot, it explores the dreams of a young man yearning for a college education in the midst of people stumbling through the workday in a haze of hopelessness and despondency. Three of the characters in the story have severe problems with alcoholism.
John Arthur Lithgow is an American actor. He studied at Harvard University and the London Academy of Music and Dramatic Art before becoming known for his diverse work on stage and screen. He has received numerous accolades including six Emmy Awards, two Golden Globe Awards, and two Tony Awards as well as nominations for two Academy Awards, a BAFTA Award, and four Grammy Awards. Lithgow has received a star on the Hollywood Walk of Fame in 2001 and was inducted into the American Theater Hall of Fame in 2005.
Home is a play by David Storey. It is set in a mental asylum, although this fact is only revealed gradually as the story progresses. The four primary characters are seemingly benign Harry, highly opinionated Jack, cynical Marjorie, and flirtatious Kathleen. As they interact we come to realize their delusions and pretensions are similar to those of people living in a supposedly normal society.
Patricia Zipprodt was an American costume designer. She was known for her technique of painting fabrics and thoroughly researching a project's subject matter, especially when it was a period piece. During a career that spanned four decades, she worked with such Broadway theatre legends as Jerome Robbins, Harold Prince, Gower Champion, David Merrick, and Bob Fosse.
Melvin Bernhardt was an American stage and television director. He was born and raised in Buffalo, New York, and much of his work has been in the New York City area. He is known for his productions of The Effect of Gamma Rays on Man-in-the-Moon Marigolds, Da, and Crimes of the Heart. Bernhardt began his career as a stage manager; he made his directorial debut in 1965 with Conerico was Here to Stay at the Cherry Lane Theatre.
Michael Rudman was an American theatre director.
Josh Grisetti is an American actor, director and author who works in theatre, television and film.
Sir Michael Victor Codron is a British theatre producer, known for his productions of the early work of Harold Pinter, Christopher Hampton, David Hare, Simon Gray and Tom Stoppard. He has been honoured with a Laurence Olivier Award for Lifetime Achievement, and is a stakeholder and director of the Aldwych Theatre in the West End, London.