The Complete Imperial Sessions | |
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Compilation album by | |
Released | 2006 |
Recorded | January 25 & 31 and March 12 & 18, 1963 at United Recorders in Los Angeles, California |
Genre | Jazz |
Length | 80:19 |
Label | Blue Note 58293 |
Producer | Michael Cuscuna |
The Complete Imperial Sessions is a CD compilation of the two albums led by American jazz trombonist/composer Lou Blackburn, Jazz Frontier and Two Note Samba, which were recorded in 1963 and originally released on the Imperial label. [1] The albums contain the first recordings of pianist Horace Tapscott. [2]
Review scores | |
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Source | Rating |
AllMusic | [3] |
All Abou Jazz | [4] |
AllMusic reviewer Ken Dryden stated: "The musicianship throughout these dates is exemplary and it is a shame that the short-lived quintet didn't achieve greater recognition. Even bop fans who are not at all familiar with Lou Blackburn will enjoy this collection of his early work as a leader". [3] All About Jazz correspondent, Mike Keely said "The Complete Imperial Sessions presents a tight West Coast band with a bluesy East Coast sound. There is the best of both worlds in this fine quintet with its well-balanced soloists and outstanding rhythm section. Blackburn is a sharp band leader whose sophistication is evident throughout these sessions; he brings to the table eleven original compositions and a band that can turn on a dime". [4]
All compositions by Lou Blackburn except as indicated
William "Sonny" Criss was an American jazz musician.
Horace Elva Tapscott was an American jazz pianist and composer. He formed the Pan Afrikan Peoples Arkestra in 1961 and led the ensemble through the 1990s.
Lou Blackburn was an American jazz trombonist born in Rankin, Pennsylvania who performed in several genres, especially the swing genre. He also performed in the West Coast jazz and soul jazz mediums. During the 1950s, he played swing music with Lionel Hampton, and also Charlie Ventura. In the early 1960s, he began performing with musicians like Cat Anderson, among others. He also appears on the album Mingus at Monterey by Charles Mingus. He also did crossover work with The Beach Boys and The Turtles, among others. From 1970, he lived in Germany, where he toured successfully with his ethno jazz band Mombasa. In 1990, he died in Berlin.
This is the discography of Blue Note Records, the American jazz record label. Most of the records were studio recordings produced by Alfred Lion or Francis Wolff. The two main series were '1500', which ran from 1955 to 1958, and '4000', which ran c.1958 to 1972. The 'BN-LA' series followed during the 1970s: this series contained many compilations and reissues in addition to new studio albums.
Horace Silver and the Jazz Messengers is a 1956 repackage of 1955 10” LPs by jazz pianist Horace Silver with drummer Art Blakey and featuring Hank Mobley on tenor saxophone, Kenny Dorham on trumpet, and Doug Watkins on bass. By the time this repackage was released, this quintet had named themselves the Jazz Messengers, and the band name on the label reflected that. These recordings helped establish the hard bop style. Scott Yanow on Allmusic describes it as "a true classic". Originally released as an LP, the album has subsequently been reissued on CD several times.
Wizard of the Vibes is a Blue Note Records compilation of performances by jazz vibraphonist Milt Jackson. The sessions were the work of The Thelonious Monk Quintet and The Modern Jazz Quartet plus Lou Donaldson. The album has been recompiled and expanded three additional times, with various tracks from these sessions added and deleted.
6 Pieces of Silver is a studio album by jazz pianist Horace Silver released on the Blue Note label in 1957 featuring performances by Silver with Donald Byrd, Hank Mobley, Doug Watkins and Louis Hayes. The Allmusic review by Scott Yanow awarded the album 4½ stars and states "The early Silver quintet was essentially The Jazz Messengers of the year before but already the band was starting to develop a sound of its own. "Señor Blues" officially put Horace Silver on the map". The front cover photograph was taken at Central Park West, Upper West Side.
Finger Poppin' with the Horace Silver Quintet is an album by jazz pianist Horace Silver released on the Blue Note label in 1959 featuring performances by Silver with Blue Mitchell, Junior Cook, Gene Taylor, and Louis Hayes.
Silver's Blue is a studio album by American jazz pianist Horace Silver recorded for the Epic label in 1956 featuring performances by Silver with Joe Gordon, Hank Mobley, Doug Watkins, and Kenny Clarke and another session with Donald Byrd and Art Taylor replacing Gordon and Clarke. Silver, Mobley, Watkins, and Byrd all had recently left The Jazz Messengers. These were Silver's first sessions as a leader after leaving the Messengers.
Quartet/Quintet/Sextet is an album by jazz saxophonist Lou Donaldson featuring his earliest recordings as a leader on the Blue Note label performed by Donaldson's Quartet with Horace Silver, Gene Ramey and Art Taylor, his Quintet with Silver, Blue Mitchell, Art Blakey, and Percy Heath, and a Sextet with Heath, Blakey, Kenny Dorham, Matthew Gee, and Elmo Hope. The album was originally released as a 10" LP, then as a 12" long-playing record, and finally as a CD with additional tracks added.
Blues for Lou is an album by American jazz guitarist Grant Green featuring performances recorded in 1963, but not released on the Blue Note label until 1999. The album combines recordings from two different sessions, and the title track is named for saxophonist Lou Donaldson.
Happenings is an album by American jazz pianist Hank Jones and composer/arranger Oliver Nelson featuring performances recorded in 1966 for the Impulse! label.
Pop + Jazz = Swing is an album arranged and conducted by Benny Golson featuring performances recorded in 1962 and originally released on the Audio Fidelity label. Record producer Tom Wilson was involved in the sessions and wrote the album's liner notes. The album utilised stereophonic sound to present a jazz group on the right channel and an 11-piece pop orchestra playing the same song or a related tune on the left channel which could be separated or mixed by the listener. The related jazz tunes are contrafacts or borrowed chord progressions where new melodies are overlaid on an existing harmonic structure.
K. B. Blues is an album by guitarist Kenny Burrell recorded in 1957 and originally released on the Japanese Blue Note label in 1979. The tracks were reissued on CD as part of Introducing Kenny Burrell: The First Blue Note Sessions but incorrectly identified as being recorded in 1956.
Sonny's Dream is an album by saxophonist Sonny Criss recorded in 1968 and released on the Prestige label.
Onzy Durrett Matthews, Jr. was an American jazz pianist, singer, arranger and composer as well as a television and movie actor. He is best known for the big band arrangements done for the Lou Rawls albums Black and Blue and Tobacco Road, as well as arrangements for several of Ray Charles' 1960s releases. He had his own big band for many years and recorded numerous tracks for Capitol Records, including two albums released under his own name. He later had a close relationship with the Duke Ellington orchestra, working as a pianist, arranger and conductor through the late 1960s and 1970s.
Trombone Jazz Samba is an album by jazz trombonist and arranger Bob Brookmeyer featuring bossa nova compositions recorded in 1962 for the Verve label.
The Modern Art of Jazz by Zoot Sims is an album by American jazz saxophonist Zoot Sims recorded in 1956 and released on the Dawn label.
Snap Your Fingers is an album by trombonist Al Grey released in 1962 on Argo Records featuring studio and live recordings.
The Complete Blue Note Fifties Sessions is a compilatation of saxophonist, composer and bandleader Gil Mellé's recordings from 1952 to 1956 which were released on the Blue Note label. They were originally released as four 10 inch LPs; Gil Mellé Quintet/Sextet ; Gil Mellé Quintet with Urbie Green and Tal Farlow; Gil Mellé Quartet featuring Lou Mecca; 5 Impressions of Color; and a 12 inch LP Patterns in Jazz.