Girolamo Francesco Maria Mazzola, also known as Francesco Mazzola or, more commonly, as Parmigianino, was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes Vision of Saint Jerome (1527) and the iconic if somewhat anomalous Madonna with the Long Neck (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period.
Museo di Capodimonte is an art museum located in the Palace of Capodimonte, a grand Bourbon palazzo in Naples, Italy. The museum is the prime repository of Neapolitan painting and decorative art, with several important works from other Italian schools of painting, and some important ancient Roman sculptures. It is one of the largest museums in Italy. The museum was inaugurated in 1957.
Girolamo Mazzola Bedoli was an Italian painter active in the Mannerist style.
Antea is a painting by the Italian Mannerist artist Parmigianino. The painting is in the collection of the Museum of Capodimonte in Naples, Italy.
Cupid Making His Bow is a painting by the Italian late Renaissance artist Parmigianino. It is housed in the Kunsthistorisches Museum, Vienna, Austria.
Portrait of Lorenzo Cybo (1524) is a painting by the Italian late Renaissance artist Parmigianino. It is housed in the Statens Museum for Kunst, Copenhagen, Denmark.
Portrait of Galeazzo Sanvitale (1524) is a painting of the condottiero Gian Galeazzo Sanvitale by the Italian late Renaissance artist Parmigianino. It is housed in the National Museum of Capodimonte, Naples, Italy.
Self-portrait in a Convex Mirror is a painting by the Italian late Renaissance artist Parmigianino. It is housed in the Kunsthistorisches Museum, Vienna, Austria.
The Galleria nazionale di Parma is an art gallery in Parma, northern Italy.
The Circumcision, a painting by the Italian Mannerist artist Parmigianino of the common subject of the circumcision of Jesus, was executed around 1523 and is now in the Detroit Institute of Arts, Michigan, United States.
Portrait of Pier Maria Rossi di San Secondo is a painting by the Italian Mannerist artist Parmigianino, executed around 1535–1539 and housed in the Museo del Prado, Madrid, Spain. The subject was Count of San Secondo, and the painting forms a pair with a group portrait of his Countess and their children, Portrait of Camilla Gonzaga and Her Three Sons, although the latter is not unanimously attributed to Parmigianino.
Portrait of Camilla Gonzaga and Her Three Sons is a painting attributed to the Italian Mannerist artist Parmigianino and others, executed around 1539–1540 and housed in the Museo del Prado, Madrid, Spain. It forms a pair with another painting in the Prado, the Portrait of Pier Maria Rossi di San Secondo, Camilla's husband, a painting which is unanimously assigned to Parmigianino.
The Vision of Saint Jerome is a painting by the Italian Mannerist artist Parmigianino, executed in 1526–1527. It is now in the National Gallery, London, United Kingdom.
(The) Mystic(al) Marriage of Saint/St. Catherine may refer to any of a large number of paintings of the Mystical marriage of Saint Catherine, a few of which are:
Holy Family with the Infant Saint John the Baptist is a painting by Parmigianino, executed c. 1528. It was in the Palazzo Farnese in Rome until 1662, when it moved to Parma. There it hung in the Palazzo del Giardino and later in the Galleria Ducale - the 'Descrizione' of the latter in 1725 called it one of the finest works on display there. It and the rest of the Farnese collection were later moved to Naples and the work was exhibited for a few years in the Palazzo Reale before moving to its present home in the National Museum of Capodimonte. Two early copies remain in the Galleria Nazionale and Palazzo Comunale in Parma.
Portrait of a Young Man is an oil on panel painting by Parmigianino, executed c. 1530, now in the Uffizi in Florence, whose collection it entered on 27 October 1682. Three copies survive in the Museo di Capodimonte, Rome's Accademia di San Luca and the Galleria nazionale di Parma.
Portrait of a Man in a Red Beret or Self-Portrait in a Red Beret is an oil on paper painting attributed to Parmigianino or Michelangelo Anselmi, executed c. 1540, now in the collection of the National Gallery of Parma.
Female Martyr with Two Angels is a c.1523-1524 oil on panel painting by Parmigianino, now in the Städel Museum in Frankfurt, to which it was donated in 1913 by Baroness Emilie Margarethe Beaulieu-Marconnay, member of a family of bankers and art patrons in the city.
Saint Roch is a tempera on canvas painting by Parmigianino, executed c. 1528, now in a private collection in Parma. It measures 27.8 by 21.5 cm. A preparatory study for the work survives in the Bonnat Museum in Bayonne. Like the artist's Saint Roch with a Donor (1527), its elongated figures are typical of works produced during his stay in Bologna after escaping the Sack of Rome.
Madonna and Child with Saint Zechariah is a c.1530–1533 oil on panel painting by Parmigianino, now in the Uffizi. It shows the Madonna and Child with Zechariah, father of John the Baptist.
