| The Creator (Original Motion Picture Soundtrack) | ||||
|---|---|---|---|---|
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| Film score by | ||||
| Released | September 29, 2023 | |||
| Recorded | 2023 | |||
| Genre | Film score | |||
| Length | 43:48 | |||
| Label | Hollywood | |||
| Producer | Hans Zimmer | |||
| Hans Zimmer chronology | ||||
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The Creator (Original Motion Picture Soundtrack) is the soundtrack to the 2023 film of the same name directed by Gareth Edwards. Featuring 12 tracks from the film's score composed by Hans Zimmer, the album was released by Hollywood Records alongside the film on September 29, 2023. [1] [2]
In July 2023, Edwards confirmed that Hans Zimmer would score music for the film. [3] [4] In an interview to Collider , Edwards assembled a collection of 25 most played tracks from the crew members, and 14 of them belonged to Zimmer, he decided for his inclusion in the film. Joe Walker who worked on the editing of Dune managed to contact Zimmer, through which Edwards—who was in Thailand to meet the head of the military to grant permission for filming a sequence in Black Hawks—contacted him through a video chat on Zoom. During their conversation, Zimmer shared his anecdotes about The Dark Knight score and his contributions to Terrence Malick's films. Later, Edwards showed a test sequence which he did for the producers, which led him to be on board. [5] Some of the cues he composed were debuted at the featurette that showcased at the Hall H in San Diego Comic-Con. [6]
In a September 2023 interview with MIT Technology Review, Edwards revealed that he initially planned on having a company specializing in AI-generated music replicate Zimmer's style of film score. The company provided him with a result that he graded a "7 out of 10", but decided to have Zimmer himself score the film instead, who found the original AI test track "amusing." [7] [8] Henry Ajder, an expert in generative AI, felt that in the early days of AI-generated music, simpler tones are "pretty convincing", which would be difficult to compare with human compositions. However, he found that a longer piece in Zimmer's style of music is "significantly more complex to generate" than a simpler piano melody as "AI systems are limited by what is in their training data, whereas human Zimmer has his imagination and the whole surrounding world to draw inspiration from." [7]
| No. | Title | Length |
|---|---|---|
| 1. | "They're Not People" | 2:19 |
| 2. | "A Place in the Sky" | 2:25 |
| 3. | "Where It All Began" | 4:11 |
| 4. | "Surrounded" | 2:34 |
| 5. | "She's Not Real" | 2:13 |
| 6. | "Standby" | 6:12 |
| 7. | "Missile Launch" | 3:01 |
| 8. | "Prayer" | 2:47 |
| 9. | "The Wounded" | 3:08 |
| 10. | "Lab Raid" | 4:31 |
| 11. | "Heaven" | 6:57 |
| 12. | "True Love" | 3:30 |
| Total length: | 43:48 | |
Other songs featured in the film include: [9]
Filmtracks.com wrote "For a somewhat short, score-only album of 44 minutes in length, the 12 minutes in that trio of highlight cues will easily carry the day for all of humanity in ways that Edwards' ridiculous noodling with artificial intelligence will struggle to accomplish." [10] James Southall of Movie Wave commented it as "a straightforward dramatic film score which does what a good dramatic film score should do – adds to the film and when it goes big on emotion it’s really earned the right to do so." [11] Music critic Jonathan Broxton wrote "The Creator is a really, really good score, which successfully blends some of Zimmer’s more modern science fiction sensibilities with the evocative Asian sound of scores like Beyond Rangoon , and builds up to a powerful, emotional finale that really stirs the soul." [12]
Fionnuala Halligan of Screen International said that Zimmer "delivers an appropriate score". [13] David Rooney of The Hollywood Reporter wrote that the "soaring choral passages" of Zimmer's score enhances Edwards' "sophisticated world-building skills" and "philosophical platitudes". [14] Clint Worthington of Consequence wrote "Hans Zimmer’s score is appropriately booming and Zimmeresque, though it doesn’t quite escape the wall-of-sound feel of many of his previous blockbuster works." [15] Pete Hammond of Deadline Hollywood wrote "Hans Zimmer did the music score and it not only matches the ever-changing action perfectly, but ranks with the very best of this veteran composer." [16] Mireia Mullor of Digital Spy said that Zimmer's "commanding score is incredibly moving, enough to make audiences leave the cinema stunned". [17]
However, David Ehrlich of IndieWire criticised Zimmer's score as he felt that the Radiohead album Kid A (2000) "can do more for a story about the next iteration of 'human' life than any of the tracks". [18] Chris Bumbray of JoBlo.com wrote "the Hans Zimmer score isn’t given enough of a focus in the movie’s first half, with Edwards using a few too many needle drops." [19]
Hans Florian Zimmer is a German film score composer and music producer. He has won two Oscars and four Grammys, and has been nominated for three Emmys and a Tony. Zimmer was also named on the list of Top 100 Living Geniuses, published by The Daily Telegraph in 2007.
Paul Leonard-Morgan is a Scottish composer particularly known for his work in scoring for television and film. He won a Scottish BAFTA for the film Reflections upon the Origin of the Pineapple (2000), which was his first film score.
Monsters is a 2010 British science-fiction horror film written and directed by Gareth Edwards. Edwards also served as the cinematographer, production designer, and a visual effects artist. The film takes place years after a NASA probe crashed in Mexico, which leads to the sudden appearance of giant tentacled monsters. It follows Andrew Kaulder, an American photojournalist tasked with escorting his employer's daughter Samantha Wynden back to the United States by crossing through Mexico's "Infected Zone", where the creatures reside.
Award-winning German composer and music producer Hans Zimmer has composed and produced over one hundred soundtracks and film scores. Of them, about 50 soundtracks and songs were nominated for awards. He has won two Academy Awards, four Satellite Awards, three Golden Globe Awards, four Grammy Awards, three Saturn Awards, two Annie Awards, and two WAFCA Awards.
Gareth James Edwards is an English filmmaker. He gained recognition for Monsters (2010), an independent film in which he served as writer, director, cinematographer, and visual effects artist. He subsequently directed Godzilla (2014), a reboot of Toho's Godzilla franchise and the first film in Legendary's MonsterVerse, and Rogue One: A Star Wars Story (2016), the first installment of the Star Wars anthology series and an immediate prequel to Star Wars: Episode IV – A New Hope (1977). He returned to making original films with the science fiction thriller The Creator (2023).
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The Hollywood Music in Media Award for Best Original Score in a Sci-Fi/Fantasy Film is one of the awards given annually to people working in the motion picture industry by the Hollywood Music in Media Awards (HMMA). It is presented to the composers who have composed the best "original" score, written specifically for a sci-fi/fantasy motion picture. It was grouped with "horror" films, until that genre was given its own category. The award was first given in 2014, during the fifth annual awards.
Possessor is a 2020 science fiction psychological horror film written and directed by Brandon Cronenberg. It stars Andrea Riseborough and Christopher Abbott, with Rossif Sutherland, Tuppence Middleton, Sean Bean, and Jennifer Jason Leigh in supporting roles. Riseborough portrays an assassin who performs her assignments through possessing the bodies of other individuals, but finds herself fighting to control the body of her current host (Abbott).
Dune: Part Two is a 2024 American epic science fiction film directed and co-produced by Denis Villeneuve, who co-wrote the screenplay with Jon Spaihts. Produced by Legendary Pictures and distributed by Warner Bros., it is a sequel to Dune (2021) as the second of a two-part adaptation of the 1965 novel Dune by Frank Herbert. It follows Paul Atreides as he unites with the Fremen people of the desert planet Arrakis to wage war against House Harkonnen. Timothée Chalamet, Rebecca Ferguson, Josh Brolin, Stellan Skarsgård, Dave Bautista, Zendaya, Charlotte Rampling, and Javier Bardem reprise their roles from the first film, with Austin Butler, Florence Pugh, Christopher Walken, Léa Seydoux, and Souheila Yacoub joining the ensemble cast.
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The Hollywood Music in Media Award for Best Original Score in a Horror Film is one of the awards given annually to people working in the motion picture industry by the Hollywood Music in Media Awards (HMMA). It is presented to the composers who have composed the best "original" score, written specifically for a sci-fi/fantasy motion picture. It was grouped with "sci-fi/fantasy" films, until it was given its own category in 2020. The award was first given in 2014, during the fifth annual awards.
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