| The Crow Girl | |
|---|---|
| Genre | Crime thriller |
| Based on | The Crow Girl by Erik Axl Sund |
| Screenplay by | Milly Thomas |
| Directed by | Charles Martin Rebecca Rycroft |
| Starring | |
| Composer | Adam Price |
| Country of origin | United Kingdom |
| Original language | English |
| Production | |
| Executive producers |
|
| Producer | Andy Mosse |
| Production companies |
|
| Original release | |
| Network | Paramount+ |
| Release | 16 January 2025 – present |
The Crow Girl is a television series based on the Crow Girl book series by Erik Axl Sund, adapted by Milly Thomas for Paramount+. The first series was released in its entirety on 16 January 2025. [1] A second series is currently in development. [2]
DCI Jeanette Kilburn and eminent psychotherapist Dr Sophia Craven join forces to hunt the killer of young men. The investigation takes Jeanette and Sophia into a dangerous world of historic abuse and murder. [3]
| Series | Episodes | Originally released | ||
|---|---|---|---|---|
| 1 | 6 | 16 January 2025 | ||
| No. overall | No. in series | Episode | Directed by | Written by | Original release date | |
|---|---|---|---|---|---|---|
| 1 | 1 | "She Sees Herself from Above" | Charles Martin | Erik Axl Sund and Milly Thomas | 16 January 2025 | |
DCI Jeanette Kilburn hunts a killer, leading her to Dr Sophia Craven. | ||||||
| 2 | 2 | "The Egg She Wishes to Crack" | Charles Martin | Erik Axl Sund and Milly Thomas | 16 January 2025 | |
Another body gives Jeanette new leads, while Sophia is haunted by a patient. | ||||||
| 3 | 3 | "She Wishes to Believe" | Charles Martin | Laura Lomas, Erik Axl Sund and Milly Thomas | 16 January 2025 | |
Jeanette comes under fire. Madeleine is in danger as Victoria gets closer. | ||||||
| 4 | 4 | "The Dirt She Can't Bury" | Rebecca Rycroft | Lydia Mulvey, Erik Axl Sund and Milly Thomas | 16 January 2025 | |
A cold case shifts Jeanette's focus, as Sophia gets some distressing news. | ||||||
| 5 | 5 | "She Shoots for the King" | Rebecca Rycroft | E.V. Crowe, Erik Axl Sund and Milly Thomas | 16 January 2025 | |
Jeanette and Sophia dig into Victoria's past. Madeleine plans her escape. | ||||||
| 6 | 6 | "I'll See You There" | Rebecca Rycroft | Erik Axl Sund and Milly Thomas | 16 January 2025 | |
Jeanette turns to Sophia as her world begins to crumble. Victoria seeks revenge. | ||||||
The book series by Erik Axl Sund, the pen name of Swedish author duo Jerker Eriksson and Håkan Sundquist, was optioned by ITV Studios and Tomorrow Studios in 2014. [4]
In 2023, an adaptation by E.V. Crowe for Paramount+ with executive producers Tony Wood and Richard Tulk-Hart, under the banner of Buccaneer Media began to move forward. [5] Milly Thomas adapted the book for the series. Charles Martin and Rebecca Rycroft are directors with Andy Mosse serving as producer. [6]
In March 2024, Katherine Kelly, Dougray Scott and Eve Myles were cast in lead roles. [7] The cast also includes Lee Boardman, Victoria Hamilton and Clara Rugaard. Filming began in Bristol in March 2024. [8] Filming locations include the city's Castle Park and Wine Street. [9] Filming also took place in Brean, Somerset. [10]
In April 2024, guitarist Slash, a huge fan of the original novel who helped bring it to Buccaneer Media for the adaptation, joined the series as an executive producer and a contributor to the series's soundtrack alongside composer Adam Price. [11]
The first series became available on Paramount+ from 16 January 2025. [12]
Vicky Jessop for the Evening Standard gave the show four out of five, and praised the performance of Myles who found "levity in a show that often feels mired in darkness, but never fails to be anything less than compelling". [13]
Lucy Mangan in The Guardian also gave the show four out of five and described it as "a very well-made, pacy drama" with an "overall confidence, style and authenticity". [14]
Ed Power in The Independent also gave the series four out of five and praised the performance of Myles and the soundtrack which he described as "understated and spooky" and "the perfect accompaniment to a thriller illuminated by the reliably likeable Myles but not afraid to get much darker than the average streaming whodunit". [15]
