The Daughter | |
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Directed by | Simon Stone |
Screenplay by | Simon Stone |
Based on | The Wild Duck by Henrik Ibsen (play) |
Produced by |
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Starring | |
Cinematography | Andrew Commis |
Edited by | Veronika Jenet |
Music by | Mark Bradshaw |
Production company | |
Distributed by | Roadshow Films |
Release dates |
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Running time | 95 minutes [1] |
Country | Australia |
Language | English |
The Daughter is a 2015 Australian drama film written and directed by Simon Stone, starring an ensemble cast led by Geoffrey Rush. The film was released in Australia on 17 March 2016 to generally favourable reviews. [2] The film is a reworking of Henrik Ibsen's 1884 play, The Wild Duck .
Christian Nielsen, a recovering alcoholic, returns home to Australia from the United States for the wedding of his father, Henry, to his much younger housekeeper, Anna. Christian's relationship with his father is strained as Christian believes Henry did not sufficiently look after his ill wife and Christian's mother, eventually leading to her suicide. Christian does not approve of the wedding to the much younger housekeeper.
He meets up with his childhood friend Oliver and gets introduced to Oliver's wife Charlotte and their daughter Hedvig. He finds out that Charlotte was many years for a short time Henry's housekeeper and he realises that Charlotte had at that time an affair with Henry. Confronting Charlotte with this, she begs him to let sleeping dogs lie. Christian, feeling miserable as his partner terminates their relationship in a phone call, begins drinking again. At the wedding, being seriously drunk, he tells Oliver about the affair of Charlotte and Henry.
Oliver is devastated and confronts Charlotte. In the heated discussion, he realises that Charlotte was at that time pregnant from Henry and that Hedvig is not his biological daughter. He rushes to beat Henry in the face and leaves the wedding party. Christian tells the devastated Charlotte that he did not know about Hedvig. Charlotte begs him to not tell Hedvig.
The next day, Christian meets Hedvig outside the motel where Oliver is staying. He tells her that Henry is her biological father. She goes to Oliver and begs him to pretend he does not know all this as to her it makes no difference, but Oliver rejects her. Hedvig tries to commit suicide using her grandfather's shotgun but survives with heavy injuries. Oliver and Charlotte reunite in the hospital, where Hedvig lies in recovery.
The Daughter was shown in the Special Presentations section of the 2015 Toronto International Film Festival. [3] The film was released in Australia on 17 March 2016.
The Daughter received generally positive reviews from critics. [2] On review aggregator website Rotten Tomatoes, the film has an approval rating of 77% based on 61 reviews, with an average rating of 6.90/10. The critical consensus reads, "With The Daughter, debuting writer-director Simon Stone turns Henrik Ibsen's The Wild Duck into a thoughtful meditation on the bonds of family, friendship, and community". [4] On Metacritic, the film has a weighted average score of 62 out of 100 based on 12 reviews, indicating "generally favorable reviews". [2]
Jessica Kiang of IndieWire gave the film a B+, saying in her closing comments that it is "a highly polished film that belies the soap opera melodrama of its plotline by having the twists and turns spring directly from well-observed human behavior, Stone’s The Daughter is a quiet, immensely affecting triumph that proves how, contrary to accepted wisdom, there are secrets that would better remain untold". [5]
Wendy Ide of The Guardian gave the film 4 out of 5, saying that "A family's long-buried secret is unearthed in an Ibsen adaptation marked by fine performances". [6] Eddie Cockrell of Variety compared The Daughter to another directors' masterpiece, The Wild Duck . [7] Rochelle Siemienowicz of SBS was quoted saying that "[the film is] confident, low-key modernising of classic European material for the Australian setting", [8]
Award | Date of ceremony | Category | Recipient(s) | Result |
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AACTA Awards [9] | 7 December 2016 | Best Film | Jan Chapman and Nicole O'Donohue | Nominated |
Best Adapted Screenplay | Simon Stone | Won | ||
Best Actor | Ewen Leslie | Nominated | ||
Best Actress | Odessa Young | Won | ||
Best Supporting Actor | Sam Neill | Nominated | ||
Best Supporting Actress | Miranda Otto | Won | ||
Anna Torv | Nominated | |||
Best Editing | Veronika Jenet | Nominated | ||
Best Sound | Yulia Akerholt, James Andrews, Liam Egan, Nick Emond, Tony Murtagh and Robert Sullivan | Nominated | ||
Best Production Design | Steven Jones-Evans | Nominated | ||
ASE Award [10] | Best Editing in a Feature Film | Veronika Jenet | Nominated | |
Henrik Johan Ibsen was a Norwegian playwright and theatre director. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playwrights of his time. His major works include Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, When We Dead Awaken, Rosmersholm, and The Master Builder. Ibsen is the most frequently performed dramatist in the world after Shakespeare, and A Doll's House was the world's most performed play in 2006.
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