The Emperor's Candlesticks | |
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Directed by | Geo. Fitzmaurice |
Screenplay by | Monckton Hoffe and Harold Goldman |
Based on | The Emperor's Candlesticks 1899 novel by Baroness Orczy |
Produced by | John W. Considine Jr. |
Starring | William Powell Luise Rainer |
Cinematography | Harold Rosson Oliver T. Marsh (uncredited) |
Edited by | Conrad A. Nervig |
Music by | Franz Waxman |
Production company | |
Release date |
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Running time | 89 minutes |
Country | United States |
Language | English |
Budget | $620,000 [1] |
Box office | $1,333,000 [1] |
The Emperor's Candlesticks is a 1937 historical drama film starring William Powell and Luise Rainer and directed by George Fitzmaurice. It is based on the 1899 novel of the same name by Baroness Orczy. The story follows the adventures of spies from opposing sides who fall in love while following the eponymous candlesticks—and the papers hidden inside them—all over turn-of-the-20th-century Europe. [2]
While visiting Vienna incognito, Russian Grand Duke Peter (Robert Young) is lured away from a masquerade ball by the beautiful Maria (Maureen O'Sullivan), only to find himself the prisoner of Polish nationalists. Peter is made to write a letter to his father, the tsar of Russia, offering to exchange him for Maria's father, who has been sentenced to be executed.
Because their previous petitions for clemency were intercepted and never reached the Tsar, the Poles task secret agent Baron Stephan Wolensky (William Powell) to deliver the letter. Meanwhile, Colonel Pavloff (Frank Reicher), head of the Russian secret police, assigns his own agent, Countess Olga Mironova (Luise Rainer), to take to Russia documents incriminating Wolensky as an enemy agent, along with an order for his arrest.
Since he is already going to Saint Petersburg, Wolensky's friend, Prince Johann (Henry Stephenson), asks him to deliver a pair of ornate candlesticks to a princess. Each of the candlesticks has a secret compartment, so the baron secretly places the letter in one. Later, when Prince Johann amuses Countess Mironova by showing her the candlesticks' unusual feature, she puts her documents inside the other, and persuades the prince to entrust the pair to her. When Wolensky is given the news, he sets off in pursuit.
A complication arises when Mironova's maid, Mitzi Reisenbach (Bernadene Hayes), and Mitzi's lover Anton (Donald Kirke) steal her jewelry and the candlesticks. As they trace the candlesticks, first to Paris and then to London, Wolensky and Mironova admit to each other that they are on opposite sides, but this does not prevent them from falling in love.
Finally, the candlesticks are put up for auction. The countess places the winning bid, but since only cash is acceptable as payment, she does not have enough to pay for them. The baron solves the problem by offering to pool their resources, each getting one candlestick. Wolensky chooses what he believes is the one with his letter, but he picks the wrong one. He finds and reads his own death warrant. When Mironova tries to exchange candlesticks, Wolensky declines. She then offers to deliver both sets of documents, while Wolensky remains safely outside Russia. He does not trust her, but knowing the price of her failure, offers to give her back her papers once he has safely delivered Peter's letter.
Meanwhile, the Polish patriots become restless at the long, unexplained delay. Korum (Douglas Dumbrille) favors killing Peter, but Maria persuades the others to wait until they hear from Wolensky. Peter eavesdrops and is pleased. The Tsar pardons and releases Maria's father in exchange for his son.
In St. Petersburg, Pavloff arrests Miranova at her mansion. When Wolensky shows up there with her documents, she tosses them into the fireplace. Pavloff takes them both before the Tsar. The ruler of Russia graciously frees the loving couple, who decide to marry.
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According to MGM records the film earned $733,000 in the U.S. and Canada and $600,000 in other markets, resulting in a profit of $259,000. [1]
Bosley Crowther (bylined B.R.C) praised the film in his July 9, 1937, review for The New York Times: “The Baroness Orczy, one of light literature’s most deserving noblewomen, has seldom if ever enjoyed handsomer screen treatment...the producers have breathed debonair life into a shopworn tale of intrigue and espionage, opening the action brilliantly and suddenly as a popping champagne cork at a masked ball in Vienna and taking it on an itinerary of world capitals which includes...a perfectly enchanting St. Petersburg, on which the snow falls in great, soft, downy, Tchekovian flakes – and what if they are corn flakes? A delightful Summer-weight picture, full of romantic encounters in Continental train sheds, the piping of Mittel-Europa locomotives, the amazing old-fashioned simplicity of pre-war European politics, with nothing more complicated than secret documents, hidden compartments in silver candlesticks, black-net dominoes and string orchestras...a picture to take one’s mind off the world and the weather. William Powell is magnificently Polish and baronial...The other people are just as right. Robert Young, as the susceptible son of the czar (who was apparently being difficult in those days about Poland) is a triumph of grand-ducal make-up and bearing; Maureen O’Sullivan, with the tree bark combed out of her hair, [3] is charming and spunky as the Polish beauty...Frank Morgan...is agreeably Frank Morganish; Henry Stevenson...is splendid as what the Soviets would assuredly call a decadent aristocrat. And the list goes on...(T)he story is the old one about the two secret agents who fall in love while engaged on intersecting missions, and depends for its effects on plot manipulations as studied and formal as a ballet, but in this case it is narrated deftly and plausibly with a wealth of purely cinematic embellishments. An inventory of its assets must include rich and tasteful production, directorial finesse, skillful editorial joinery of scene to scene, and casualness and grace of acting—all of which combine to make of “The Emperor’s Candlesticks” one of the pleasantest surprises of the summer.” [4]
According to TCM's Jeremy Arnold: “The studio lavished huge amounts of money and effort on the film, a true 'A' production with a formidable cast and sumptuous sets and costumes...Today, it's that glossy star power, given the full MGM treatment, which makes The Emperor's Candlesticks fun to watch.” [5]
Credit for the qualities that won high praise from Bosley Crowther at the time (see above) belongs to: Producer John W. Considine Jr.; Director Geo. Fitzmaurice, assisted by Edward Woehler; Cinematographers Harold Rosson and Oliver T. Marsh (uncredited); Film Editor Conrad A. Nervig; Art Director Cedric Gibbons, assisted by Daniel B. Cathcart and Edwin B. Willis; Costumes by Adrian; Music by Franz Waxman. Writers Harold Goldman, Monckton Hoffe and Herman J. Manckiewiz worked from the novel by Baroness Orczy with additional dialogue provided by Hugh Mills, John Meehan and Erich von Stroheim [5] [6]
This was the third—and last—film co-starring Luise Rainer and William Powell. The first was a romantic comedy titled Escapade (1935). Rainier won the Academy Award for Best Actress for her performance as Anna Held opposite Powell as Florenz Ziegfeld in The Great Ziegfeld (1936). [2]
The Great Ziegfeld is a 1936 American musical drama film directed by Robert Z. Leonard and produced by Hunt Stromberg. It stars William Powell as the theatrical impresario Florenz "Flo" Ziegfeld Jr., Luise Rainer as Anna Held, and Myrna Loy as Billie Burke.
Baroness Emma Orczy, usually known as Baroness Orczy or to her family and friends as Emmuska Orczy, was a Hungarian-born British novelist and playwright. She is best known for her series of novels featuring the Scarlet Pimpernel, the alter ego of Sir Percy Blakeney, a wealthy English fop who turns into a quick-thinking escape artist in order to save French aristocrats from "Madame Guillotine" during the French Revolution, establishing the "hero with a secret identity" in popular culture.
Luise Rainer was a German-born film actress. She was the first thespian to win multiple Academy Awards, and the first to win back-to-back; at the time of her death, thirteen days shy of her 105th birthday, she was the longest-lived Oscar recipient, a superlative that has not been exceeded, as of 2024.
The Ziegfeld Follies were a series of elaborate theatrical revue productions on Broadway in New York City from 1907 to 1931, with renewals in 1934, 1936, 1943, and 1957. They became a radio program in 1932 and 1936 as The Ziegfeld Follies of the Air.
Florenz Edward Ziegfeld Jr. was an American Broadway impresario, notable for his series of theatrical revues, the Ziegfeld Follies (1907–1931), inspired by the Folies Bergère of Paris. He also produced the musical Show Boat. He was known as the "glorifier of the American girl". Ziegfeld is a member of the American Theater Hall of Fame.
Helene Anna Held was a Polish-born French stage performer of Jewish origin on Broadway. While appearing in London, she was spotted by impresario Florenz Ziegfeld, who brought her to America as his common-law wife. From 1896 through 1910, she was one of Broadway's most celebrated leading ladies, presented in a succession of musicals as a charming, coquettish Parisian singer and comedienne, with an hourglass figure and an off-stage reputation for exotic behavior, such as bathing in 40 gallons of milk a day to maintain her complexion. Detractors implied that her fame owed more to Ziegfeld's promotional flair than to any intrinsic talent, but her audience allure was undeniable for over a decade, with several of her shows setting house attendance records for their time. Her uninhibited style also inspired the long-running series of popular revues, the Ziegfeld Follies.
The Elusive Pimpernel is a 1950 British period adventure film by the British-based director-writer team of Michael Powell and Emeric Pressburger, based on the novel The Scarlet Pimpernel (1905) by Baroness Emmuska Orczy. It was released in the United States under the title The Fighting Pimpernel. The picture stars David Niven as Sir Percy Blakeney, Margaret Leighton as Marguerite Blakeney and features Jack Hawkins, Cyril Cusack and Robert Coote. Originally intended to be a musical, the film was re-worked as a light-hearted drama.
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Ziegfeld Follies is a 1945 American musical comedy film released by Metro-Goldwyn-Mayer, primarily directed by Vincente Minnelli, with segments directed by Lemuel Ayers, Roy Del Ruth, Robert Lewis, and George Sidney, the film's original director before Minnelli took over. Other directors that are claimed to have made uncredited contributions to the film are Merrill Pye, Norman Taurog, and Charles Walters. It stars many MGM leading talents, including Fred Astaire, Lucille Ball, Lucille Bremer, Fanny Brice, Judy Garland, Kathryn Grayson, Lena Horne, Gene Kelly, James Melton, Victor Moore, William Powell, Red Skelton, and Esther Williams.
Knight Without Armour is a 1937 British historical drama film starring Marlene Dietrich and Robert Donat. It was directed by Jacques Feyder and produced by Alexander Korda from a screenplay by Lajos Bíró adapted by Frances Marion from the 1933 novel by James Hilton. The novel was published in the United States as Without Armour. The music score was by Miklós Rózsa, his first for a motion picture, using additional music by Tchaikovsky.
The Scarlet Pimpernel is a 1934 British adventure film directed by Harold Young and starring Leslie Howard, Merle Oberon, and Raymond Massey. Based on the 1905 play by Baroness Orczy and Montagu Barstow and the classic 1905 adventure novel by Orczy, the film is about an eighteenth-century English aristocrat (Howard) who leads a double life, passing himself off as an effete aristocrat while engaged in a secret effort to rescue French nobles from Robespierre's Reign of Terror. The film was produced by Alexander Korda. Howard's portrayal of the title character is often considered the definitive portrayal of the role. In 1941, he played a similar role in "'Pimpernel' Smith" but this time set in pre-WWII Germany.
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