This article needs additional citations for verification .(December 2019) |
The Esquires were an American R&B group from Milwaukee, Wisconsin, United States, principally active from 1957 to 1976.
The group first formed in 1957 around the Moorer family: Gilbert (born Gilbert Moorer, Jr., August 20, 1941, Birmingham, Alabama, died August 28, 2008), [1] his brother Alvis (born Alvis V. Moorer, January 18, 1940, Birmingham, Alabama, died August 21, 2011), and their sister Betty. [2] They first performed as Betty Moorer and the Esquires. When their sister and lead singer left, the group shortened its name to The Esquires, and Gilbert became lead singer. [3] In 1961, Sam Pace (born Sammie L. Pace, September 22, 1944, Kansas City, Missouri, died January 7, 2013) joined as a tenor. [4] Millard Edwards, a bass, also sang during this period in place of Taylor. [4] They went through many lineup changes over their first decade, which saw them aiming mostly for local recognition. In 1966, they moved to Chicago, Illinois, [2] and auditioned for Curtis Mayfield, who was not interested in signing them. [5] They then attempted to sign with Constellation Records, but the record label went under at the end of 1966; they signed instead with Bunky Records, Constellation's successor. [2] Bunky was distributed by Scepter Records on the national level.
Their debut record for Bunky/Scepter was "Get on Up" (1967), becoming a major hit in the United States, [2] peaking at No. 11 as a pop single and reaching No. 3 on the US Billboard R&B chart. Following the release they played Chicago's Regal Theater and the Apollo Theatre in New York City. Further singles were also successes, and the group released one full-length LP. After five singles on Bunky the group signed a deal with Scepter themselves late in 1968. They later returned to Bunky and then, in 1970, signed with Capitol Records for one single ("Reach Out") and Lamarr Records in 1971 for "Girls in the City". [2]
Perry Moorer played alto saxophone with the group. He died in 1996. [3]
Gilbert Moorer died from throat cancer on August 28, 2008, at the age of 67. [3]
Alvis Moorer died on August 21, 2011, at the age of 71. [6] [7]
Sam Pace died after a long illness on January 7, 2013, at the age of 68. [4]
Edwards, who lives in Chicago, is now the only surviving member of the band from its recording days. [4]
Year | Album | Record label |
---|---|---|
1967 | Get on Up and Get Away | Bunky Records |
1982 | The Esquires | Flying Heart Records |
1984 | Whatcha Got? | |
1987 | The Esquires | |
Year | Title | Peak chart positions | Record Label | B-side | Album | |
---|---|---|---|---|---|---|
US | US R&B | |||||
1967 | "Get on Up" | 11 | 3 | Bunky Records | "Listen to Me" | Get on Up and Get Away |
"And Get Away" | 22 | 9 | "Everybody's Laughing" | |||
1968 | "You Say" | 126 | 41 | "State Fair" | ||
"Why Can't I Stop" | — | 48 | "The Feeling's Gone" | |||
"I Know I Can" | — | — | "How Could It Be" | |||
"You've Got the Power" | 91 | 29 | Wand Records | "No Doubt About It" | ||
1969 | "I Don't Know" | — | 37 | "Part Angel" | ||
"Reach Out" | — | — | Capitol Records | "Listen to Me" | ||
1970 | "Ain't No Reason" | — | — | B and G Records | "Baba-Daba-Dop" | |
1971 | "Dancin' a Hole in the World" | — | — | Rocky Ridge Records | "That Ain't No Reason" | |
"Girls in the City" | 120 | 18 | Lamarr Records | "Ain't Gonna Give It Up" | ||
1974 | "Let Me Build You a New World" | — | — | New World Records | "Stay" | |
1976 | "Get on Up '76" | — | 62 | Ju-Par Records | "The Feeling's Gone" | |
1980 | "The Show Ain't Over" | — | — | Cigar Man Music Records | "What Good Is Music?" | |
Chicago soul is a style of soul music that arose during the 1960s in Chicago. Along with Detroit, the home of Motown, and Memphis, with its hard-edged, gritty performers, Chicago and the Chicago soul style helped spur the album-oriented soul revolution of the early 1970s.
Omer Victor Simeon was an American jazz clarinetist. He also played soprano, alto, and baritone saxophone and bass clarinet.
The World Saxophone Quartet is an American jazz ensemble founded in 1977, incorporating elements of free jazz, R&B, funk and South African jazz into their music.
Philip Wells Woods was an American jazz alto saxophonist, clarinetist, bandleader, and composer.
Lee Roy Jordan is an American former professional football player who was a linebacker for the Dallas Cowboys of the National Football League (NFL). After playing college football for the Alabama Crimson Tide under head coach Paul "Bear" Bryant, he played 14 years in the NFL for the Cowboys from 1963 to 1976. He was inducted into the College Football Hall of Fame in 1983.
B.T. Express was an American funk/disco group that had a number of successful songs during the 1970s.
Michał Urbaniak is a Polish jazz musician who plays violin, lyricon, and saxophone. His music includes elements of folk music, rhythm and blues, hip hop, and symphonic music.
I Can't Help It is a 1992 Betty Carter compilation album. It contains all of the tracks from her albums Out There with Betty Carter and The Modern Sound of Betty Carter. The same combination of tracks had previously been released as a double LP by ABC Records under the title What a Little Moonlight Can Do.
James Moody was an American jazz saxophone and flute player and very occasional vocalist, playing predominantly in the bebop and hard bop styles.
Dave Edwards was an American big band-style musician who most notably was the lead alto saxophonist and multireedist for the long running weekly television series, The Lawrence Welk Show from 1968 through 1979.
Edward Maxwell Miller was an American jazz pianist and vibraphone player. He had a forty year career that peaked in the 1940s and '50s. Many of his compositions use extended chord harmonies, polyphony, and polytonality and were influenced by Stravinsky, Bartók, and Hindemith.
Ewart Gladstone Abner, Jr. was a major American record company executive who was President of Motown Records from 1973 to 1975 and was personal and business manager for Stevie Wonder for 10 years. In his executive roles at Motown, he helped direct careers for Marvin Gaye, Smokey Robinson and the Miracles, The Temptations, and the Jackson 5.
Soul in the Night is an album by saxophonists Sonny Stitt and Bunky Green recorded in Chicago in 1966 and released on the Cadet label.
Playin' for Keeps is an album by saxophonist Bunky Green recorded in Chicago and released by the Cadet label in 1966.
Playin' for Keeps is an album by saxophonist Bunky Green recorded in Chicago and released by the Argo label in 1965.
The Latinization of Bunky Green is an album by saxophonist Bunky Green recorded in Chicago and released by the Cadet label in 1967.
Visions is an album by saxophonist Bunky Green recorded in New York and released by the Vanguard label in 1978.
Places We've Never Been is an album by saxophonist Bunky Green recorded in New York and released by the Vanguard label in 1979.
My Babe is an album by saxophonist Bunky Green recorded in Chicago in 1960 but not released on the Vee-Jay label until 1965. It was also released on the label subsidiary Exodus Records in 1966.