The Fantastic Plastic Machine (album)

Last updated
The Fantastic Plastic Machine
Thefantasticplasticmachine1997.png
Studio album by
ReleasedOctober 10, 1997 (1997-10-10)
Genre
Length49:23
Label Readymade
Producer
Fantastic Plastic Machine chronology
The Fantastic Plastic Machine
(1997)
Summer Review EP
(1998)
Singles from The Fantastic Plastic Machine
  1. "L'Aventure fantastique"
    Released: August 30, 1997 [1]

The Fantastic Plastic Machine is the debut studio album by Japanese musician Fantastic Plastic Machine. It was released on October 10, 1997, by Readymade Records. [2] The album was subsequently released in Germany on April 24, 1998, by Bungalow Records [3] and in the United States on September 15, 1998, by Emperor Norton Records. [4]

Contents

His debut album drew influence and inspiration from music styles—including baroque pop, bossa nova, beat, and europop, as well as his dance music roots. [5] The album's cover art was illustrated by French-Armenian cartoonist and illustrator Edmond Kiraz. [6]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [5]

Steve Huey of AllMusic described The Fantastic Plastic Machine as "a delightful, infectious album that's not only hooky as all get-out, but also rewards repeated listening", deeming it "one of the best albums to come out of the Japanese club-pop movement". [5]

In 2007, Rolling Stone Japan placed The Fantastic Plastic Machine at number 67 on its list of the "100 Greatest Japanese Rock Albums of All Time". [7] In 2011, the album was included in LA Weekly 's "beginner's guide" to Shibuya-kei music. [8] Tokyo Weekender writer Ed Cunningham later cited it as a "groundbreaking" Shibuya-kei release, noting: "Some post-Shibuya-kei artists would follow in the footsteps of the guitar-driven indie pop of Flipper's Guitar, but many more significant acts, in genres such as picopop and electropop, would expand upon the electronica initiated by [Fantastic Plastic Machine]." [9]

Track listing

No.TitleWriter(s)Length
1."Bon Voyage" Tomoyuki Tanaka 0:42
2."L'Aventure fantastique"
  • Tanaka
  • Takeo Sasada
3:03
3."Steppin' Out" Joe Jackson 5:30
4."Bachelor Pad" (F.P.M. edit)4:47
5."Fantastic Plastic World"
  • Tanaka
  • Laila France
  • Mikado Koyanagi
5:51
6."Dear Mr. Salesman"
  • Tanaka
  • Sasada
  • Tetsushi Hiruma
  • Toshiyuki Yasuda
4:14
7."Allen Ginsberg"3:58
8."First Class '77"6:44
9."Philter (In viaggio attraverso l'Australia)" Piero Piccioni 5:19
10."Please, Stop!"
  • Tanaka
  • Yukihiro Fukutomi
4:41
11."Pura saudade (Nova bossa nova)"
  • Tanaka
  • Sasada
  • Pat Cerqueira
4:34
Total length:49:23
German CD edition
No.TitleWriter(s)Length
1."Bon Voyage"Tanaka0:42
2."L'Aventure fantastique"
  • Tanaka
  • Sasada
3:03
3."Steppin' Out"Jackson5:30
4."Bachelor Pad" (F.P.M. edit)
  • Tanaka
  • Cameron
4:47
5."Fantastic Plastic World (Voice 'n' Baroque)"
  • Tanaka
  • France
  • Koyanagi
5:51
6."Dear Mr. Salesman"
  • Tanaka
  • Sasada
  • Hiruma
  • Yasuda
4:14
7."Allen Ginsberg"
  • Tanaka
  • Shimizu
3:58
8."First Class '77"
  • Tanaka
  • Sunahara
6:44
9."Philter (In viaggio attraverso l'Australia)" (vocal version)Piccioni5:50
10."Please, Stop!"
  • Tanaka
  • Fukutomi
4:41
11."Pura saudade (Nova bossa nova)"
  • Tanaka
  • Sasada
  • Cerqueira
4:34
12."L'Aventure fantastique (Recycled Soft Rock)"
  • Tanaka
  • Sasada
4:49
13."Pura saudade (Nova bossa nova) (Laxmikant)"
  • Tanaka
  • Sasada
  • Cerqueira
6:32
Total length:61:15

The German LP edition (total length: 45:25) follows the track order of the original Japanese edition, but substitutes "Fantastic Plastic World" with "Fantastic Plastic World (Voice 'n' Baroque)" and omits "Allen Ginsberg".

US edition
No.TitleWriter(s)Length
1."Bon Voyage"Tanaka0:42
2."L'Aventure fantastique"
  • Tanaka
  • Sasada
3:03
3."Dear Mr. Salesman"
  • Tanaka
  • Sasada
  • Hiruma
  • Yasuda
4:14
4."Bachelor Pad" (F.P.M. edit)
  • Tanaka
  • Cameron
4:47
5."Fantastic Plastic World (Voice 'n' Baroque)"
  • Tanaka
  • France
  • Koyanagi
5:51
6."Steppin' Out"Jackson5:30
7."Allen Ginsberg"
  • Tanaka
  • Shimizu
3:58
8."First Class '77"
  • Tanaka
  • Sunahara
6:44
9."Philter (In viaggio attraverso l'Australia)"Piccioni5:19
10."Please, Stop!"
  • Tanaka
  • Fukutomi
4:41
11."Pura saudade (Nova bossa nova)"
  • Tanaka
  • Sasada
  • Cerqueira
4:34
12."Dear Mr. Salesman (Remix 4 Ya by DJ Me DJ You)"
  • Tanaka
  • Sasada
  • Hiruma
  • Yasuda
3:45
13."Pura Saudade" (Optiganally mix)
  • Tanaka
  • Sasada
  • Cerqueira
5:02
Total length:58:10

Related Research Articles

Cymbals (シンバルズ) was a Japanese rock band active from 1997–2003. The trio was composed of vocalist Asako Toki (土岐麻子), bassist/guitarist Reiji Okii (沖井礼二), and drummer Hiroyasu Yano (矢野博康). Like other Japanese bands which emerged in the late 1990s, Cymbals were strongly influenced by the British pop-rock sounds of the 1960s. Due to their eclectic blend of styles, the band is often linked to Shibuya-kei. Despite solid songwriting and album production, they never scored a true "hit", which eventually resulted in the band's breakup in September 2003. They played a final 90-minute farewell concert at Shibuya O-East on January 20, 2004. The group's members remain musically active – Toki as a solo artist, Okii as a producer, and Yano as a session drummer and producer.

<i>Shibuya-kei</i> Music genre originating from Japan

Shibuya-kei is a microgenre of pop music or a general aesthetic that flourished in Japan in the mid-to late 1990s. The music genre is distinguished by a "cut-and-paste" approach that was inspired by the kitsch, fusion, and artifice from certain music styles of the past. The most common reference points were 1960s culture and Western pop music, especially the work of Burt Bacharach, Brian Wilson, Phil Spector, and Serge Gainsbourg.

Fantastic Plastic Machine is the stage name of Tomoyuki Tanaka, a Japanese musician and DJ born in Kyoto, Japan. Tanaka was considered to be part of the Shibuya-kei movement.

<i>Luxury</i> (Fantastic Plastic Machine album) 1998 studio album by Fantastic Plastic Machine

Luxury is the second studio album by Japanese musician Fantastic Plastic Machine. It was released on September 10, 1998, by Readymade Records. The album was released in Germany on March 29, 1999, by Bungalow Records and in the United States on April 27, 1999, by Emperor Norton Records.

Yukari Fresh, is a Shibuya-kei artist.

<i>Sound Museum</i> 1997 studio album by Towa Tei

Sound Museum is the second studio album by Japanese music producer Towa Tei, released on May 25, 1997 by East West Records. Collaborators on the album include Kylie Minogue, Biz Markie, and Bebel Gilberto.

Arling & Cameron are a Dutch electronic music duo, composed of Gerry Arling and Richard Cameron.

<i>Chat Chat</i> 1995 studio album by Takako Minekawa

Chat Chat is the debut studio album by Japanese musician Takako Minekawa, released on June 25, 1995 by Polystar.

<i>Happy End of the World</i> 1997 studio album by Pizzicato Five

Happy End of the World (ハッピー・エンド・オブ・ザ・ワールド) is the tenth studio album by Japanese pop band Pizzicato Five. The album was released on June 21, 1997, by Readymade Records. In the United States, it was released by Matador Records on September 9, 1997, and peaked at number 32 on Billboard's Heatseekers Albums chart. A companion remix album, Happy End of You, was released in 1998. Happy End of the World was reissued by Readymade on March 31, 2006.

<i>Fun 9</i> 1999 studio album by Takako Minekawa

Fun 9 is the fourth studio album by Japanese musician Takako Minekawa. It was released on July 7, 1999 by Polystar. The album was released on November 16, 1999 in the United States by Emperor Norton Records.

<i>Roomic Cube</i> 1996 studio album by Takako Minekawa

Roomic Cube is the second studio album by Japanese musician Takako Minekawa. It was released on May 25, 1996, by Polystar. The album was released in the United States on February 18, 1997, by March Records.

<i>Cloudy Cloud Calculator</i> 1997 studio album by Takako Minekawa

Cloudy Cloud Calculator is the third studio album by Japanese musician Takako Minekawa. It was released on December 10, 1997 by Polystar. The album was released in the United States on November 17, 1998 by Emperor Norton Records. Minekawa played almost every instrument on the album and wrote, produced and arranged nearly all its songs.

<i>Point</i> (album) 2001 studio album by Cornelius

Point is the fourth studio album by Japanese musician Cornelius. It was released in Japan on October 24, 2001, by Trattoria Records, and in the United States on January 22, 2002, by Matador Records. Point peaked at number four on the Oricon Albums Chart. The album was reissued on CD by Warner Music Japan in 2019 with a second disc containing the Five Point One music video collection.

<i>Fantasma</i> (Cornelius album) 1997 studio album by Cornelius

Fantasma is the third studio album by Japanese musician Cornelius, released on August 6, 1997, on his label Trattoria. Cornelius envisioned the album as "a one-on-one experience between the music and the listener. ... It starts with you entering into the journey and ends with you returning to reality." It peaked at number six on the Oricon Albums Chart and number 37 on the UK Independent Albums Chart. Three singles were issued from the album: "Star Fruits Surf Rider", "Free Fall", and "Chapter 8 – Seashore and Horizon –".

<i>The First Question Award</i> 1994 studio album by Cornelius

The First Question Award (ザ・ファースト・クエスチョン・アワード) is the debut solo studio album by Japanese musician Cornelius. It was released on February 25, 1994 by Trattoria Records.

<i>Game</i> (Perfume album) 2008 studio album by Perfume

Game is the debut studio album by Japanese girl group Perfume. It was released on April 16, 2008 by Tokuma Japan Communications. Game marks Perfume's first studio album to be fully produced by Japanese producer and Capsule member Yasutaka Nakata, while Perfume contributes to the album as the lead and background vocalists.

<i>This Years Girl</i> (album) 1991 studio album by Pizzicato Five

This Year's Girl (女性上位時代) is the fifth studio album by Japanese pop band Pizzicato Five. It was released on September 1, 1991 by the Nippon Columbia imprint Seven Gods, serving as the band's first album for Nippon Columbia. This Year's Girl is the first Pizzicato Five album to feature Maki Nomiya as lead vocalist. On the album, the band augmented their Shibuya-kei sound with elements of alternative dance and began to more fully incorporate sampling into their music.

<i>Union</i> (Chara album) 2007 studio album by Chara

Union is the 11th studio album by Chara, which was released on February 28, 2007. It debuted at #4 on the Japanese Oricon album charts, and charted in the top 300 for 8 weeks.

Halcali Bacon (ハルカリベーコン) is the first album released by Halcali. It reached number five on the Oricon chart in Japan, and stayed on the chart for 21 weeks, making it the first album by a female hip-hop artist to enter the top ten in Japanese history. Halcali's debut album featured many well-known Japanese hiphop producers as guests, as well. Drowned in Sound's Samual Rosean, in a 2018 article on Shibuya-kei, a micro-genre of Japanese pop combining very different styles, noted that in 2003 it was a "prominent release", alongside releases by Plus-Tech Squeeze Box and Bo En.

<i>Bossa Nova 2001</i> 1993 studio album by Pizzicato Five

Bossa Nova 2001 (ボサ・ノヴァ2001) is the seventh studio album by Japanese pop band Pizzicato Five. It was released on June 1, 1993 by the Nippon Columbia imprint Triad. The band co-produced the album with acquaintance and fellow Shibuya-kei artist Cornelius. Following the house music-oriented Sweet Pizzicato Five the previous year, Bossa Nova 2001 signaled a return to the band's 1960s and 1970s-influenced pop style, mixed with elements of alternative dance.

References

  1. "L'aventure Fantastique | Fantastic Plastic Machine" (in Japanese). Oricon . Retrieved December 10, 2020.
  2. "the Fantastic Plastic Machine | Fantastic Plastic Machine" (in Japanese). Oricon . Retrieved December 10, 2020.
  3. "The Fantastic Plastic Machine". fpmnet.com. Retrieved December 10, 2020.
  4. Hanks, Matt (October 1998). "Fantastic Plastic Machine: Fantastic Plastic Machine". CMJ New Music Monthly . No. 62. p. 48. Retrieved December 10, 2020.
  5. 1 2 3 Huey, Steve. "Fantastic Plastic Machine – Fantastic Plastic Machine". AllMusic . Retrieved March 5, 2018.
  6. The Fantastic Plastic Machine (liner notes). Fantastic Plastic Machine. Emperor Norton Records. 1998. EMN 7008.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  7. Lindsay, Cam (November 14, 2007). "Finally! 'The 100 Greatest Japanese Rock Albums of All Time' Listed". Exclaim! . Retrieved June 22, 2019.
  8. Ohanesian, Liz (April 13, 2011). "Japanese Indie Pop: The Beginner's Guide to Shibuya-Kei". LA Weekly . Retrieved May 4, 2018.
  9. Cunningham, Ed (March 31, 2020). "A Complete Guide to Shibuya-kei: Tokyo's '90s Music Revival". Tokyo Weekender . Retrieved December 10, 2020.