"Guys Do It All the Time" is a song by American country music artist Mindy McCready, released as the second single from her debut studio album Ten Thousand Angels (1996) on June 24, 1996 via BNA Records. The track was written by Bobby Whiteside and Kim Tribble.
"On My Own" is a duet by American singers Patti LaBelle and Michael McDonald. It was written and produced by Burt Bacharach and his then-wife Carole Bayer Sager and originally recorded by singer Dionne Warwick for inclusion on her album Friends (1985). The song was eventually recorded by LaBelle and McDonald for her eighth studio album, Winner in You (1986). It was released as the album's lead single on March 22, 1986, by MCA Records. Lyrically, "On My Own" was based on a relationship that had reached its end with both parties going their separate ways in a melancholy state with the occasional option of coming back together again one day.
"(If You're Not in It for Love) I'm Outta Here!" is a song co-written and recorded by Canadian country music singer Shania Twain. It was released on November 15, 1995, as the fourth single from her second studio album, The Woman in Me. Written by Twain and then-husband and producer Robert John "Mutt" Lange, the song is lyrically a warning to "pickup artists" who are searching for one-night stands instead of real love.
"What Made You Say That" is the debut single by Canadian country music artist Shania Twain. It was released as the lead single to her eponymous debut album (1993) on March 6, 1993. The song was written by Tony Haselden and Stan Munsey Jr. and produced by Harold Shedd and Norro Wilson, who also produced her album. The song was initially recorded by American country singer and actor Wayne Massey for his third album Wayne Massey and Black Hawk (1989).
What If It's You is the twenty-first studio album by American country music artist Reba McEntire. It was released on November 5, 1996, and would peak at #1 on the Billboard country chart and #15 on the Billboard 200. It is certified 2× Multi-Platinum by the RIAA. What If It's You was the first album in which McEntire did not use session musicians; relying instead on her touring band. The album produced four singles in "The Fear of Being Alone", "How Was I to Know", "I'd Rather Ride Around with You" and "What If It's You", which respectively reached #2, #1, #2, and #15 on the Billboard country charts.
Starting Over is the twentieth studio album by American country music artist Reba McEntire on October 3, 1995. It was a tribute to her roots and influences, featuring cover versions of songs by artists whom she admired growing up. Among the artists being covered were Dolly Parton, Donna Summer, Linda Ronstadt, The Supremes, Lee Greenwood, Crystal Gayle and Patti LaBelle.
"Blowing Kisses in the Wind" is a song by American singer and dancer Paula Abdul, taken from her second studio album Spellbound (1991). Written by Peter Lord and produced by Lord and V. Jeffrey Smith, it was released as the album's third official single on October 17, 1991, exclusively to North America, Australia, and Japan, as the album's next single "Vibeology" would be released in Europe instead of this song. "Blowing Kisses in the Wind" utilizes the harpsichord. Sweet Pea Atkinson provided background vocals to the track.
Reba: Duets is the twenty-sixth studio album by American country music singer Reba McEntire. It was released on September 18, 2007, by MCA Nashville and was produced by Tony Brown, Dann Huff, McEntire, and Justin Timberlake.
"How Do I Get There" is a song by American country music artist Deana Carter, written by her and Chris Farren who also produced the track. It was recorded for her debut studio album Did I Shave My Legs for This? (1995) by Capitol Nashville. "How Do I Get There" was serviced to country radio stations on July 21, 1997, as the fourth single from the US version of the album. No video was made for the song.
Heartbreak Town is the debut studio album by American country music artist Steve Azar, released on February 27, 1996 via River North Nashville. It was produced by Joe Thomas, Azar, and A. J. Masters, with Azar co-writing all but the cover song "I Go Crazy", originally a hit single for Paul Davis in 1978. Azar would later depart from River North Nashville and would not release another album until Waitin' on Joe in 2002, by which he had signed to Mercury Nashville Records.
"Perfect" is a song by American country music artist Sara Evans. The track was written by Evans, Tom Shapiro, and Tony Martin, with production provided by Evans and Paul Worley. It was released on September 1, 2003, via RCA Nashville Records as the second single from her fourth studio album Restless (2003). It peaked at number two on the US Hot Country Songs chart, becoming her fifth top-ten single.
Helen Darling is an American country music artist. Darling has released one studio album on Decca Nashville. She also charted one single on the Billboard Hot Country Singles & Tracks chart; "Jenny Come Back", peaked at No. 69 in 1995.
"For My Broken Heart" is a song written by Keith Palmer and Liz Hengber, and recorded by American country music singer Reba McEntire. It was released in September 1991 as the first single and title track from her album For My Broken Heart. The song was a Number One hit for McEntire, topping the country singles charts in both the U.S. and Canada.
"Ring on Her Finger, Time on Her Hands" is a song written by Don Goodman, Pam Rose, and Mary Ann Kennedy and first recorded by American country music artist Lee Greenwood. It was released in February 1982 as the second single from his album Inside Out. Greenwood's version peaked at number 5 on the Billboard Hot Country Singles chart. A cover was released by Reba McEntire in November 1995 as the second single from her album Starting Over. McEntire's version reached number 9 on the Billboard Hot Country Singles & Tracks chart in February 1996.
"Forever Love" is a song by American country music artist Reba McEntire from her 22nd studio album, If You See Him (1998). It was written by Liz Hengber, Deanna Bryant and Sunny Russ and produced by McEntire and David Malloy. It was released on July 13, 1998, as the second single from the album.
"I'll Be" is a song by American country music recording artist Reba McEntire. The song was written by famed songwriter Diane Warren, with McEntire co-producing the track with frequent collaborator Tony Brown. Released as the second single from her 24th studio album So Good Together (1999), the track was sent to country radio on March 13, 2000.
"We'll Never Have to Say Goodbye Again" is a song by Jeffrey Comanor from the album A Rumor in His Own Time, which debuted in September 1976. Written by Comanor, the song describes a couple who spend a night together, one which the narrator wishes would "never end". Both the song, which Epic Records released as a single, and album failed to chart.
"Here We Go Again" is a country music standard written by Don Lanier and Red Steagall that first became notable as a rhythm and blues single by Ray Charles from his 1967 album Ray Charles Invites You to Listen. It was produced by Joe Adams for ABC Records/Tangerine Records. To date, this version of the song has been the biggest commercial success, spending twelve consecutive weeks on the US Billboard Hot 100 chart, peaking at number 15.
"Stepping Stone" is a song by American country music artist Lari White, written by White, David Kent, and Craig Wiseman. It was released on May 4, 1998, via country radio as the lead single to her fourth studio album of the same name (1998) by Lyric Street Records and was the label's first official release. It is one of the album's two tracks she co-wrote. A video was not released.
"What a Woman Wants" is the debut single by American country music artist Lari White. It was released on February 1, 1993, as the lead single to her RCA Nashville Records debut studio album Lead Me Not (1993). The track is co-written and co-produced by her, with extra writing credits going to Chuck Cannon and extra production credits going to Rodney Crowell and Steuart Smith. The track was not a chart success but received positive reception from music critics.
