The Four Freshmen and Five Guitars | ||||
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Studio album by The Four Freshmen | ||||
Released | 1959 | |||
Recorded | June 17, 1959 | |||
Genre | Vocal jazz | |||
Length | 31:12 | |||
Label | Capitol Records | |||
The Four Freshmen chronology | ||||
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
The Four Freshmen and Five Guitars is an album by The Four Freshmen, released in 1959. [3] [4]
Recorded: June 17, 1959, Los Angeles.
Buffalo Springfield Again is the second album by Buffalo Springfield, released on Atco Records in November 1967. It peaked at #44 on the Billboard 200. In 2003, the album was ranked number 188 on Rolling Stone magazine's list of the 500 greatest albums of all time, maintaining the rating in a 2012 revised list. The album was included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings—published in Christgau's Record Guide: Rock Albums of the Seventies (1981)—and in Robert Dimery's 1001 Albums You Must Hear Before You Die. It was voted number 165 in Colin Larkin's All Time Top 1000 Albums in 2000.
The Four Freshmen is an American male vocal quartet that blends open-harmonic jazz arrangements with the big band vocal group sounds of The Modernaires, The Pied Pipers, and The Mel-Tones, founded in the barbershop tradition. The Four Freshmen is considered a vocal band because the singers accompany themselves on guitar, horns, bass, and drums, among other instrumental configurations.
Randy Newman is the debut studio album by American singer-songwriter Randy Newman, released in 1968 by Reprise Records. The album is sometimes referred to as Randy Newman Creates Something New Under the Sun, written on the reverse of the album sleeve. Newman had been a noted songwriter for some years prior to the release of his debut, which was advertised as sounding "like a greatest hits". In contrast to his later albums which usually feature Newman and his piano with a rock backing, Randy Newman is highly orchestral.
The Reprise Collection is a 1990 box set by the American singer Frank Sinatra.
Greatest Hits Encore is a 1990 studio album by American country music singer Tanya Tucker. Capitol Records' newly re-recorded versions of Tucker's hits for her former Columbia and MCA labels, which still owned the original versions.
The Blanton–Webster Band is a compilation album that combines the master takes of all the recordings by Duke Ellington's Orchestra during the years of 1940 to 1942, involving bassist Jimmy Blanton and tenor saxophonist Ben Webster. The recordings were originally made for RCA Victor during what many critics regard as the Ellington orchestra's golden period. The three CDs contain many numbers which were to become classics, and the arrangements were frequently inventive and innovative.
Full Circle is a studio album by the American country music artist Randy Travis, released in 1996. His last album for Warner Bros. Records until 2008, the album produced four singles: "Are We in Trouble Now", "Would I", "Price to Pay", and a cover of Roger Miller's hit single "King of the Road"; the cover also appeared on the soundtrack to the 1997 film Traveller.
Beat & Soul is an album by The Everly Brothers, originally released in 1965. It peaked at No. 141 on the Billboard Pop Albums charts. It was re-released on CD in 2005 on the Collectors' Choice Music label.
The Peel Sessions is an extended play (EP) by the Scottish rock band The Jesus & Mary Chain, released in September 1991 by Strange Fruit. It contains recordings the band made for John Peel's Radio 1 show. It was re-released in 2000 as part of a compilation containing all of the band's Peel sessions.
Shape of Things to Come is the fifth studio album by the American guitarist George Benson, released in 1968 and arranged by Don Sebesky. It was his first album for A&M Records and his first album to be produced by Creed Taylor, who would remain his producer until 1976.
Four Freshmen and 5 Trombones is a 1955 album by The Four Freshmen. The band was a major seller during the 1950s. "It reached number six nationally and resided on the charts for over eight months." This was the first trombone album to reach the top ten. It was the first album bought by Brian Wilson, who would be greatly influenced by the Four Freshmen when starting The Beach Boys.
4 Freshmen and 5 Saxes is an album by an American male vocal band quartet The Four Freshmen, released in 1957. It reached number 25 on the Billboard Pop Albums chart.
Voices in Love is a 1958 album by The Four Freshmen. It was issued by Capitol Records, and re-released in 1998 as a twin album together with Love Lost.
Love Lost is a studio album, released on June 11, 1959, by jazz vocal and instrumental group The Four Freshmen. Released at the height of their fame, the album is now considered a "vintage" recording. In the same year, The Four Freshmen won both the Metronome and Playboy polls as top jazz vocal group.
Sinatra at the Sands is a live album by Frank Sinatra accompanied by Count Basie and his orchestra, and conducted and arranged by Quincy Jones, recorded live in the Copa Room of the former Sands Hotel and Casino in Las Vegas in 1966.
Velvet Mood: Songs by Billie Holiday is an album by jazz singer Billie Holiday, released in 1956 on Clef Records. The music was recorded over the course of two sessions in Los Angeles, two days apart, which had also resulted in all the material for her previous album Music for Torching.
First Affair is an album by The Four Freshmen. It was released in 1960 by Capitol Records.
Voices in Fun is an album released by The Four Freshmen in 1961 on Capitol Records. It was nominated for a 1961 Grammy Award in the Best Performance by a Vocal Group category.
Weaver of Dreams is an album by guitarist Kenny Burrell recorded in 1960 and 1961 and originally released on the Columbia label. The album features Burrell's vocal talents as well as his guitar playing.
Road Show is a live album by bandleader and pianist Stan Kenton and His Orchestra with vocalists June Christy and The Four Freshmen featuring a concert recorded at the Purdue University in 1959 and released on the Capitol label as a double album.