The Golden Bowl | |
---|---|
Directed by | James Ivory |
Screenplay by | Ruth Prawer Jhabvala |
Based on | The Golden Bowl by Henry James |
Produced by | Ismail Merchant |
Starring | Kate Beckinsale James Fox Anjelica Huston Nick Nolte Jeremy Northam Madeleine Potter Uma Thurman |
Cinematography | Tony Pierce-Roberts |
Edited by | John David Allen |
Music by | Richard Robbins |
Production companies | |
Distributed by | TF1 International (France) Lions Gate Films (United States) Buena Vista International (United Kingdom) [1] |
Release dates |
|
Running time | 130 minutes |
Countries | United States United Kingdom France |
Language | English |
Budget | $15 million |
Box office | $5.7 million [2] |
The Golden Bowl is a 2000 period romantic drama film directed by James Ivory. The screenplay by Ruth Prawer Jhabvala is based on the 1904 novel of the same name by Henry James, who considered the work his masterpiece. [3] It stars Kate Beckinsale, James Fox, Anjelica Huston, Nick Nolte, Jeremy Northam, Madeleine Potter, and Uma Thurman.
Impoverished Roman Prince Amerigo is engaged to American socialite Maggie Verver. Maggie has a very close relationship with her millionaire father Adam, a widowed tycoon living in England who plans a museum in the United States to house his collection of art and antiquities.
Unbeknownst to his fiancée and prior to their engagement, Amerigo had a brief, passionate affair with Maggie's friend Charlotte. Both were penniless, and Amerigo breaks off their affair when he becomes engaged. Charlotte is still in love with him when she visits mutual friend Fanny Assingham in London. Maggie invites her to the wedding, and at Maggie's request, Amerigo takes Charlotte to an antiques shop to look for a wedding gift. The proprietor Jarvis shows them a bowl, carved from a single piece of rock crystal, which he asserts is flawless. Amerigo notices a crack. Charlotte claims not to see the crack, only the bowl's beauty. She is unsure whether to buy the bowl so Jarvis reserves it pending her decision.
Maggie and Amerigo marry and have a son. Adam and Charlotte also marry, much to Maggie's delight. Three years pass and the two couples' lives are closely interwoven. Maggie and Adam's closeness alienates their spouses. Fanny correctly suspects that Amerigo and Charlotte have rekindled their affair. Maggie also becomes suspicious and confides in Fanny, but Fanny, wanting to protect Maggie's feelings, tries to discourage such thoughts. Adam observes close interactions between Charlotte and Amerigo but stays silent, not wanting Maggie to be hurt.
Maggie looks for a birthday gift for her father in Jarvis's shop, and chooses the bowl Jarvis had set aside for Charlotte years ago. Jarvis delivers it to her home. While there, he recognizes photographs of Amerigo and Charlotte and innocently reveals they were the couple who originally considered purchasing the bowl before the wedding. Maggie realizes that the two were not meeting for the first time, as she had always assumed, and vents her feelings to Fanny. Fanny breaks the glass bowl, saying it is the only proof of Amerigo and Charlotte being together, and she can pretend nothing happened. Maggie confronts Amerigo, who confesses. Maggie says the bowl represents their marriage, it appeared beautiful and perfect but was flawed. Amerigo begs Maggie not tell her father and not to leave. Maggie agrees not to tell her father for fear of hurting him, but is unsure how she feels about her husband.
Adam is distant, and suggests to Charlotte that they return to the United States for the opening of his museum. She is strongly opposed. Tension grows when Amerigo and Maggie arrive with the Assinghams. Amerigo is distant to Charlotte, who worries that Adam and Maggie know of the affair. Maggie and Adam agree to move apart from each other to protect their families. Maggie and Amerigo prepare for a permanent move to Italy, while Adam puts Charlotte in charge of packing the artifacts in preparation for their move to America. Charlotte begs Amerigo to run away with her but he rejects the idea and expresses guilt at being unfaithful and lying to his wife. Charlotte reconciles to being with Adam, and the film ends with the couple arriving to fanfare in an American city.
Director Ivory, producer Merchant, and screenwriter Jhabvala previously collaborated on screen adaptations of the Henry James novels The Europeans and The Bostonians . Conflict erupted between Northam and Beckinsale after the latter asked him to walk faster in a scene to avoid stepping on the train of her dress. Northam was so angry at being given a "note" by a fellow actor that he became belligerent towards Beckinsale; her partner, Michael Sheen, responded by punching him in the face. [4] [5]
The film was shot at various locations throughout England, including Belvoir Castle in Leicestershire, Burghley House in Lincolnshire, Helmingham Hall in Suffolk, the Kew Bridge Steam Museum and Syon House in Middlesex, and Lancaster House and Mansion House in London. Italian locations included Palazzo Borghese in Artena and Prince Massimo's Castle in Arsoli.
The soundtrack includes "Moonstruck" by Lionel Monckton and Ivan Caryll, "Sarabande" by Claude Debussy, and "Wall Street Rag" by Scott Joplin.
The film premiered at the 2000 Cannes Film Festival. When it received a cool reception, executives at Miramax Films, the original distributor, asked Ivory and Merchant to make several cuts to shorten its running time. When they refused, the company sold the film to Lions Gate. [3]
The film opened throughout Europe before going into limited release in the US on 27 April 2001, following an earlier showing at the Palm Springs International Film Festival. It opened on five screens and earned $90,170 on its opening weekend. At its widest release in the US, it played in 117 theaters. It eventually grossed $3,050,532 in the US and $2,703,146 in foreign markets for a total worldwide box office of $5,753,678. [2]
The Golden Bowl received mixed to positive reviews. On the review aggregator website Rotten Tomatoes , 54% of 87 critics' reviews are positive, with an average rating of 5.4/10.The website's consensus reads: "Coming from the Merchant-Ivory team, The Golden Bowl is visually stunning, but the filmmakers have difficulty in transporting the characterizations of the Henry James novel to the screen." [6]
The New York Times observed, "In translating the novel into a film, the producer Ismail Merchant, his directing partner, James Ivory, and their favorite screenwriter, Ruth Prawer Jhabvala, have made a movie that's an ambitious, profoundly ambiguous statement about their own passion for the cultivated, high-culture sensibility epitomized by James and E. M. Forster, as opposed to the cruder mass culture that has eclipsed these literary heroes . . . Much of the dialogue in Ms. Jhabvala's carefully wrought screenplay voices feelings that remain unspoken in the novel, and this is the movie's biggest problem. No matter how well the characters' thoughts have been translated into speech, the act of compressing their rich, complex inner lives into dialogue without resorting to voice-over narration inevitably tends to cheapen them and turn a drama about the revelation of hidden truths into the terser, more commonplace language of an intelligent soap opera." [3]
Roger Ebert of the Chicago Sun-Times observed, "I admired this movie. It kept me at arm's length, but that is where I am supposed to be; the characters are after all at arm's length from each other, and the tragedy of the story is implied but never spoken aloud. It will help, I think, to be familiar with the novel, or to make a leap of sympathy with the characters." [7]
Mike Clark of USA Today rated the film two out of four stars and commented, "Too many dialogue exchanges sound like actors reading lines, and even the film's better performers seem to be acting in a vacuum. The movie establishes good will (or even great will) in the initial scenes because it's so gorgeous, but the rest is such a slog that even the revealed significance of the title artifact elicits a shrug." [8]
Emanuel Levy of Variety called the film "vastly uneven, with some wonderful period touches but also more than a few tedious moments," "tasteful, diffident and decorous," and "a deliberately paced literary film that takes too long to build narrative momentum and explore its central dramatic conflicts." He added, "James' deft portrait of human frailty and his experimentation in narrative mode only intermittently find vivid expression in the work of Ivory and screenwriter Prawer Jhabvala. Everything in the film, particularly in the last reel, is spelled out in an explicit, literal manner . . . Production values, particularly Andrew Sanders' design and John Bright's costumes, are exquisite, but they decorate a film that's too slow and only sporadically involving." [9]
James Ivory was nominated for the Palme d'Or at the 2000 Cannes Film Festival. [10] Production designer Andrew Sanders won the Evening Standard British Film Award for Best Technical/Artistic Achievement.
The Region 1 DVD was released on 6 November 2001. The film is in anamorphic widescreen format, with audio tracks in English and French, and subtitles in English and Spanish. The only bonus feature is the original theatrical trailer.
Howards End is a 1992 period romantic drama directed by James Ivory, from a screenplay written by Ruth Prawer Jhabvala based on the 1910 novel of the same name by E. M. Forster. Marking Merchant Ivory Productions' third adaptation of a Forster novel, it was the first film to be released by Sony Pictures Classics. The film's narrative explores class relations in turn-of-the-20th-century Britain, through events in the lives of the Schlegel sisters. The film starred Emma Thompson, Anthony Hopkins, Helena Bonham Carter and Vanessa Redgrave, with James Wilby, Samuel West, Jemma Redgrave and Prunella Scales in supporting roles.
Merchant Ivory Productions is a film company founded in 1961 by producer Ismail Merchant (1936–2005) and director James Ivory. Merchant and Ivory were life and business partners from 1961 until Merchant's death in 2005. During their time together, they made 44 films. The films were for the most part produced by Merchant and directed by Ivory, and 23 of them were scripted by Ruth Prawer Jhabvala (1927–2013) in some capacity. The films were often based upon novels or short stories, particularly the work of Henry James, E. M. Forster, and Jhabvala herself.
Ruth Prawer Jhabvala was a British and American novelist and screenwriter. She is best known for her collaboration with Merchant Ivory Productions, made up of film director James Ivory and producer Ismail Merchant.
Mr. & Mrs. Bridge is a 1990 American drama film based on the novels by Evan S. Connell of the same name. It is directed by James Ivory, with a screenplay by Ruth Prawer Jhabvala, and produced by Ismail Merchant.
The Golden Bowl is a 1904 novel by Henry James. Set in England, this complex, intense study of marriage and adultery completes what some critics have called the "major phase" of James's career. The Golden Bowl explores the tangle of interrelationships between a father and daughter and their respective spouses. The novel focuses deeply and almost exclusively on the consciousness of the central characters, with sometimes obsessive detail but also with powerful insight.
Ismail Merchant was an Indian film producer. He worked for many years in collaboration with Merchant Ivory Productions which included film director James Ivory as well as screenwriter Ruth Prawer Jhabvala.
James Francis Ivory is an American film director, producer, and screenwriter. For many years, he worked extensively with Indian film producer Ismail Merchant, his domestic as well as professional partner, and with screenwriter Ruth Prawer Jhabvala. All three were principals in Merchant Ivory Productions, whose films have won seven Academy Awards; Ivory himself has been nominated for four Oscars, winning one.
Shakespeare Wallah is a 1965 Merchant Ivory Productions film. The story and screenplay are by Ruth Prawer Jhabvala, about a travelling family theatre troupe of English actors in India, who perform Shakespeare plays in towns across India, amidst a dwindling demand for their work and the rise of Bollywood. Madhur Jaffrey won the Silver Bear for Best Actress at the 15th Berlin International Film Festival for her performance. The music was composed by Satyajit Ray.
Roseland is a 1977 Merchant Ivory Productions' anthology film with a screenplay by Ruth Prawer Jhabvala. It was directed by James Ivory and produced by Ismail Merchant.
Jefferson in Paris is a 1995 historical drama film, directed by James Ivory, and previously entitled Head and Heart. The screenplay, by Ruth Prawer Jhabvala, is a semi-fictional account of Thomas Jefferson's tenure as the Ambassador of the United States to France before his presidency and of his alleged relationships with Italian-English artist Maria Cosway and his slave, Sally Hemings.
Heat and Dust (1975) is a novel by Ruth Prawer Jhabvala that won the Booker Prize in 1975. The book was also ranked by The Telegraph in 2014 as one of the 10 all-time greatest Asian novels.
A Room with a View is a 1985 British romance film directed by James Ivory and produced by Ismail Merchant. It is written by Ruth Prawer Jhabvala, who adapted E. M. Forster's 1908 novel A Room with a View. Set in England and Italy, it is about a young woman named Lucy Honeychurch in the final throes of the restrictive and repressed culture of Edwardian England and her developing love for a free-spirited young man, George Emerson. Maggie Smith, Denholm Elliott, Daniel Day-Lewis, Judi Dench and Simon Callow feature in supporting roles. The film closely follows the novel by the use of chapter titles to distinguish thematic segments.
The Householder is a 1963 film by Merchant Ivory Productions, with a screenplay by Ruth Prawer Jhabvala and James Ivory, and direction of James Ivory. It is based upon the 1960 novel of the same name by Jhabvala.
Quartet is a 1981 historical drama film directed by James Ivory from a screenplay by Ruth Prawer Jhabvala, based on the 1928 novel of the same name by Jean Rhys. The film stars Alan Bates, Maggie Smith, Isabelle Adjani and Anthony Higgins, and is set in 1927 Paris. It premiered at the 1981 Cannes Film Festival.
The Bostonians is a 1984 romantic drama period film directed by James Ivory. The screenplay by Ruth Prawer Jhabvala is based on the 1886 American novel The Bostonians by Henry James. The film stars Vanessa Redgrave, Christopher Reeve, Madeleine Potter, and Jessica Tandy.
The Europeans is a 1979 British Merchant Ivory film, directed by James Ivory, produced by Ismail Merchant, and with a screenplay by Ruth Prawer Jhabvala, based on Henry James's novel The Europeans (1878). It stars Lee Remick, Robin Ellis, Tim Woodward and Lisa Eichhorn. It was the first of Merchant Ivory's triptych of Henry James adaptations. It was followed by The Bostonians in 1984 and The Golden Bowl in 2001.
Donald Rosenfeld is an American film producer who was the president of Merchant Ivory Productions from 1986 through 1998. Rosenfeld was the lead producer on the major Merchant Ivory films created in what is now considered their golden decade. Along with Ismail Merchant, James Ivory and Ruth Prawer Jhabvala, Rosenfeld worked on the creation of the well-received films Mr. and Mrs. Bridge, Howards End, and The Remains of the Day, among others. Rosenfeld was the youngest producer ever to become a member of the Academy of Motion Picture Arts and Sciences in 1992. He's now the publisher of County Highway, a magazine in the form of a 19th-century newspaper founded by David Samuels and Walter Kirn.
Heat and Dust is a 1983 British historical romantic drama film, with a screenplay by Ruth Prawer Jhabvala based on her novel, Heat and Dust (1975). It was directed by James Ivory and produced by Ismail Merchant. It stars Greta Scacchi, Shashi Kapoor and Julie Christie.
The City of Your Final Destination is a 2009 American romantic drama film directed by James Ivory and starring Anthony Hopkins, Laura Linney, Charlotte Gainsbourg, Omar Metwally, Hiroyuki Sanada and Norma Aleandro. It was written by Ruth Prawer Jhabvala and based on the eponymous novel by Peter Cameron.
The Golden Bowl is a 1972 British television series which originally aired on BBC 2 in six episodes. It is an adaptation of the 1904 novel The Golden Bowl by Henry James.