The Householder | |
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Directed by | James Ivory |
Screenplay by | Ruth Prawer Jhabvala James Ivory |
Based on | The Householder by Ruth Prawer Jhabvala |
Produced by | Ismail Merchant |
Starring | |
Cinematography | Subrata Mitra |
Edited by | Raja Ram Khetle |
Music by | Ustad Ali Akbar Khan |
Color process | Black & white |
Distributed by | Columbia Pictures |
Release date |
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Running time | 101 minutes |
Country | India |
Languages | English Hindi |
Budget | $125,000 |
The Householder (Hindi title: Gharbar) is a 1963 film by Merchant Ivory Productions, with direction by James Ivory (in his feature directorial debut) and a screenplay by Ruth Prawer Jhabvala and James Ivory, and direction of James Ivory. It is based upon the 1960 novel of the same name by Jhabvala.
This was the first collaboration between producer Ismail Merchant and director James Ivory, a documentary filmmaker until then. They went on to make nearly forty films together, many of which were written by Ruth Prawer Jhabvala, who also wrote screenplays adapted from literary classics for them, such as Henry James' The Europeans (1979) and The Bostonians (1984), E.M. Forster's A Room with a View (1985) and Howards End (1992), and Peter Cameron's The City of Your Final Destination (2009).
Prem Sagar (Shashi Kapoor), a teacher at a private college in Delhi, marries Indu (Leela Naidu) in an arranged marriage and is still learning his role in the marriage, when the arrival of his mother (Durga Khote) spells doom to their budding relationship. Indu, unable to handle his mother's interference in the marriage, leaves Prem to return to her family. Prem searches for answers from a variety of people, including a Swami (Pahari Sanyal), who reveals the secret of a successful marriage, and as a result, Prem finally gains the maturity to love his wife. [1]
Ivory had shot the documentary The Delhi Way and was editing it in New York, when he met anthropologist Gitel Steed, who was developing a project based on her screenplay, Devgar about a village in Gujarat. Ismail Merchant was producing the film and had started getting together the finances for the film. Sidney Meyers was the director, while Ivory agreed to shoot the film, whose cast included Shashi Kapoor, Durga Khote and Leela Naidu. When the film fell through due to lack of complete financing, Merchant suggested the idea of The Householder, and the same cast was used. The film cost $125,000, with some of the money Ivory had borrowed from his father. It was made in two versions, Hindi and English, the latter was picked up for distribution in the United Kingdom by Columbia Pictures. [2] [3]
Shooting for the film started in 1961 and was completed in 1963. [4] The film was shot entirely on location in Delhi, Mehrauli and Ghaziabad. [5] Satyajit Ray exerted an important influence both on Ivory and Merchant, as well as on this film. In an uncredited assist, he supervised the film's music production and re-cut the film for Merchant and Ivory. He also lent his cameraman, Subrata Mitra, as the director of photography, and as a result the film is infused with the fluid, restrained lyricism that characterizes Ray's work. [5] [6]
An interesting feature of this film was the use of background music which included Hindi/Urdu songs such as "Chahe koi mujhe junglee kahe" (singer Mohammed Rafi from the film Junglee ), "Jiya ho Jiya kuch bol do" (Lata Mangeshkar from the film Jab Pyar Kisi Se Hota Hai , 1961) and also movement IV from Symphony No. 9 (Beethoven), with only one on screen spiritual song (bhajan) "Ram dar se jab paeyo". This went against the traditional structure of contemporary Hindi films being by and large musicals featuring playback singing.
A Channel 4 review called it "a low-key but rewarding character piece" and "an artful social satire and also a quietly affecting love story", [7] while the New York Times was dismissive. [8] Mike Clark of USA Today called it: "...A charming comedy of marital discord...", gave it, 31⁄2 out of 4 stars. [5]
Merchant Ivory Productions is a film company founded in 1961 by producer Ismail Merchant (1936–2005) and director James Ivory. Merchant and Ivory were life and business partners from 1961 until Merchant's death in 2005. During their time together, they made 44 films. The films were for the most part produced by Merchant and directed by Ivory, and 23 of them were scripted by Ruth Prawer Jhabvala (1927–2013) in some capacity. The films were often based upon novels or short stories, particularly the work of Henry James, E. M. Forster, and Jhabvala herself.
Ruth Prawer Jhabvala was a British and American novelist and screenwriter. She is best known for her collaboration with Merchant Ivory Productions, made up of film director James Ivory and producer Ismail Merchant.
Ismail Merchant was an Indian film producer. He worked for many years in collaboration with Merchant Ivory Productions which included film director James Ivory as well as screenwriter Ruth Prawer Jhabvala. Together they made acclaimed film adaptations from the novels of E.M. Forster and Henry James. Merchant received the BAFTA Award for Best Film for A Room with a View (1985), and Howards End (1992). He received Academy Award nominations for Best Live Action Short Film for The Creation of a Woman (1959) and for Best Picture for A Room with a View (1985), Howards End (1992), and The Remains of the Day (1993).
James Francis Ivory born Richard Jerome Hazen June 7, 1928) is an American film director, producer, and screenwriter. Ivory, along with Indian film producer Ismail Merchant, his domestic as well as professional partner, and screenwriter Ruth Prawer Jhabvala, were the principals in Merchant Ivory Productions. Together they made film adaptations from the novels of E.M. Forster, Henry James and others. Their body of work is celebrated for its elegance, sophistication, literary fidelity, strong performances, as well as its complex themes and rich characters.
Shakespeare Wallah is a 1965 Merchant Ivory Productions film. The story and screenplay are by Ruth Prawer Jhabvala, about a travelling family theatre troupe of English actors in India, who perform Shakespeare plays in towns across India, amidst a dwindling demand for their work and the rise of Hindi film industry. Madhur Jaffrey won the Silver Bear for Best Actress at the 15th Berlin International Film Festival for her performance. The music was composed by Satyajit Ray.
Roseland is a 1977 Merchant Ivory Productions' anthology film with a screenplay by Ruth Prawer Jhabvala. It was directed by James Ivory and produced by Ismail Merchant.
Heat and Dust (1975) is a novel by Ruth Prawer Jhabvala that won the Booker Prize in 1975. The book was also ranked by The Telegraph in 2014 as one of the 10 all-time greatest Asian novels.
Leela Naidu was an Indian actress who starred in a small number of Hindi and English films, including Yeh Raste Hain Pyar Ke (1963), based on the real-life Nanavati case, and The Householder, Merchant Ivory Productions' first film. She was Femina Miss India in 1954, and was featured in the Vogue along with Maharani Gayatri Devi in the list of "World's Ten Most Beautiful Women", a list she was continuously listed in from the 1950s to the 1960s in prominent fashion magazines worldwide. She is remembered for her stunning classical beauty and subtle acting style.
Bombay Talkie is a 1970 film by Merchant Ivory Productions, with a screenplay by Ruth Prawer Jhabvala and James Ivory.
Autobiography of a Princess is a 1975 film directed by James Ivory and starring James Mason and Madhur Jaffrey. It was written by Ruth Prawer Jhabvala and produced by Ismail Merchant.
The Europeans is a 1979 British Merchant Ivory film, directed by James Ivory, produced by Ismail Merchant, and with a screenplay by Ruth Prawer Jhabvala, based on Henry James's novel The Europeans (1878). It stars Lee Remick, Robin Ellis, Tim Woodward and Lisa Eichhorn. It was the first of Merchant Ivory's triptych of Henry James adaptations. It was followed by The Bostonians in 1984 and The Golden Bowl in 2001.
Heat and Dust is a 1983 British historical romantic drama film, with a screenplay by Ruth Prawer Jhabvala based on her novel, Heat and Dust (1975). It was directed by James Ivory and produced by Ismail Merchant. It stars Greta Scacchi, Shashi Kapoor and Julie Christie.
Shashikala Saigal, better known by her first name, was an Indian film and television actress, who played supporting roles in hundreds of Bollywood films beginning in the 1940s.
Dhoop Chhaon or Bhagya Chakra is a 1935 Hindi movie directed by Nitin Bose. It was a remake of the Bengali film Bhagya Chakra. Dhoop Chhaon was the first Hindi film to use playback singing. It was Bose who came up with the idea of playback singing. He discussed with music director Raichand Boral and Bose's brother Mukul Bose, who was the sound recordist in New Theatres, implemented the idea.
Pahari Sanyal was an Indian actor and singer who is known for his work in Bengali cinema.
English-language Indian films go back to the days of silent film. After the coming of sound, feature films in English almost disappeared.
The Householder is a 1960 English-language novel by Ruth Prawer Jhabvala. It is about a young man named Prem who has recently moved from the first stage of his life, a student, to the second stage of his life, a householder. The book is a bildungsroman, which is a story where the protagonist develops mind and character as he passes from childhood through various experiences usually through a spiritual crisis into maturity.
Chandidas is a 1934 Hindi social drama film directed by Nitin Bose. The film was produced by New Theatres Calcutta and was their first big success. It was remake of the 1932 Bengali film of the same name directed by Debaki Bose. This 1934 Hindi version starred K. L. Saigal, Uma Sashi, Pahari Sanyal, Nawab and H. Siddiqui. The music direction was by R. C. Boral with the lyrics written by Agha Hashar Kashmiri. The credit roll of the film states that the film is "Based on the life problems of the poet Chandidas –A problem India has not been able to solve", which involved the caste schism in India. The story revolves around the 15th century poet-saint Chandidas who acts out against the deep-rooted bigotry against caste, untouchoubility and the hypocrisy of society, and a washer woman with whom he falls in love.
Rajrani Meera is a 1933 Hindi devotional film. It was directed by Debaki Bose for New Theatres Ltd. Calcutta. The cinematographer was Nitin Bose with music composed by R. C. Boral. The film was a bilingual, made in Bengali as Meerabai and directed by Hiren Bose and Basanta Chatterjee. The film starred Durga Khote, Prithviraj Kapoor, K. L. Saigal, Pahari Sanyal, Molina Devi and Indubala. K. L. Saigal had a small part that of a devotee in the film with Prithviraj Kapoor playing the male protagonist role. The film made Prithviraj Kapoor who played the role of the King of Mewar, Mirabai's husband, a big star and is cited as one of his career's best films.
Daku Mansoor also called Karishma-E-Kudrat is a 1934 Hindi/Urdu costume action drama film directed by Nitin Bose. The film was produced by New Theatres Ltd. Calcutta and the music director was R. C. Boral. The cast of the film included K. L. Saigal, Uma Shashi, Prithviraj Kapoor, Husnbanu, Pahari Sanyal and Nemo. Daku Mansoor was actress Husn Banu’s debut film.