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The Guru | |
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Directed by | James Ivory |
Written by | Ruth Prawer Jhabvala James Ivory |
Produced by | Ismail Merchant |
Starring | Rita Tushingham Michael York Utpal Dutt Madhur Jaffrey Barry Foster Aparna Sen Zohra Sehgal Saeed Jaffrey |
Cinematography | Subrata Mitra |
Edited by | Prabhakar Supare Humphrey Dixon (assistant) |
Music by | Ustad Vilayat Khan |
Production company | |
Distributed by | 20th Century Fox |
Release date |
|
Running time | 112 min |
Countries | United States India |
Languages | English Urdu |
Budget | $970,000 [1] |
The Guru is a 1969 film by Merchant Ivory Productions, with a screenplay by Ruth Prawer Jhabvala and James Ivory.
A rock star, Tom Pickle (Michael York), travels to India to learn to play the sitar with the great musician Ustad Zafar Khan (as George Harrison did when he studied under Ravi Shankar). Khan (Utpal Dutt) is not happy with his disciple but still takes him to Benares to meet his own guru.
According to Fox records, the film required $1,675,000 in theatrical rentals to break even. By December 1970, it had only made $625,000 in rentals, causing the studio to take a loss. [2] This was equivalent to estimated box office gross receipts of approximately $2 million. [3]
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Madhur Jaffrey CBE is an Indian-born British-American actress, cookbook and travel writer, and television personality. She is recognized for bringing Indian cuisine to the western hemisphere with her debut cookbook, An Invitation to Indian Cooking (1973), which was inducted into the James Beard Foundation’s Cookbook Hall of Fame in 2006. She has written over a dozen cookbooks and appeared on several related television programmes, the most notable of which was Madhur Jaffrey's Indian Cookery, which premiered in the UK in 1982. She was the food consultant at the now-closed Dawat, which was considered by many food critics to be among the best Indian restaurants in New York City.
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Utpal Dutt was an Indian actor, director, and writer-playwright. He was primarily an actor in Bengali theatre, where he became a pioneering figure in Modern Indian theatre, when he founded the "Little Theatre Group" in 1949. This group enacted many English, Shakespearean and Brecht plays, in a period now known as the "Epic theatre" period, before it immersed itself completely in highly political and radical theatre. His plays became an apt vehicle for the expression of his Marxist ideologies, visible in socio-political plays such as Kallol (1965), Manusher Adhikar, Louha Manob (1964), Tiner Toloar and Maha-Bidroha. He also acted in over 100 Bengali and Hindi films in a career spanning 40 years, and remains most known for his roles in films such as Mrinal Sen’s Bhuvan Shome (1969), Satyajit Ray’s Agantuk (1991), Gautam Ghose’s Padma Nadir Majhi (1992) and Hrishikesh Mukherjee's breezy Hindi comedies such as Gol Maal (1979) and Rang Birangi (1983). He also did the role of a sculptor, Sir Digindra Narayan, in the episode Seemant Heera of Byomkesh Bakshi on Doordarshan in 1993, shortly before his death.
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1965 (...) MPAA U.S. + Canadian rentals % of BO (...) 29.8