| The Proprietor | |
|---|---|
 Home video cover | |
| Directed by | Ismail Merchant |
| Written by | |
| Produced by | |
| Starring | |
| Cinematography | Larry Pizer |
| Music by | Richard Robbins |
Production companies | |
| Distributed by | Warner Bros. |
Release date |
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Running time | 117 minutes |
| Countries |
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| Languages |
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| Budget | $5 million [1] |
The Proprietor is a 1996 film. It is a U.S.-French co-production Merchant Ivory film, directed by Ismail Merchant for Jeanne Moreau's request.
Jeanne Moreau was a French actress, singer, screenwriter, director, and socialite. She made her theatrical debut in 1947, and established herself as one of the leading actresses of the Comédie-Française. Moreau began playing small roles in films in 1949, later achieving prominence with starring roles in Louis Malle's Elevator to the Gallows (1958), Michelangelo Antonioni's La Notte (1961), and François Truffaut's Jules et Jim (1962). Most prolific during the 1960s, Moreau continued to appear in films into her 80s. Orson Welles called her "the greatest actress in the world".
Ismail Merchant was an Indian film producer. He worked for many years in collaboration with Merchant Ivory Productions which included film director James Ivory as well as screenwriter Ruth Prawer Jhabvala. Together they made acclaimed film adaptations from the novels of E.M. Forster and Henry James. Merchant received the BAFTA Award for Best Film for A Room with a View (1985), and Howards End (1992). He received Academy Award nominations for Best Live Action Short Film for The Creation of a Woman (1959) and for Best Picture for A Room with a View (1985), Howards End (1992), and The Remains of the Day (1993).
Jacques Demy was a French director, screenwriter and lyricist. He appeared at the height of the French New Wave alongside contemporaries like Jean-Luc Godard and François Truffaut. Demy's films are celebrated for their visual style, which drew upon diverse sources such as classic Hollywood musicals, the plein-air realism of his French New Wave colleagues, fairy tales, jazz, Japanese manga, and the opera. His films contain overlapping continuity, lush musical scores and motifs like teenage love, labor rights, chance encounters, incest, and the intersection between dreams and reality. He was married to Agnès Varda, another prominent director of the French New Wave. Demy is best known for the two musicals he directed in the mid-1960s: The Umbrellas of Cherbourg [1964) and The Young Girls of Rochefort (1967).
Jules and Jim is a 1962 French New Wave romantic drama film directed, produced and co-written by François Truffaut. Set before, during, and after World War I, it follows a tragic love triangle involving French bohemian Jim, his shy Austrian friend Jules, and Jules' girlfriend and later wife Catherine.
Elevator to the Gallows, also known as Frantic in the US and Lift to the Scaffold in the UK, is a 1958 French crime thriller film directed by Louis Malle, starring Jeanne Moreau and Maurice Ronet as illicit lovers whose murder plot starts to unravel after one of them becomes trapped in an elevator. The screenplay by Roger Nimier and Malle is based on the 1956 novel of the same name by Noël Calef.
Pierre Lhomme was a French cinematographer and filmmaker.
The Lovers is a 1958 French drama film directed by Louis Malle which stars Jeanne Moreau, Alain Cuny, and Jean-Marc Bory. Based on the posthumously-published 1876 short story "Point de Lendemain" by Dominique Vivant (1747–1825), the film concerns a woman involved in adultery who rediscovers human love. The Lovers was Malle's second feature film, made when he was 25 years old. The film was a box-office hit in France when released theatrically, gaining 2,594,160 admissions in France alone. The film was highly controversial when released in the United States for its depiction of allegedly obscene material. At the 1958 Venice Film Festival, the film won the Special Jury Prize and was nominated for the Golden Lion.
Jean-Michel Moreau, also called Moreau le Jeune, was a French draughtsman, illustrator and engraver.
Mademoiselle is a 1966 psychological thriller film directed by Tony Richardson. Jeanne Moreau plays the title character, a seemingly-respectable schoolteacher in a small French village, who is actually an undetected sociopath.
Jean-Pierre Mocky, pseudonym of Jean-Paul Adam Mokiejewski, was a French film director, actor, screenwriter and producer.
Bay of Angels is a 1963 French romantic drama film written and directed by Jacques Demy. Starring Jeanne Moreau and Claude Mann, it is Demy's second film and deals with the subject of gambling. The costumes were designed by Pierre Cardin.
Adrienne Du Vivier was a French pioneer and one of the first white women to settle in the colony of Montreal, Quebec, Canada. She and her husband are often referred to as "Montreal's First Citizens."
Seven Days... Seven Nights is a 1960 French drama film directed by Peter Brook. It was entered into the 1960 Cannes Film Festival, where Jeanne Moreau won the award for Best Actress. The film is based on the 1958 novel Moderato cantabile by Marguerite Duras.
The Girl on the Train is a 2009 French drama film directed by André Téchiné, starring Emilie Dequenne, Catherine Deneuve and Michel Blanc. The plot centers on an aimless girl who lies about being the victim of a hate crime.
Entente cordiale is a 1939 French drama film directed by Marcel L'Herbier and starring Gaby Morlay, Victor Francen and Pierre Richard-Willm. The film depicts events between the Fashoda crisis in 1898 and the 1904 signing of the Entente Cordiale creating an alliance between Britain and France and ending their historic rivalry. It was based on the book King Edward VII and His Times by André Maurois. It was made with an eye to its propaganda value, following the Munich Agreement of September 1938 and in anticipation of the outbreak of a Second World War which would test the bonds between Britain and France in a conflict with Nazi Germany.
Pierre Macret (1727–1806) was a well-known Parisian cabinetmaker (ébéniste). At the death of the widow of Jean-Pierre Latz in December 1756, he received Latz' court warrant as marchand-ébéniste privilégié du Roi suivant la Cour,, a brevet that exempted him from the stringent regulations of the Paris guild. In 1758 he was belatedly admitted maître-ébéniste by the guild, which henceforth required him to stamp his production. Numerous pieces bearing Macret's poinçon survive.
Dialogue with the Carmelites is a 1960 French-Italian historical drama film written and directed by Raymond Léopold Bruckberger and Philippe Agostini and starring Jeanne Moreau, Alida Valli, Madeleine Renaud, Pascale Audret, Pierre Brasseur and Jean-Louis Barrault. It is based upon the play by Georges Bernanos, which in turn was adapted from the novel by Gertrud von Le Fort. It's the story of the Martyrs of Compiègne, Carmelite nuns who were guillotined in Paris in 1794 in the waning days of the Reign of Terror during the French Revolution, after refusing to renounce their vocation.
A Day at the Museum is a 2008 French ensemble comedy film directed by Jean-Michel Ribes.
Élisa Servier is a French actor.
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