The Golden Hits of Billy Eckstine | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1963 | |||
Recorded | January 8, 10, 14 1963 at A & R Recording, New York City | |||
Genre | Traditional pop, jazz | |||
Length | 39:16 | |||
Label | Mercury MG20796 [1] | |||
Producer | Quincy Jones | |||
Billy Eckstine chronology | ||||
|
The Golden Hits of Billy Eckstine is a 1963 studio album by the American singer Billy Eckstine. It was arranged by Billy Byers, conducted by Bobby Tucker, and produced by Quincy Jones. [2] [3]
Review scores | |
---|---|
Source | Rating |
Allmusic | [2] |
The Negro Digest positively reviewed the album in their September 1963 issue describing it as "a superb album altogether" and that the liner notes of the album were "understated" in their description of Eckstine as "luxurious" and having a "strong sensual undercurrent". The Negro Digest also wondered if Eckstine ever "sang this well at the height of his popularity" from 1948 to 1953. [4]
Jerome Richardson was an American jazz musician and woodwind player. He is cited as playing one of the earliest jazz flute recordings with his work on the 1949 Quincy Jones song "Kingfish".
William Clarence Eckstine was an American jazz and pop singer and a bandleader during the swing and bebop eras. He was noted for his rich, almost operatic bass-baritone voice. In 2019, Eckstine was posthumously awarded the Grammy Lifetime Achievement Award "for performers who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording." His recording of "I Apologize" was given the Grammy Hall of Fame Award in 1999. The New York Times described him as an "influential band leader" whose "suave bass-baritone" and "full-throated, sugary approach to popular songs inspired singers like Earl Coleman, Johnny Hartman, Joe Williams, Arthur Prysock, and Lou Rawls."
Al Grey was an American jazz trombonist who was a member of the Count Basie orchestra. He was known for his plunger mute technique and wrote an instructional book in 1987 called Plunger Techniques.
"I'm Beginning to See the Light" is a popular song and jazz standard, with music written by Duke Ellington, Johnny Hodges, and Harry James and lyrics by Don George and published in 1944.
Melba Doretta Liston was an American jazz trombonist, arranger, and composer. Other than those playing in all-female bands, she was the first woman trombonist to play in big bands during the 1940s and 1960s, but as her career progressed she became better known as an arranger, particularly in partnership with pianist Randy Weston. Other major artists with whom she worked include Dizzy Gillespie, Billie Holiday, John Coltrane, and Count Basie.
"The Good Life" is a song by Sacha Distel with French lyrics by Jean Broussolle, published in 1962. It was featured in the movie The Seven Deadly Sins.
William Mitchell Byers was an American jazz trombonist and arranger.
No Cover, No Minimum is a live album by Billy Eckstine that was recorded in Las Vegas. The album was released by Roulette in 1960 and reissued by Blue Note in 1992 with ten additional tracks.
At Basin Street East is a 1961 live album by Billy Eckstine, accompanied by a big band arranged and conducted by Quincy Jones. It was originally released on October 1, 1961, on the EmArcy label, but reissued in 1990 by Polygram. The album was recorded at the Basin Street East nightclub in New York City.
Basie/Eckstine Incorporated is a 1959 studio album featuring Billy Eckstine and the Count Basie Orchestra. It was released by Roulette Records and marked Eckstine and Basie's only recorded collaboration.
Billy Eckstine Sings with Benny Carter is a 1986 album by the American singer Billy Eckstine, accompanied by the alto saxophonist Benny Carter. The singer Helen Merrill appears in duet with Eckstine on the first and last songs of the album. This was Eckstine's only LP released on Verve Records, and marked his final album recordings.
The Quintessence is an album by Quincy Jones and his orchestra. It was released in 1962 and was his only album for Impulse! One critic called it "the sound of the modern, progressive big band at its pinnacle."
The Swingin' Miss D is the sixth studio album by Dinah Washington, arranged by Quincy Jones. It was recorded in December 1956 and released in September 1957.
Quincy Jones Explores the Music of Henry Mancini is an album by Quincy Jones that contains music composed by Henry Mancini.
That's How I Love the Blues! is an album by American jazz vocalist Mark Murphy featuring tracks recorded in late 1962 for the Riverside label.
Now Singing in 12 Great Movies is a 1963 studio album by the American singer Billy Eckstine. It was arranged by Billy Byers, conducted by Bobby Tucker, and produced by Quincy Jones.
Don't Worry 'Bout Me is a 1962 studio album by the American singer Billy Eckstine. It was arranged by Billy Byers, conducted by Bobby Tucker, and produced by Quincy Jones. The album peaked at 92 on the Billboard 200, and was highlighted at a "National Breakout Album" by Billboard in November 1962.
The Birth of a Band! is an album by Quincy Jones that was released by Mercury with performances by Zoot Sims, Clark Terry, Harry Edison, and Phil Woods.
Quincy Jones Plays Hip Hits is an album by Quincy Jones consisting of songs that were hits for other musicians. It was released by Mercury in 1963. Featured soloists include Joe Newman, Zoot Sims, and Phil Woods.
Golden Boy is an album by Quincy Jones which was released by Mercury in 1964. The album includes three versions of the theme from the musical Golden Boy with three original compositions and jazz versions of pop hits.