The Gossamer Project

Last updated

The Gossamer Project is a group of specialty archives that, combined, contain the vast majority of X-Files fan fiction on the Internet. [1] In the mid to late 1990s, the Gossamer Archives/Project was one of the "big three" single media fandom-focused archives on the Internet, and remained the largest single fandom fan fiction archive [2] until the emergence of various Harry Potter archives in the early 2000s.

Contents

As of April 2007, the archive contains 35,192 database entries, with stories dated from May 1995 through April 2007.

History

First archive

The original Gossamer Archive was opened on May 4, 1995 [3] by Vincent Juodvalkis after mirroring files from all the older FTP sites which collected stories from alt.tv.x-files.creative (ATXC) Usenet newsgroup. He began collecting/archiving all fan fiction posted to ATXC, and later, from the X-Files Fan Fiction mailing list. In early 1996, an FTP mirror site was set up at the Free University of Berlin, maintained by Vera. [4] In April 1996, Vincent posted to ATXC that his archive was receiving over 100,000 hits per week. [5] Because he was worried that the bandwidth consumption was having a negative effect on Ohio-State's network, he was considering solutions, including moving the archive to a commercial site and selling advertising space on the front page to pay for the heavy-duty bandwidth and disk space (235 MB) requirements.On July 3, 1996, Vincent announced the projected shutdown of the Ohio-State site, [6] citing a lack of time and network saturation.

Revival

During the summer of 1996, several alternative sites were created, including Stef Davies's UK site, Adam Lee's Australian site, and Harri Nyman's Finnish site. [7] On August 12 of that year, Natasha (aka Kelsy) began the "Gossamer Project", a project to database, categorize and summarize all the currently archived stories,. [8] [9] [10] Originally, her site was only a collection of HTML links to the other archives, but when she found a US-based server willing to host a site with the disk and bandwidth requirements of Gossamer, she launched a full US mirror site. [11] By early 1997, most of the other archive attempts had consolidated under the Gossamer Project umbrella, generally using the database and HTML page generation scripts created by Natasha. Several types of files, including unfinished stories and specialty files (poems, filks, non-fiction) were separated to their own sites. In February 1997, the site on the X-Philes.com server was created as a test site for improvements to the Gossamer database and page generation scripts. On May 31, 1997, Natasha announced the closure of the Gossamer USA (Simplenet) site, and her retirement from archiving.

Reorganization

In June 1997, the Gossamer Project was reorganized. Gossamer X-Philes was opened for public access, and Gossamer Simplenet was handed over to Deirdre from Natasha. Lisa (Gossamer Birdfeeder/story cleanup), Adam (Gossamer Australia), Deirdre (Gossamer Simplenet/story cleanup), Chael (Gossamer X-Philes/technical), Harri (Gossamer Finland), Vera (Gossamer FTP), Amy (Specialty Archive), Michelle (Unfinished and Serial Archive), and Gem (Database Administrator) took over maintenance. [12] The archives were fully integrated, using the same database of files, containing the same story files, and posting story updates at around the same time. On November 1, 1997, Gossamer Australia closed and Adam Lee retired from archiving. On February 10, 1998, the gossamer.org domain name was registered, although it was not fully used by the Gossamer Project for another year. In May 1998, after the site was featured in the Yahoo!Life magazine, the site located on the Simplenet.com network was shut down due to its bandwidth usage. The site was moved to Interspeed.com, which then shut it down again for bandwidth consumption 2 weeks later. In May 1998, Gossamer was listed in an article in the Yahoo!Life print magazine, and experienced a traffic spike to over 60,000 hits per site, per day. Two weeks later, Gossamer Simplenet was forced to close by simplenet.com due to the excessive traffic. The site moved to Interspeed.net temporarily, but was shut down again due to excessive traffic within 14 days. On July 12, 1998, Gossamer Germany (Germany.gossamer.org) was opened on the FU Berlin network that had hosted the Gossamer FTP archive since 1996. The name choice proved to be a bad decision, as many US-based fans refuse to use a site obviously located in Europe due to concerns about speed and access. In August 1998, a script forbidding deep linking was deployed on the X-Philes.com server, when it was discovered that (a) the site's bandwidth was too high for its host's liking and (b) that 30% of the bandwidth was being consumed via deep links directly to fan fiction text files from other sites in the community. This script was later deployed to all active Gossamer sites to prevent the bandwidth issues associated with deep linking.On April 1, 1999, all archive names based on networks or locations were retired. Fluky, Krycek, and Skinner archives were opened as subdomains under the primary gossamer.org domain name. From June 1998-2000, the Gossamer Project was booted from other servers due to bandwidth consumption and other related issues. Due to a 1999 decision to group all sites under the gossamer.org domain and "redeploy" the same subdomains to new servers, the loss of these various servers did not impact the user community as earlier shutdowns had. During late 1999 and early 2000, the Gossamer archives received, on average, 1,000 direct e-mail, newsgroup and mailing list submissions a month. The archiving team fell behind for many months, resulting in more than 8,000 files being archived during 2000. From that high water point, the submissions rate has gradually fallen to a current rate of about 600 submissions per year. From 2000-2007, there have been several archive moves, but few events that have had long-term effects on the archive or readers. In 2001, the Gossamer Skinner name was retired and eventually replaced by Gossamer Tooms, due to the unreliability of the servers that had hosted Skinner over the years and to note the acquisition of a commercial dedicated server for Gossamer usage.

In the media

During the late 1990s, the Gossamer Project was noted and discussed in several major media outlets, generally in lifestyle articles focused on the media fan fiction phenomenon emerging online. On August 18, 1997, the Gossamer Project was discussed in an article in the New York Times which focused specifically on the X-Files fan fiction online. This article included a description of the archive, and the article's primary image was the front page of the site. In May 1998, the Gossamer Project was highlighted in a fandom-focused edition of Yahoo!Life, [13] resulting in an extreme increase of traffic to the sites. While this brought attention to the site, it also resulted in negative effects, including the most popular mirror site being removed from the server it had been on for several years due to bandwidth abuse. In later 1998, the Gossamer Project was mentioned as the primary X-Files fan fiction archive online in an article in Pitch Magazine. [14] In the December 1, 1998 edition of Entertainment Weekly , the Gossamer Project was mentioned in the Writers Bloc sidebar for the article Fan Fiction: Out of Character by E. Klotz and the front page used as the primary image for that section. The Gossamer Project was also mentioned in the April 29, 2001 article The E-Files, by Nancy Schulz, published in The Washington Post . [15]

Online Discussions about Gossamer

In recent years, the Gossamer Project has become a touchpoint for nostalgic discussions among fans about "the way things were" before the emergence of FanFiction.net and the ongoing decentralization of single fandoms amongst many sites and forums. The Gossamer Project and the X-Files community represent what is now considered an old style, online fan fiction community: centralized around an archive and a few posting forums, making it easy to find and access the majority of fan fiction posted in that community.

In the online article Once upon a time . . . What fragmentation in fandom means to you by LJC, media fandom in the mid to late 1990s is described as:

It was the age of The Gossamer Project, alt.startrek.creative, and LISTSERVs. It was a simple world, a happy world, a world before bandwidth and advertising revenues ruled the Internet. When it was easy for fans to find what they wanted, because there were huge glowing neon signs pointing them towards Mecca at every bend and fork in the road. We were all pilgrims on the same road.

and specifically refers to the Gossamer Project existence today: [16]

The Gossamer Project began in the spring of 1995, and survives today by mirroring to avoid bandwidth hell. It is still the #1 place the majority of fans read fan fiction for X-Files, and continues to grow due to longevity and brand awareness. Everyone knows about it, and everyone can find it. It's got one helluva big neon sign that shines awful bright.

The Gossamer example has had effects on other fan fiction communities, with many archives describing themselves as the "Gossamer" of their fandom, or with readers looking for the "Gossamer" of the fandom. In the blog post, Confessional, on the blog A Southern Girl's Guide to Almost Anything, the writer bemoans the lack of centralization she was finding in Star Trek: The Next Generation fandom by asking "Was there no organization in that fandom? Where's their Gossamer, the X-Files massive fanfic archive?!" [17]

Academic Discussions about Gossamer

In the paper Coming Out as a Fanfiction Writer presented at the Western Australian Science Fiction Conference in 2001, the Gossamer Project is used, along with FanFiction.net, as an example of one of the largest online fan fiction archives.

The Gossamer archive for X-Files fanfiction (probably the largest fanfiction archive on the internet for a singular show/ movie/ book and probably the largest fanfiction archive next to Fanfiction.net, has approximately 25,000 stories on the archive. Nine thousand of those stories were received in the year 2000 (the archive started in 1994/5) The archivists add anywhere from 400 - 900 stories an update and the updates happen about twice a month. [18]

In an article entitled "Gender and Fan Culture (Round Eight, Part One): Abigail Derecho and Christian McCrea" posted to Henry Jenkins's blog on July 26, 2007, the Gossamer Project sites and its sister project Ephemeral and their impact on online fandom and fannish history were discussed: [19]

For all who might think that posting X-Files fanfic to the ATXC board did not really constitute a technological innovation, I say this: the ATXC and its successor, the Ephemeral/Gossamer archival system, have proven over the last dozen years that a simple open-source PHP archive of HTML documents will outlast a lot of other hypermedia creations. While gamers hunt down emulators, fans of hypertext literature long for a working installation disk of Mac Classic OS, and digital historians cry over numerous broken links and four-year-old Flash animation that just never loads all the way, readers of online fan fiction sit back and enjoy the plain-and-simple HTML, reliably archived and presented in neat rows and columns for their pleasurable consumption for years to come. If that isn't technical genius, I don't know what is.

Related Research Articles

<span class="mw-page-title-main">Fandom</span> Subculture composed of fans sharing a common interest

A fandom is a subculture composed of fans characterized by a feeling of camaraderie with others who share a common interest. Fans typically are interested in even minor details of the objects of their fandom and spend a significant portion of their time and energy involved with their interest, often as a part of a social network with particular practices, differentiating fandom-affiliated people from those with only a casual interest.

<span class="mw-page-title-main">Furry fandom</span> Subculture interested in anthropomorphic animals

The furry fandom is a subculture interested in anthropomorphic animal characters. Some examples of anthropomorphic attributes include exhibiting human intelligence and facial expressions, speaking, walking on two legs, and wearing clothes. The term "furry fandom" is also used to refer to the community of people who gather on the Internet and at furry conventions.

Slash fiction is a genre of fan fiction that focuses on romantic or sexual relationships between fictional characters of the same sex. While the term "slash" originally referred only to stories in which male characters are involved in an explicit sexual relationship as a primary plot element, it is now also used to refer to any fan story containing a romantic pairing between same-sex characters. Many fans distinguish slash with female characters as a separate genre, commonly referred to as femslash.

Dragonriders of Pern is a science fantasy series written primarily by American-Irish author Anne McCaffrey, who initiated it in 1967. Beginning in 2003, her middle child Todd McCaffrey has written Pern novels, both solo and jointly with Anne. The series comprises 24 novels and two collections of short stories. The two novellas included in the first novel, Dragonflight, made McCaffrey the first woman to win a Hugo Award for writing fiction as well as the first to win a Nebula Award.

Femslash is a genre which focuses on romantic and/or sexual relationships between female fictional characters.

The Transformation Story Archive (TSA) was a website archiving amateur fiction featuring a personal physical transformation or its aftermath. The archive was created by Austrian web designer Thomas Hassan, who intended it to be a premier showcase for transformation-themed fiction and a showcase for amateur authors. The TSA was operating at least as early as May 1995, leading to claims of being the earliest Internet archive for fiction of this genre.

Shipping is the desire by followers of a fandom for two or more people, either real-life people or fictional characters, to be in a romantic or sexual relationship. Shipping often takes the form of unofficial creative works, including fanfiction and fan art.

<span class="mw-page-title-main">FanFiction.Net</span> US fan fiction website

FanFiction.Net is an automated fan fiction archive site. It was first launched in 1998 by software designer Xing Li, and currently has over 12 million registered users.

Web fiction is written works of literature available primarily or solely on the Internet. A common type of web fiction is the web serial. The term comes from old serial stories that were once published regularly in newspapers and magazines.

<span class="mw-page-title-main">Search engine</span> Software system that is designed to search for information on the World Wide Web

A search engine is a software system that finds web pages that match a web search. It searches the World Wide Web in a systematic way for particular information specified in a textual web search query. The search results are generally presented in a line of results, often referred to as search engine results pages (SERPs). The information may be a mix of hyperlinks to web pages, images, videos, infographics, articles, and other types of files. As of January 2022, Google is by far the world's most used search engine, with a market share of 90.6%, and the world's other most used search engines were Bing, Yahoo!, Baidu, Yandex, and DuckDuckGo.

<span class="mw-page-title-main">Legal issues with fan fiction</span>

Fanfiction has encountered problems with intellectual property law due to usage of copyrighted characters without the original creator or copyright owner's consent.

<i>Yaoi</i> fandom Fandom consisting of readers of yaoi

The yaoi fandom consists of the readers of yaoi, a genre of male homosexual narratives. Individuals in the yaoi fandom may attend conventions, maintain/post to fansites, create fanfiction/fanart, etc. In the mid-1990s, estimates of the size of the Japanese yaoi fandom were at 100,000–500,000 people. Despite increased knowledge of the genre among the general public, readership remains limited in 2008. English-language fan translations of From Eroica with Love circulated through the slash fiction community in the 1980s, forging a link between slash fiction fandom and yaoi fandom.

CrushFTP is a proprietary multi-protocol, multi-platform file transfer server originally developed in 1999. CrushFTP is shareware with a tiered pricing model. It is targeted at home users on up to enterprise users.

Xena: Warrior Princess has been referred to as a pop cultural phenomenon and feminist and lesbian icon. The television series, which employed pop culture references as a frequent humorous device, has itself become a frequent pop culture reference in video games, comics and television shows, and has been frequently parodied and spoofed.

Fan labor, also called fan works, are the creative activities engaged in by fans, primarily those of various media properties or musical groups. These activities can include creation of written works, visual or computer-assisted art, films and videos, animations, games, music, or applied arts and costuming.

<span class="mw-page-title-main">Fan fiction</span> Type of fiction created by fans of the original subject

Fan fiction or fanfiction is fictional writing written in an amateur capacity by fans, unauthorized by, but based on an existing work of fiction. The author uses copyrighted characters, settings, or other intellectual properties from the original creator(s) as a basis for their writing. Fan fiction ranges from a couple of sentences to an entire novel, and fans can retain the creator's characters and settings and/or add their own. It is a form of fan labor. Fan fiction can be based on any fictional subject. Common bases for fan fiction include novels, movies, comics, musical groups, cartoons, anime, manga, and video games.

This is a comparison of online backup services.

<span class="mw-page-title-main">Organization for Transformative Works</span> Nonprofit organization dedicated to protection of transformative fan activity

The Organization for Transformative Works (OTW) is a nonprofit, fan activist organization. Its mission is to serve fans by preserving and encouraging transformative fan activity, known as "fanwork", and by making fanwork widely accessible.

<span class="mw-page-title-main">Archive of Our Own</span> Nonprofit repository for fanfiction

Archive of Our Own is a nonprofit open source repository for fanfiction and other fanworks contributed by users. The site was created in 2008 by the Organization for Transformative Works and went into open beta in 2009. As of 1 January 2024, Archive of Our Own hosts 12,290,000 works in over 62,830 fandoms. The site has received positive reception for its curation, organization, and design, mostly done by readers and writers of fanfiction.

<span class="mw-page-title-main">Francesca Coppa</span> American scholar of literature

Francesca Coppa is an American scholar whose research has encompassed British drama, performance studies and fan studies. In English literature, she is known for her work on the British writer Joe Orton; she edited several of his early novels and plays for their first publication in 1998–99, more than thirty years after his murder, and compiled an essay collection, Joe Orton: A Casebook (2003). She has also published on Oscar Wilde. In the fan-studies field, Coppa is known for documenting the history of media fandom and, in particular, of fanvids, a type of fan-made video. She co-founded the Organization for Transformative Works in 2007, originated the idea of interpreting fan fiction as performance, and in 2017, published the first collection of fan fiction designed for teaching purposes. As of 2021, Coppa is a professor of English at Muhlenberg College, Pennsylvania.

References

  1. The Gossamer Project Help Desk – History of Gossamer
  2. De Kosnik, Abigail (September 2016). Rogue Archives. Digital Cultural Memory and Media Fandom. The MIT Press. p. 91. ISBN   9780262034661.
  3. Google Groups
  4. "The GOSSAMER Archive Introduction (v2.2 01 MAY 1996) - alt.tv.x-files.creative | Google Groups". 1996-05-01. Retrieved 2012-07-23.
  5. "Google Groups". groups.google.com. Retrieved 2020-06-09.
  6. "Gossamer is closing (projected date in October) - alt.tv.x-files.creative | Google Groups". 1996-07-30. Retrieved 2012-07-23.
  7. "Google Groups". groups.google.com. Retrieved 2020-06-09.
  8. "Google Groups". groups.google.com. Retrieved 2020-06-09.
  9. "Google Groups". groups.google.com. Retrieved 2020-06-09.
  10. "Google Groups". groups.google.com. Retrieved 2020-06-09.
  11. "Google Groups". groups.google.com. Retrieved 2020-06-09.
  12. "Gossamer Project FAQ". Google Groups. Usenet/Google. 1998-07-31. Retrieved 2021-09-19. Vincent Juodvalkis opened the original Gossamer Archive in the spring of 1995 and the Gossamer Project was born when he announced the closing of his site in the spring of 1996.
    The Gossamer Project has continued to grow, and has diverged from a singlesite into several different specialty archives for different types of fan fiction.
  13. Yahoo!Internet Life Magazine, July 1998 Edition, page 73
  14. Pitch Magazine, date unknown. Fans take control of TV . . . On-Line by Colin Flanigan
  15. The E-Files Mad for Mulder? Got a Jones for Buffy? Juiced by 'JAG'? In the Fanfiction Realm, You Can Make the Plot Quicken. by Nancy Schulz; The Washington Post; Sunday, April 29, 2001; Page G01
  16. "my geek: let me show you it". ljconstantine.com. Retrieved 2020-06-09.
  17. "A Southern Girl's Guide to Almost Anything: Confessional". A Southern Girl's Guide to Almost Anything. 2006-07-09. Archived from the original on 2007-09-21.
  18. "DiaryLand members area". members.diaryland.com. Retrieved 2020-06-09.
  19. "Gender and Fan Culture (Round Eight, Part One): Abigail Derecho and Christian McCrea". Henry Jenkins. 25 July 2007. Retrieved 2020-06-09.