The Guitar Player

Last updated

The Guitar Player
The Guitar Player.jpeg
Studio album by
Released1963
Genre Folk jazz, jazz, blues
Length58:13 (reissue)
Label Pye
Davey Graham chronology
The Guitar Player
(1963)
Folk, Blues and Beyond
(1964)

The Guitar Player is an album by British guitarist Davey Graham (then Davy Graham), released in 1963. It was his first LP after releasing the EP 3/4 A.D. one years earlier. [1] The session-musician Bobby Graham (no relation) plays drums on the album.

Contents

"I started to play the guitar about seven years ago, while I was still at school- homework always gave in to music, so I was no genius! As soon as I got home, I would put on a blues record- Big Bill Broonzy, Blind Lemon Jefferson, Memphis Slim, Champion Jack Dupree and Muddy Waters and many others as well as modern jazz greats like Charlie Parker, Charlie Mingus and Thelonious Monk, who are still my favourites.

When I got tired of the city and a job suffocating in an office, I went to Paris and sang and played in the streets to cinema queues and up and down the French Riviera. I must admit I was very glad when I was invited to play in night clubs where I could put down the plectrum and play finger style as I still do. Every summer for three years I would break the chains of a job (anything from librarian to crate-humper) and leave for the continent, taking £5– the fare to Paris, freedom and the sun of the Cote d’Azur. When I came back to England in the winter of 1961, I started to get more regular work playing in folk song clubs, and got my first “break” playing as accompanist along with Alexis Korner for Shirley Abicair, the Australian folk singer on broadcasts for radio, a TV series and a concert at the Royal Festival Hall.

When people ask me what type of guitar I play, I usually say “Blues, bits and pieces”. The numbers on this album are a mixture of jazz and folk influences. I think that every number has its own particular mood. Before I play I don’t know exactly what notes will come out, but I know the mood the number conjures up in me, so that on the framework of, say, a 12-bar blues with a slow tempo and a minor key, I can make the guitar cry by whining the strings.

On the other hand, for a calypso or fast rocking blues, I can use running single-line phrases with clipped notes to convey movement and excitement, filling in with block chords to keep the pulse of the number. For me, the richness of the guitar as a solo instrument, or an accompaniment to a singer lies in its many voices and moods.

For the last two years, I have been playing in Nick’s diner near Earl’s Court where I eat excellent steaks and am acquiring a taste for good wine and cigars! Over the past year I have made half a dozen solo TV appearances, though I love to play with a band. I have recently joined Alexis’ “Blues Incorporated” and have a ball both playing, and watching the dancers. All is said now except that I sincerely hope you enjoy this record either to listen to, or as a background to good conversation!"

- Davy Graham 1963

It was reissued in 2003 on CD by Sanctuary Records with eight bonus tracks. It was also released as The Guitar Player... Plus.

Reception

Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [2]

In his Allmusic review, critic Thom Jurek wrote, "The Guitar Player is one of the greatest, if not the greatest, instrumental acoustic guitar record of the 1960s and 1970s British folk scene... the release of the classic The Guitar Player in America, some 40 years after its initial issue, is still an occasion for great celebration and is a candidate for reissue of the year." [2]

Track listing

  1. "Don't Stop the Carnival" (Traditional) – 1:54
  2. "Sermonette" (Cannonball Adderley) – 2:45
  3. "Take Five" (Paul Desmond) – 1:55
  4. "How Long, How Long Blues" (Leroy Carr) – 2:25
  5. "Sunset Eyes" (Sherman Edwards, Sid Wayne) – 1:53
  6. "Cry Me a River" (Arthur Hamilton) – 2:19
  7. "The Ruby & the Pearl" (Bill Evans, Jay Livingston) – 2:27
  8. "Buffalo" (Kenny Dorham) – 2:17
  9. "Exodus" (Ernest Gold) – 1:57
  10. "Yellow Bird" (Alan Bergman, Marilyn Keith, Norman Luboff) – 2:19
  11. "Blues for Betty" (Davy Graham) – 3:27
  12. "Hallelujah, I Love Her So" (Ray Charles) – 2:00
    2003 reissue bonus tracks:
  13. "She Moved Thru' the Bizarre/Blue Raga" Live (Colum, Traditional) – 7:43
  14. "Misirlou" Live (Nick Roubanis, Bob Russell, Fred Wise, Milton Leeds) – 3:27
  15. "Hey! Bud Blues" Live (Big Bill Broonzy) – 6:15
  16. "Anji" (Davy Graham) – 1:27
  17. "Fingerbuster" (Davy Graham) – 1:54
  18. "La Morena" (Davy Graham) – 3:45
  19. "Happy Meeting in Glory" (Traditional; arranged by Davy Graham) – 2:08
  20. "Suite in D Minor" (Robert de Visée) – 3:56

Personnel

Related Research Articles

British blues is a form of music derived from American blues that originated in the late 1950s, and reached its height of mainstream popularity in the 1960s. In Britain, blues developed a distinctive and influential style dominated by electric guitar, and made international stars of several proponents of the genre, including the Rolling Stones, the Animals, the Yardbirds, Eric Clapton, Fleetwood Mac and Led Zeppelin.

<span class="mw-page-title-main">Big Bill Broonzy</span> American blues singer, songwriter and guitarist (1903–1958)

Big Bill Broonzy was an American blues singer, songwriter, and guitarist. His career began in the 1920s, when he played country music to mostly African-American audiences. In the 1930s and 1940s, he navigated a change in style to a more urban blues sound popular with working-class black audiences. In the 1950s, a return to his traditional folk-blues roots made him one of the leading figures of the emerging American folk music revival and an international star. His long and varied career marks him as one of the key figures in the development of blues music in the 20th century.

<span class="mw-page-title-main">Cyril Davies</span> English blues musician

Cyril Davies was an English blues musician, and one of the first blues harmonica players in England.

<span class="mw-page-title-main">Davey Graham</span> Musical artist

David Michael Gordon "Davey" Graham was a British guitarist and one of the most influential figures in the 1960s British folk revival. He inspired many famous practitioners of the fingerstyle acoustic guitar such as Bert Jansch, Wizz Jones, John Renbourn, Martin Carthy, John Martyn, Paul Simon and Jimmy Page, who based his solo "White Summer" on Graham's "She Moved Through the Fair". Graham is probably best known for his acoustic instrumental "Anji" and for popularizing DADGAD tuning, later widely adopted by acoustic guitarists.

<span class="mw-page-title-main">Wizz Jones</span> British musician (born 1939)

Raymond Ronald Jones, better-known as Wizz Jones, is an English acoustic guitarist, and singer-songwriter. He was born in Thornton Heath, Surrey, England and has been performing since the late 1950s and recording from 1965 to the present. He has worked with many of the notable guitarists of the British folk revival, such as John Renbourn and Bert Jansch.

Les Cousins was a folk and blues club in the basement of a restaurant in Greek Street, in the Soho district of London, England. It was most prominent during the British folk music revival of the mid-1960s and was known as a venue where musicians of the era met and learnt from each other. As such, it was influential in the careers of, for example, Jackson C. Frank, Al Stewart, Marc Brierley, Davey Graham, Bert Jansch, John Renbourn, Sandy Denny, John Martyn, Alexis Korner, The Strawbs, Roy Harper, The Young Tradition and Paul Simon. Several albums were recorded there.

"Anji" is an acoustic fingerstyle guitar piece composed and recorded by noted folk guitarist Davy Graham in 1961 and originally released as part of his EP debut 3/4 AD. The piece is one of the best-known acoustic blues-folk guitar pieces ever composed, with many notable artists covering it, such as Bert Jansch, John Renbourn, Lillebjørn Nilsen, Paul Simon, and Harry Sacksioni. The song is in the key of A minor and is notable for its trademark descending bassline. However, the original recording by Davy Graham is in the key of C minor with a capo at the third fret.

<i>Blues, Rags and Hollers</i> 1963 studio album by Koerner, Ray & Glover

Blues, Rags and Hollers is the first album by the American country blues trio Koerner, Ray & Glover, released in 1963.

<i>Folk, Blues and Beyond</i> 1965 studio album by Davey Graham

Folk, Blues and Beyond is the second studio album by British musician Davey Graham, originally released in 1965. It has been considered Graham's most groundbreaking and consistent work and a defining record of the 20th century. It has also been a primary influence on some of the most popular musicians in Britain ranging from Bert Jansch to Jimmy Page and Eric Clapton.

Folk baroque or baroque guitar is a distinctive and influential guitar fingerstyle developed in Britain in the 1960s, which combined elements of American folk, blues, jazz and ragtime with British folk music to produce a new and elaborate form of accompaniment. It has been highly important in folk music, folk rock and British folk rock playing, particularly in Britain, Ireland, North America and France.

<i>After the Ball</i> (album) 1973 studio album by John Fahey

After the Ball is an album by the American folk musician John Fahey, released in 1973. It was his second and last recording on the Reprise label and like its predecessor, Of Rivers and Religion, it sold poorly.

<i>OKeefe</i> (album) 1972 studio album by Danny OKeefe

O'Keefe is an album by singer-songwriter Danny O'Keefe, released in 1972. It peaked at #87 on the Billboard Top LPs chart. The lead-off single was "Good Time Charlie's Got the Blues", which reached #9 on the Billboard Hot 100 chart and was covered by numerous artists. "The Road" was covered by Jackson Browne on his album Running on Empty. O'Keefe was reissued in 2006 on the Wounded Bird label.

<i>I Stand Alone</i> (Ramblin Jack Elliott album) 2006 studio album by Ramblin Jack Elliott

I Stand Alone is an album by American folk musician Ramblin' Jack Elliott, released in 2006.

<i>Midnight Man</i> (album) 1966 studio album by Davey Graham

Midnight Man is an album by British musician Davey Graham, released in 1966.

<i>Large as Life and Twice as Natural</i> 1968 studio album by Davey Graham

Large as Life and Twice as Natural is an album by British musician Davey Graham, released in 1968.

<i>All That Moody</i> 1976 studio album by Davey Graham

All That Moody is an album by British musician Davey Graham, released in 1976. It was his first album in six years after the release of Godington Boundary and is the first with his name spelled Davey instead of Davy. It was released on an imprint called Eron Enterprises, a small label based in Deal, Kent, set up 4 years previously to demonstrate how good South East England's folk music scene was. Graham had known Ron Milner, the label's boss, since Holly Gwinn-Graham had been on the label's first release, Folk In Sandwich.

<i>The Complete Guitarist</i> 1978 compilation album by Davey Graham

The Complete Guitarist is a compilation album by British musician Davey Graham, released in 1978. It was reissued on CD in 1999 with eight bonus tracks from 1979-1980 added.

<i>Ramblin with Mose</i> 1962 studio album by Mose Allison

Ramblin' with Mose is the sixth album to be released by blues/jazz pianist and vocalist Mose Allison which was recorded in 1958 and released on the Prestige label.

<i>Waiter, Ask the Man to Play the Blues</i> 1964 studio album by Freddy Cole

Waiter, Ask the Man to Play the Blues is a 1964 studio album by jazz singer and pianist Freddy Cole. It was reissued in 2004 by Verve Records.

<span class="mw-page-title-main">London Blues and Barrelhouse Club</span>

The London Blues and Barrelhouse Club ran between 1957 and 1961 at the Round House public house at the junction of Wardour Street and Brewer Street in Soho, London. Established by Cyril Davies and Alexis Korner, it hosted many visiting American blues performers and was an important catalyst in developing British blues music, R&B, and ultimately British rock music.

References

  1. Allmusic entry for The Guitar Player Retrieved December 2009.
  2. 1 2 Jurek, Thom. "The Guitar Player > Review". Allmusic . Retrieved 10 February 2017.