Judith Durham was an Australian singer, songwriter and musician who became the lead singer of the Australian folk music group the Seekers in 1962.
"Just a Girl" is a song by American band No Doubt from their third studio album, Tragic Kingdom (1995). Released as the record's lead single in the United States on September 21, 1995, it was written by Gwen Stefani and Tom Dumont, and produced by Matthew Wilder. It has also made an appearance on their 2003 greatest hits album, The Singles 1992–2003. Lyrically, "Just a Girl" is about Stefani's perspective of life as a woman and her struggles with having strict parents. "Just a Girl" was the first song Stefani wrote without the assistance of her brother Eric.
"When I Fall in Love" is a popular song, written by Victor Young (music) and Edward Heyman (lyrics). It was introduced in Howard Hughes' last film One Minute to Zero as the instrumental titled "Theme from One Minute to Zero". Jeri Southern sang on the first vocal recording released in April 1952 with the song's composer, Victor Young, handling the arranging and conducting duties. The song has become a standard, with many artists recording it; the first hit version was sung by Doris Day released in July 1952.
English electronic music duo Goldfrapp have released seven studio albums, two live albums, two compilation albums, four extended plays, 25 singles, eight promotional singles, one video album and 29 music videos. The band was formed in 1999 in London, and consists of Alison Goldfrapp and Will Gregory (synthesiser).
"All Nite (Don't Stop)" is a song recorded by American singer Janet Jackson for her eighth studio album, Damita Jo (2004). It was written and produced by Jackson and Swedish duo Bag & Arnthor (consisting of Anders Bagge and Arnthor Birgisson), with additional writing from Jimmy Jam, Terry Lewis and Tony "Prof T" Tolbert. Virgin Records released the song to contemporary hit radio in the United States on May 17, 2004, as the album's third and final single. A So So Def remix featuring Elephant Man was also issued. "All Nite (Don't Stop)" is an electro-funk and house song that contains elements of samba, Latin, dance-pop, and dancehall. Jackson sings the song in a breathy falsetto, while lyrically it discusses being addicted to dancing in a club setting.
"Thank You" is a song written and performed by English singer-songwriter Dido. The song made its first appearance in 1998 on the soundtrack of the movie Sliding Doors. It was later included on Dido's 1999 debut album, No Angel, and was released in September 2000. The same year, American rapper Eminem sampled the track for his hit single "Stan", which helped propel "Thank You" and No Angel to mainstream success.
"Blue Savannah" is a song by English synth-pop duo Erasure from their fourth studio album, Wild! (1989). Written by members Vince Clarke and Andy Bell, the song was released as a single in Japan on 25 January 1990 and was issued in the United Kingdom the following month. Alfa Records released it in Japan as the album's lead single, Mute Records released it in Europe as the album's third single, and Sire Records released it in the United States as the album's second single. Considered one of the band's signature songs, the duo still perform it regularly in concerts. It has been described as an uplifting love song; the instrumentation is crisp and heavily synthesized, accented with sweeping, programmed piano.
"Landslide" is a song written by Stevie Nicks and performed by British-American rock band Fleetwood Mac. The song was first featured on the band's self-titled album Fleetwood Mac (1975). The original recording also appears on the compilation albums 25 Years – The Chain (1992), The Very Best of Fleetwood Mac (2002) and 50 Years – Don't Stop (2018), while a live version was released as a single 23 years later from the live reunion album The Dance (1997). "Landslide" reached No. 51 on the US Billboard Hot 100 chart and No. 10 on the Adult Contemporary chart. "Landslide" was certified Gold in October 2009 for sales of over 500,000 copies in the United States. According to Nielsen Soundscan, "Landslide" sold 2,093,186 copies in the United States as of 2017.
"One Headlight" is a song by American rock band the Wallflowers. The song was written by lead singer Jakob Dylan, and produced by T Bone Burnett. It was released in January 1997 as the second single from the band's second studio album, Bringing Down the Horse (1996).
"Handbags and Gladrags" is a song written in 1967 by Mike d'Abo, who was then the lead singer of Manfred Mann. D'Abo describes the song as "saying to a teenage girl that the way to happiness is not through being trendy. There are deeper values."
"Almost Blue" is a song recorded by English group Elvis Costello and the Attractions from their sixth studio album, Imperial Bedroom (1982). Written by Costello and produced by Geoff Emerick, the track shares the name of the group's previous 1981 studio album. It was released on 2 July 1982 along with the rest of Imperial Bedroom, and would later be included on side two of The Best of Elvis Costello and the Attractions (1985). A traditional pop song, "Almost Blue" contains lyrics that compare a former relationship to a present one.
"Georgy Porgy" is a song by American rock band Toto. It written by band member David Paich and included on their self-titled debut album in 1978. Released as the album's third single in 1979, the song reached number 11 on the New Zealand Singles Chart and number 38 on the US Billboard Hot 100. It also peaked at number 18 on Billboard's Hot R&B/Hip-Hop Songs chart.
"Remember Me" is a 1997 song by British DJ Alexis 'Lex' Blackmore under his pseudonym Blue Boy, released as a single only. Built around samples performed by American singer Marlena Shaw, the song peaked at No. 8 on the UK Singles Chart in February 1997 and No. 2 on the US Billboard Hot Dance Club Play chart. It was a top-10 hit in Denmark, Finland, Iceland, Ireland, Norway, Spain, Sweden and Switzerland. On the Eurochart Hot 100, the track reached No. 13.
"Bingo Bango" is a song written and recorded by English electronic music duo Basement Jaxx for their debut album, Remedy (1999). The track, which contains a sample of Bolivar's "Merengue" and as a result, Jose Ibata and Rolando Ibata are credited as songwriters, combined dance music with various elements of Latin music. It was released by XL Recordings as the album's fourth single on 27 March 2000, and later became the duo's third No. 1 song on the Billboard Dance Club Songs chart. The song also peaked at No. 6 in Iceland and No. 13 in the United Kingdom.
Live in London is a 2014 live album by Australian recording artist Judith Durham. The album was recorded in London in 2003 to celebrate Durham's 60th birthday. The album released on CD and digitally in October 2014.
Climb Ev'ry Mountain is the third studio album released in 1971 by Australian recording artist Judith Durham. The album produced one single, "Climb Ev'ry Mountain"/"What Could Be a Better Way", which was released in April 1971.
Judith Durham and The Hottest Band in Town is the fourth studio album from Australian recording artist Judith Durham. The album was Durham's first released via Pye Records in June 1974.
Judith Durham and The Hottest Band in Town volume 2 is the fifth studio album from Australian recording artist Judith Durham. The album was released in September 1974. The album was Durham's second album released via Pye Records.
Live in Concert is a live album credited to Melbourne Welsh Male Choir with Judith Durham. The album was recorded in Melbourne Concert Hall in March 2002 under the direction of Doug Heywood with a 70-man Melbourne Welsh Choir and the 50-piece Camerata symphony orchestra. Excerpts of the concert were released on CD in September 2002.
"All in Love Is Fair" is a song by American singer-songwriter Stevie Wonder recorded for his sixteenth studio album, Innervisions (1973). Written and produced by Wonder, it was released as a 7" single in Brazil in 1974. The song is a pop ballad with lyrics that describe the end of a relationship through the use of clichés. Critical reaction to the song has been varied: Matthew Greenwald of AllMusic wrote that it was among Wonder's "finest ballad statements", but Robert Christgau felt that the singer's performance was "immature". Wonder has included it on several of his greatest hits albums, including the most recent, 2005's The Complete Stevie Wonder.
