The King | ||||
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Studio album by | ||||
Released | 27 August 1991 [1] | |||
Genre | Alternative rock | |||
Length | 32:38 | |||
Label | Creation | |||
Producer | Don Fleming, Paul Chisholm, Teenage Fanclub | |||
Teenage Fanclub chronology | ||||
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Review scores | |
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Source | Rating |
Encyclopedia of Popular Music | [2] |
The Great Rock Discography | 4/10 [3] |
The King is the second album by Scottish alternative rock band Teenage Fanclub, deleted on its day of release in 1991.
The album is often derided as a hastily assembled contractual obligation to US label Matador (allowing the group to sign to Geffen without penalty). In 2020, Matador co-owner Gerard Cosloy confirms that The King was pitched to the label as the second release, but passed, saying it felt more like a contractual obligation fulfillment than a real album. [4] However the group have denied this, claiming that the shambolic, spontaneous nature of the contents was a direct influence of producer Don Fleming, whose music was often improvised. "One night we all got completely wasted. ... and we said, "Let’s make a LP overnight. We’ll just improvise some songs and do some covers and cobble it all together", Norman Blake said in 2016. [5] In a 2006 interview, Blake and Brendan O'Hare confirmed that the album had been recorded immediately after completing Bandwagonesque using pre-booked studio time that became available when the aforementioned album was finished sooner than anticipated. They also claimed that the album was intended to be a mid-price edition of 1,000 but their then UK label Creation Records pressed 20,000 and sold them at full price [ permanent dead link ].
The album was rereleased on vinyl for Record Store Day 2019. [6]
All tracks are written by Teenage Fanclub unless otherwise noted
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Heavy Metal 6" | 1:31 | |
2. | "Mudhoney" | 6:04 | |
3. | "Interstellar Overdrive" | Syd Barrett, Roger Waters, Richard Wright, Nick Mason | 3:24 |
4. | "Robot Love" | 2:16 | |
5. | "Like a Virgin" | Tom Kelly, Billy Steinberg | 4:31 |
6. | "The King" | 2:23 | |
7. | "Opal Inquest" | Paul Chisholm, Teenage Fanclub | 5:36 |
8. | "The Ballad of Bow Evil (Slow And Fast)" | 5:26 | |
9. | "Heavy Metal 9" | 1:27 |
Teenage Fanclub are a Scottish alternative rock band formed in Glasgow in 1989. The group were founded by Norman Blake, Raymond McGinley and Gerard Love, all of whom shared lead vocals and songwriting duties until Love's departure in 2018. As of 2023, the band's lineup consists of Blake, McGinley, Francis Macdonald, Dave McGowan and Euros Childs.
Brendan O'Hare is a Scottish multi-instrumentalist musician, primarily known for being the drummer in the rock band Teenage Fanclub from 1989 until early 1994, and a member of and collaborator with Mogwai.
BMX Bandits are a Scottish guitar pop band formed in Bellshill in 1986. Led by songwriter and lead vocalist Duglas T. Stewart, their music is heavily influenced by 1960s pop. They have shared members with numerous other local bands, including Teenage Fanclub and the Soup Dragons. BMX Bandits were a favourite band of Kurt Cobain, who said "If I could be in any other band, it would be BMX Bandits". In 2011, they were the subject of the documentary Serious Drugs: A Film About BMX Bandits.
Norman Blake is a Scottish singer, instrumentalist and songwriter in the Glasgow-based band Teenage Fanclub.
Telstar Ponies are a Scottish rock band formed in Glasgow in 1994. Their musical style varies considerably but displays influences from Krautrock, folk, and experimental noise.
A Catholic Education is the debut album by Scottish alternative rock band Teenage Fanclub, released in 1990.
Bandwagonesque is the third album by Scottish alternative rock band Teenage Fanclub, released in November 1991 on Creation Records. The album gave the band substantial US success when the single "Star Sign" reached number four on the Billboard Modern Rock Tracks chart, becoming their biggest hit in that country, with "What You Do to Me" and "The Concept" also becoming top 20 hits on that chart. Bandwagonesque was voted 'album of the year' for 1991 by American music magazine Spin, famously beating Nirvana's Nevermind.
Thirteen is the fourth album by Scottish alternative rock band Teenage Fanclub, released in 1993 on Creation Records in the UK and Geffen in the US. It was commonly believed at the time that it was named after the song "Thirteen" by Big Star, a band that has heavily influenced Teenage Fanclub. The self-produced album was poorly received by critics on its release. It peaked at number 14 on the UK Albums Chart.
Deep Fried Fanclub is a rarities compilation album by Scottish alternative rock band Teenage Fanclub, released in 1995. It mostly features non-album singles and b-sides released through the band's association with Paperhouse and K Records.
Man-Made is the eighth studio album by Scottish alternative rock band Teenage Fanclub, released on 9 May 2005. It was released on the band's own PeMa label in Europe and on Merge Records in North America.
Words of Wisdom and Hope is an album produced in collaboration between Glasgow, Scotland's Teenage Fanclub and Half Japanese frontman Jad Fair. It was released on 4 March 2002 on Domino's subsidiary label Geographic in Europe and on Alternative Tentacles in the US.
Special Kiss is the first album by Gumball. It was released in 1991 on the Primo Scree label. It contains contributions from Thurston Moore of Sonic Youth and Teenage Fanclub.
Four Thousand Seven Hundred And Sixty-Six Seconds - A Short Cut To Teenage Fanclub is a greatest hits album by Scottish alternative rock band Teenage Fanclub, released on 27 January 2003. The title refers to the album's total length, just 34 seconds short of the maximum running time possible on a single CD: as a consequence the tracks "Star Sign" and "My Uptight Life" were edited from its original versions in order to fit on to the album. "Everything Flows" was remixed for this collection.
God Knows It's True is an EP by Scottish rock band Teenage Fanclub, released in 1990 in the UK by Paperhouse Records and in 1991 in the USA by Matador Records. It was co-produced by Don Fleming, who had been introduced to the band earlier in 1990 by word of mouth, and who would also work on the band's next two albums, The King and Bandwagonesque.
Teenage Fanclub Have Lost It is an EP by Scottish alternative rock band Teenage Fanclub, released in December 1995 on Creation Records. It reached #53 in the UK singles chart.
Shadows is the ninth studio album by Scottish alternative rock band Teenage Fanclub, released on 31 May 2010 on the band's own PeMa label in Europe and on Merge Records in North America. It is the band's first new album release in five years. The album contains twelve songs: four written by Gerard Love, four by Norman Blake, and four by Raymond McGinley. Blake's "Baby Lee" was released as a single.
Here is the tenth studio album by Scottish alternative rock band Teenage Fanclub, released on 9 September 2016 on the band's own PeMa label in Europe and on Merge Records in North America. It was the band's final album to feature bassist and co-founder Gerard Love, who left the band in November 2018.
Slow Summits is the fifth studio album by the Scottish band The Pastels, released via Domino Recording Company in 2013. The album was their first proper studio album since 1997's Illumination, having released a soundtrack album and a collaborative album with Japanese avant-pop band Tenniscoats in between.
"The Concept" is a song recorded by Scottish rock band Teenage Fanclub. The song was released on 21 October 1991 through Creation Records, as the second single from the band's third studio album Bandwagonesque. The song was written and sung by vocalist and guitarist Norman Blake.
Endless Arcade is the eleventh full studio album by Scottish band Teenage Fanclub. Released on 30 April 2021, it is the band's first record since the departure of co-founder Gerard Love in late 2018 and their first with former Gorky's Zygotic Mynci member Euros Childs. The album's title comes from co-founder Raymond McGinley's song of the same name, with McGinley envisioning an endless arcade as "a city that you can wander through, with a sense of mystery, an imaginary one that goes on forever. When it came to choosing an album title, it seemed to have something for this collection of songs."