The Kraken Wakes

Last updated

The Kraken Wakes
Thekrakenwakes.jpg
Cover of first edition (hardcover)
Author John Wyndham
LanguageEnglish
GenreScience fiction
Publisher Michael Joseph
Publication date
July 1953
Publication placeUnited Kingdom
Media typePrint (hardback & paperback)
Pages288
Followed by The Chrysalids  

The Kraken Wakes is an apocalyptic science fiction novel by British writer John Wyndham, originally published by Michael Joseph in the United Kingdom in 1953, and first published in the United States in the same year by Ballantine Books under the title Out of the Deeps as a mass market paperback. Also known as The Things from the Deep.

Contents

The novel is structured as a book within a book. After a short scene-setting introduction, the novel is the book written by the protagonist, radio reporter Mike Watson, chronicling the events that took place when creatures from the depths of the ocean attacked humanity. Mike and his wife Phyllis work for the (fictional) English Broadcasting Company (EBC) so are privy to decisions by government and scientific authorities, who alternatively try to counter the alien's moves or stifle news to prevent panic. The aliens are never seen, and their origin and level of intelligence, if any, are never discerned. They are only known by their acts of violence against humanity, and their weapons of choice are not of the sort envisioned by humanity.

The title is a reference to Alfred Tennyson's sonnet The Kraken .

Plot

The novel describes the course of an attack on humanity by creatures from the ocean depths, as told through the eyes of Mike Watson, who works for the English Broadcasting Company (EBC) with his wife and co-reporter Phyllis. A major role is also played by Professor Alastair Bocker – more clear-minded and far-sighted about the developing crisis than everybody else but often alienating people by telling brutally unvarnished and unwanted truths.

Mike and Phyllis are witness to several events of the invasion, which proceeds in drawn-out phases; it takes years before the bulk of humanity even realises that the world has been invaded. In the first phase, objects from outer space land in the oceans. Mike and Phyllis happen to see five of the "fireballs" falling into the sea, from the ship where they are sailing on their honeymoon. Eventually the distribution of the objects' landing points – always at ocean depths, never on land – implies intelligence.

The aliens are speculated to come from a gas giant and thus can only survive under conditions of extreme pressures in which humans would be instantly crushed. The deepest parts of the oceans are the only parts of Earth in any way useful to them and they presumably have no need or use for the dry land or even the shallower parts of the seas. Bocker puts forward the theory that the two species could co-exist, hardly noticing each other's presence. Humanity nevertheless feels threatened by this new phenomenon – particularly since the newcomers show signs of intensive work to adapt the ocean deeps to their needs (there is a mention of their digging a deep underground tunnel to link the Atlantic and Pacific Oceans, their own version of the Panama Canal). A British bathysphere is sent down to investigate and is destroyed by the aliens with the loss of two lives. The British government responds by exploding a nuclear device in the same location. The aliens' technology proves formidable, and an American attempt to use a nuclear bomb ends in disaster. Ships all over the world begin to be attacked by unknown weapons and in each case are rapidly sunk, causing havoc to the world economy and trade. Humanity is not united in the face of the mounting threat because of the Cold War, with the two sides often attributing the effects of the alien attacks to their human opponents or refusing to co-operate because of their different political ideals and long-standing animosities and distrust.

Phase two of the war starts when the aliens also start "harvesting" the land by sending up "sea tanks", using mutated and genetically altered sea creatures, which capture humans from coastal settlements. Like much of what the aliens do, the reasons for these attacks are inscrutable. The Watsons witness one of these assaults on a Caribbean island. Eventually coastal settlements establish such defences against these "sea tank" raids that that they become far less frequent. But this only happens after raids are experienced on every continent.

In the final phase, the aliens begin melting the polar ice caps, causing the sea level to rise. London and other ports are flooded, causing widespread social and political collapse. The government moves to Harrogate. The Watsons cover the story for the EBC until the radio (and organised social and political life in general) ceases to exist, whereupon they can only try to survive and escape a flooded London, using an acquired motor boat to a Cornish holiday cottage which, due to the floods, now exists on an island. Other coastal countries are also disastrously affected – there is a reference to masses of Dutch refugees fleeing into Germany, having "lost their centuries-long war with the sea". Ultimately, scientists in Japan develop an underwater ultrasonic weapon that kills the aliens. The population has been reduced to between a fifth and an eighth of its pre-invasion level and the world's climate has been significantly changed, with water levels 120 feet higher than before.

Plot narrative

Even at the end, humans have no clear idea what their opponents looked like. The most they have is some protoplasm which floated to the surface of the sea after the ultrasound weapon was used. As the protagonist states in the book, the book aims to demonstrate that an alien invasion of Earth could take a very different form from that in The War of the Worlds ; publication of the book coincided with the release of 1953 film The War of the Worlds , an adaptation of H. G. Wells' classic work, which was both a critical and box office success. [1]

Plot differences

Depending on the book's printed origin there are several changes to the plot:

Reception

Groff Conklin, reviewing the American edition, characterised the novel as "sheer melodrama, sure, but melodrama spiced with wit [and] with pungent commentary on human foibles... A truly satisfying shocker." [2] In F&SF , Boucher and McComas selected the novel as one of the best science fiction books of 1953, describing it as "humanly convincing"; [3] they praised the novel as "a solid and admirable story of small-scale human reactions to vast terror." [4] P. Schuyler Miller found this novel superior to The Day of the Triffids , citing its "characteristic, deceptive quietness." [5] New York Times reviewer J. Francis McComas similarly noted that while the novel was "somewhat quieter in tone" than Triffids, it would "nevertheless exert an even more lasting effect on the imagination." [6] One newspaper reviewer was less impressed, declaring that "[The novel's pace] is that of a slightly superior snail". [7]

Adaptations

Radio

Character195419982016
Michael Watson Robert Beatty Jonathan Cake Paul Higgins |
Phyllis WatsonGrizelda HerveySaira Todd Tamsin Greig
Freddie Whittier Hugh Falkus David Fleeshman Richard Harrington
Dr. Alistair Bocker [n 1] Arthur LawrenceRussell Dixon Richard Harrington
Capt. Winters RN Edward Jewesbury William Oxborrow
  1. "Becker" in the 2016 dramatisation

The novel was adapted by John Keir Cross as a single 90-minute drama for the BBC Home Service, first broadcast on 28 April 1954. It was produced by Peter Watts. An adaptation by John Constable as a single 90-minute drama for BBC Radio 4 was first broadcast on 21 February 1998. It was produced by Susan Roberts, with music by Paul Gargill. This version was released on CD by BBC Audiobooks in 2007.

A 1965 radio adaption by Eric Cameron was recorded in Vancouver by the Canadian Broadcasting Corporation, starring Sam Paine, Shirley Broderick, Michael Irwin and Derek Walston. The duration was five half-hour shows. [8]

BBC Radio 7 presented an unabridged reading by Stephen Moore of the novel in sixteen 30-minute episodes, produced by Susan Carson, and broadcast daily between 12 March and 2 April 2004.

On 28 May 2016 Radio 4 broadcast an adaptation by Val McDermid set in the present day, with some of the action moved from Harrogate to Birmingham and from Cornwall to Scotland. It starred Paul Higgins as Michael and Tamsin Greig as Phyllis and featured an appearance by Scotland's then First Minister Nicola Sturgeon as herself and was recorded with live accompaniment by the BBC Philharmonic orchestra. [9] [10] [11] [12] The new elements the script incorporates include an upgrade to Wyndham's predicted 100-foot rise in sea level to the worst-case figure of 70 metres envisioned over a thousand-year period by climate change experts. Such a rise sees the sea cover much of England. [13]

Game

In 2017, Charisma Entertainment signed an agreement with John Wyndham's estate for the exclusive rights to develop an immersive, interactive game version of the novel. [14] Their adaptation of The Kraken Wakes was released on Steam in March 2023. [15] It was part of the Official Selection at the London Games Festival 2023. [16] New sales on Steam were halted on Mon, April 22, 2024.

See also

Related Research Articles

<i>A Fire Upon the Deep</i> 1992 science fiction novel by Vernor Vinge

A Fire Upon the Deep is a 1992 science fiction novel by American writer Vernor Vinge. It is a space opera involving superhuman intelligences, aliens, variable physics, space battles, love, betrayal, genocide, and a communication medium resembling Usenet. A Fire Upon the Deep won the Hugo Award in 1993, sharing it with Doomsday Book by Connie Willis.

<span class="mw-page-title-main">John Wyndham</span> English science fiction writer (1903–1969)

John Wyndham Parkes Lucas Beynon Harris was an English science fiction writer best known for his works published under the pen name John Wyndham, although he also used other combinations of his names, such as John Beynon and Lucas Parkes. Some of his works were set in post-apocalyptic landscapes. His best known works include The Day of the Triffids (1951), filmed in 1962, and The Midwich Cuckoos (1957), which was filmed in 1960 as Village of the Damned, in 1995 under the same title, and again in 2022 in Sky Max under its original title.

<i>Childhoods End</i> 1953 novel by Arthur C. Clarke

Childhood's End is a 1953 science fiction novel by the British author Arthur C. Clarke. The story follows the peaceful alien invasion of Earth by the mysterious Overlords, whose arrival begins decades of apparent utopia under indirect alien rule, at the cost of human identity and culture.

<span class="mw-page-title-main">Apocalyptic and post-apocalyptic fiction</span> Genre of fiction

Apocalyptic and post-apocalyptic fiction is a subgenre of science fiction in which the Earth's civilization is collapsing or has collapsed. The apocalypse event may be climatic, such as runaway climate change; astronomical, such as an impact event; destructive, such as nuclear holocaust or resource depletion; medical, such as a pandemic, whether natural or human-caused; end time, such as the Last Judgment, Second Coming or Ragnarök; or any other scenario in which the outcome is apocalyptic, such as a zombie apocalypse, cybernetic revolt, technological singularity, dysgenics or alien invasion.

<i>The Day of the Triffids</i> 1951 novel by John Wyndham

The Day of the Triffids is a 1951 post-apocalyptic novel by the English science fiction author John Wyndham. After most people in the world are blinded by an apparent meteor shower, an aggressive species of plant starts killing people. Although Wyndham had already published other novels using other pen name combinations drawn from his real name, this was the first novel published as "John Wyndham".

<span class="mw-page-title-main">Alien invasion</span> Common theme in science fiction stories and film

Alien invasion or space invasion is a common feature in science fiction stories and films, in which extraterrestrial lifeforms invade Earth to exterminate and supplant human life, enslave it, harvest people for food, steal the planet's resources, or destroy the planet altogether. It can be considered as a science-fiction subgenre of the invasion literature, expanded by H. G. Wells's seminal alien invasion novel The War of the Worlds, and is a type of 'first contact' science fiction.

<i>The Chrysalids</i> 1955 novel by John Wyndham

The Chrysalids is a science fiction novel by British writer John Wyndham, first published in 1955 by Michael Joseph. It is the least typical of Wyndham's major novels, but regarded by some as his best. An early manuscript version was entitled Time for a Change.

<i>Journey to the Center of the Earth</i> 1864 science fiction novel by Jules Verne

Journey to the Center of the Earth, also translated with the variant titles A Journey to the Centre of the Earth and A Journey into the Interior of the Earth, is a classic science fiction novel by Jules Verne. It was first published in French in 1864, then reissued in 1867 in a revised and expanded edition. Professor Otto Lidenbrock is the tale's central figure, an eccentric German scientist who believes there are volcanic tubes that reach to the very center of the earth. He, his nephew Axel, and their Icelandic guide Hans rappel into Iceland's celebrated inactive volcano Snæfellsjökull, then contend with many dangers, including cave-ins, subpolar tornadoes, an underground ocean, and living prehistoric creatures from the Mesozoic and Cenozoic eras. Eventually the three explorers are spewed back to the surface by an active volcano, Stromboli, located in southern Italy.

<i>The Midwich Cuckoos</i> 1957 science fiction novel by John Wyndham

The Midwich Cuckoos is a 1957 science fiction novel written by the English author John Wyndham. It tells the tale of an English village in which the women become pregnant by brood parasitic aliens. The book has been praised by many critics, including the dramatist Dan Rebellato, who called it "a searching novel of moral ambiguities," and the novelist Margaret Atwood, who called the book Wyndham's "chef d'oeuvre." The book has been adapted into several media, such as film, radio, and a TV series (2022).

<i>The Deep Range</i> 1957 science fiction novel by Arthur C. Clarke

The Deep Range is a 1957 science fiction novel by British writer Arthur C. Clarke, concerning a future sub-mariner who works in the field of mariculture, herding whales. The story includes the capture of a sea monster similar to a kraken.

<span class="mw-page-title-main">Subterranean fiction</span> Subgenre of adventure fiction

Subterranean fiction is a subgenre of adventure fiction, science fiction, or fantasy which focuses on fictional underground settings, sometimes at the center of the Earth or otherwise deep below the surface. The genre is based on, and has in turn influenced, the Hollow Earth theory. The earliest works in the genre were Enlightenment-era philosophical or allegorical works, in which the underground setting was often largely incidental. In the late 19th century, however, more pseudoscientific or proto-science-fictional motifs gained prevalence. Common themes have included a depiction of the underground world as more primitive than the surface, either culturally, technologically or biologically, or in some combination thereof. The former cases usually see the setting used as a venue for sword-and-sorcery fiction, while the latter often features cryptids or creatures extinct on the surface, such as dinosaurs or archaic humans. A less frequent theme has the underground world much more technologically advanced than the surface one, typically either as the refugium of a lost civilization, or as a secret base for space aliens.

The Kraken is a legendary sea creature of gargantuan size, said to have been seen off the coasts of Norway and Iceland.

<span class="mw-page-title-main">Kraken in popular culture</span>

References to the fictional kraken are found in film, literature, television, and other popular culture forms.

<i>The Body Snatchers</i> 1954 science fiction novel by Jack Finney

The Body Snatchers is a science fiction novel by American writer Jack Finney, originally serialized in Collier's magazine in November–December 1954 and published in book form the following year.

A fix-up is a novel created from several short fiction stories that may or may not have been initially related or previously published. The stories may be edited for consistency, and sometimes new connecting material, such as a frame story or other interstitial narration, is written for the new work. The term was coined by the science fiction writer A. E. van Vogt, who published several fix-ups of his own, including The Voyage of the Space Beagle, but the practice exists outside of science fiction. The use of the term in science fiction criticism was popularised by the first (1979) edition of The Encyclopedia of Science Fiction, edited by Peter Nicholls, which credited van Vogt with the term’s creation. The name “fix-up” comes from the changes that the author needs to make in the original texts, to make them fit together as though they were a novel. Foreshadowing of events from the later stories may be jammed into an early chapter of the fix-up, and character development may be interleaved throughout the book. Contradictions and inconsistencies between episodes are usually worked out.

<i>The Swarm</i> (Schätzing novel) 2004 science fiction novel by Frank Schätzing

The Swarm is a science fiction novel by German author Frank Schätzing. It was first published in 2004 and soon became a bestseller.

The anthropologist Leon E. Stover says of science fiction's relationship to anthropology: "Anthropological science fiction enjoys the philosophical luxury of providing answers to the question "What is man?" while anthropology the science is still learning how to frame it". The editors of a collection of anthropological SF stories observed:

Anthropology is the science of man. It tells the story from ape-man to spaceman, attempting to describe in detail all the epochs of this continuing history. Writers of fiction, and in particular science fiction, peer over the anthropologists' shoulders as the discoveries are made, then utilize the material in fictional works. Where the scientist must speculate reservedly from known fact and make a small leap into the unknown, the writer is free to soar high on the wings of fancy.

<span class="mw-page-title-main">Biology in fiction</span> Overview of biology used in fiction

Biology appears in fiction, especially but not only in science fiction, both in the shape of real aspects of the science, used as themes or plot devices, and in the form of fictional elements, whether fictional extensions or applications of biological theory, or through the invention of fictional organisms. Major aspects of biology found in fiction include evolution, disease, genetics, physiology, parasitism and symbiosis (mutualism), ethology, and ecology.

The year 1953 was marked, in science fiction, by the following events.

References

  1. White, Armond (A.W.) "The Screen in Review: New Martian Invasion Is Seen in War of the Worlds, Which Bows at Mayfair." The New York Times , August 14, 1953. Retrieved: January 11, 2015.
  2. Conklin, Groff (April 1954). "Galaxy's 5 Star Shelf". Galaxy Science Fiction . p. 119.
  3. "Recommended Reading," F&SF , March 1954, p. 93.
  4. "Recommended Reading," F&SF , April 1954, p. 72.
  5. Miller, P. Shuyler (September 1954). "The Reference Library". Astounding Science Fiction . p. 152.
  6. "Spaceman's Realm", The New York Times Book Review , 10 July 1955, p. 15.
  7. "Time and Space". Hartford Courant . 7 February 1954. p. SM19.
  8. "Archive.org: CBC Radio Vancouver – The Kraken Wakes based on the novel by John Wyndham" . Retrieved 14 August 2021.
  9. "BBC Radio 4 - Dangerous Visions, The Kraken Wakes, Episode 1" . Retrieved 16 April 2024.
  10. "Watch live radio drama: The Kraken Wakes". 19 May 2016. Retrieved 16 April 2024.
  11. "John Wyndham - The Kraken Wakes : BBC Radio 4 Extra : February 16, 2020 12:00AM-01:00AM GMT" . Retrieved 16 April 2024.
  12. Green, Chris (25 February 2016). "Nicola Sturgeon to play herself saving the UK from aliens in BBC Radio 4 drama". The Independent . Retrieved 16 April 2024.
  13. "Climate Science Special Report". pp. 1–470.
  14. "John Wyndham's The Kraken Wakes: A Sci-Fi Classic for Modern Times — Blog — The Kraken Wakes". www.thekrakenwakes.com. Retrieved 2 August 2022.
  15. "The Kraken Wakes on Steam". store.steampowered.com. Retrieved 17 July 2023.
  16. "London Games Festival Official Selection 2023 – The Kraken Wakes". London Games Festival Official Selection 2023. Retrieved 17 July 2023.

Sources