Instant Replay is the seventh studio album by the Monkees. Issued 11 months after the cancellation of the group's NBC television series, it is also the first album released after Peter Tork left the group and the only album of the original nine studio albums that does not include any songs featured in the TV show.
Joshua is the seventh solo studio album by American singer-songwriter Dolly Parton. It was released on April 12, 1971, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number 16 on the Billboard Top Country Albums chart and number 198 on the Billboard 200 chart. The album's single, "Joshua", was nominated for a Grammy and was Parton's first song to reach number one on the Billboard Hot Country Songs chart.
Just Because I'm a Woman is the second solo studio album by American singer-songwriter Dolly Parton. It was released on April 15, 1968, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number 22 on the Billboard Top Country Albums chart. The album's title track was the only single released and it peaked at number 17 on the Billboard Hot Country Singles chart.
My Blue Ridge Mountain Boy is the fourth solo studio album by American singer-songwriter Dolly Parton. It was released on September 8, 1969, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number six on the Billboard Top Country Albums chart, Parton's first solo top ten, and number 194 on the Billboard 200 chart. The album spawned three singles: "Daddy", "In the Ghetto", and the title track. "Daddy" was the most successful, peaking at number 40 on the Billboard Hot Country Songs chart.
The Golden Streets of Glory is the sixth solo studio album by American singer-songwriter Dolly Parton. It was released on February 15, 1971, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number 22 on the Billboard Top Country Albums chart. No singles were released from the album, but the title track was released as the B-side of the religious single "Comin' for to Carry Me Home" in May 1971. The album was nominated for Best Sacred Performance at the 14th Annual Grammy Awards. The album's liner notes were written by Parton's maternal grandfather, Rev. Jake Owens.
"You're Gonna Hear from Me" is a song written by André Previn and Dory Previn written for the 1965 movie Inside Daisy Clover and performed, among others, by Andy Williams. The song reached No. 13 on the adult contemporary chart in 1966.
Marilyn Maye McLaughlin is an American singer, musical theater actress and masterclass educator. With a career spanning eight decades, Maye has performed music in the styles of cabaret, jazz and pop music. She has received one nomination from the Grammy Awards and had commercial success as a recording artist.
Bad Seed is a studio album by American country music artist Jan Howard. It was released in November 1966 via Decca Records and featured 12 tracks. The third studio album of her recording career, Bad Seed was named for its title track, which reached the top ten of the country charts in 1966. The disc was met with a favorable review from Cashbox following its release.
The discography of American singer Marilyn Maye contains 13 studio albums, two compilation albums, two live albums, 13 lead artist singles, two promotional singles and four additional album appearances. Her debut studio album appeared in 1961 called Marilyn...the Most. Signing with RCA Victor, her second studio album was released in 1965 titled Meet Marvelous Marilyn Maye. It was followed in 1966 by the live album, The Second of Maye, and a studio album, The Lamp Is Low.
Meet Marvelous Marilyn Maye is a studio album by American singer Marilyn Maye. It was released in August 1965 via RCA Victor and contained 12 tracks. It was the second album of Maye's career and her first with the RCA label. It contained songs from musicals and also featured covers of jazz vocal standards. It was reviewed positively by Billboard magazine following its release in 1965.
The Second of Maye is a live album by American singer Marilyn Maye. It was released in April 1966 via RCA Victor and it contained 12 tracks. The project was recorded in a live format at The Living Room, a performance venue located in New York City. It was the second album of Marilyn Maye's issued by the RCA Victor label and her first live album. It was met with favorable reviews following its release.
"Sherry!" is a song composed by James Lipton and Laurence Rosenthal. It was first recorded in 1966 by American singer Marilyn Maye whose version was released as a single by RCA Victor. It later appeared in the Broadway musical also titled Sherry!. The show premiered in 1967, however, it was never recorded until 2004. "Sherry!" was then recorded for the cast album by American television actress Carol Burnett.
A Taste of "Sherry!" is a studio album by American singer Marilyn Maye. It was released in February 1967 by RCA Victor and contained 12 tracks. The album featured Maye's first commercially successful singles: "Cabaret" and "Sherry". Both were featured in Broadway musicals of the same names and both reached the top ten on the American adult contemporary chart. A Taste of "Sherry!" received positive reviews from several publications following its release.
"Step to the Rear" is a song written by Elmer Bernstein and Carolyn Leigh. It was originally performed in the Broadway musical How Now, Dow Jones between 1967 and 1968. It was first recorded on an official cast album in 1968. It was notably recorded by American singer Marilyn Maye, whose version was released as a single. Maye's version reached the top five of the American adult contemporary chart and was seen on televised advertisements for Lincoln and Mercury cars. It was adapted into the University of South Carolina’s fight song as The Fighting Gamecocks Lead the Way.
Step to the Rear is a studio album by American singer Marilyn Maye. It was released in November 1967 via RCA Victor and contained 11 tracks. Its title song was taken from the Broadway musical How Now Dow Jones and was a single for Maye in 1967. It reached the top five of American adult contemporary chart. The album itself received a positive review from Billboard magazine following its release.
The Happiest Sound in Town is a studio album by American singer Marilyn Maye. It was released in September 1968 via RCA Victor and contained 11 tracks. It was the sixth studio album of Maye's career featuring songs that were categorized as easy listening material. It featured cover of popular recordings along with new material.
Marilyn Maye, Girl Singer is a studio album by American singer Marilyn Maye. It was released in April 1970 via RCA Victor and was the seventh studio album of her career. It was also her final album released by RCA Victor. Girl Singer contained a total of 11 tracks. Two tracks were originally singles. The 1968 single "Feelin'" became a top 20 song on the American adult contemporary chart. Girl Singer was given a positive review from Record World magazine following its release.
"Mommy, Can I Still Call Him Daddy" is a song originally written and recorded by American country artist Dottie West. Released as a single in 1966, it became a top 40 chart single on the US country music chart. It was also issued as the third single from West's 1966 studio album Suffer Time. The song featured West's son Dale singing on the chorus.
"It's Dawned on Me You're Gone" is a song originally recorded by American country artist Dottie West. Released as a single in 1970, it became a top 40 chart single on the US country music chart. The single was issued on the 1970 album Country and West. It was given positive reviews by Billboard and Cashbox following its release.
Brenda Lee Sings Top Teen Hits is a studio album by American singer Brenda Lee. It was released by Decca Records on February 15, 1965, and contained 12 tracks. The album mostly featured songs made popular during the era in which it was released. Three additional songs were new recordings which were singles for Lee: "When You Loved Me", "Is It True" and "Thanks a Lot". Of its three singles, "Is It True" made the top 20 in the US and the UK. The album was met with positive reviews upon its release.
