An international drug-smuggling racket plants heroin on unsuspecting American tourists traveling from Asia, so that the dope can pass through customs undetected. A psychopathic killer, Dancer, led by his mentor Julian, and their driver McLain then collect the contraband. Lt. Ben Guthrie leads the police hunt for the criminals. The head of the heroin ring is a person known only as "The Man".
The story begins when an American tourist disembarking in San Francisco from a cruise ship returning from Hong Kong has his bag stolen by a porter, throwing the bag into a cab. As the cabbie takes off at high speed, he runs deadly on a police officer, still able to fire his gun at the fugitive. Cab driver is hit, crashes and dies. A police investigation discloses that the cab driver is a heroin addict, and attention is drawn to a heroin smuggling ring.
Dancer and Julian have instructions to retrieve the heroin from the unsuspecting tourists and deliver it to a drop point at Sutro's Museum (a real San Francisco location until it burned down in 1966) where the bag containing the heroin is to be left inside an antique ship's binnacle. Dancer and Julian are instructed by their contact, Staples, that they must make the drop and be gone before 4:05 pm. Dancer kills three people along the way (the porter, a seaman demanding his share, and a suspicious chinese servant, refusing to hand out a drug container). But when it turns out that two of the tourists—Dorothy Bradshaw and her young daughter, Cynthia—had unknowingly disposed of the heroin, Dancer and Julian are in a bind; if they drop off the bag with a large portion of the heroin missing, their lives may be in danger. Dancer and Julian decide that instead of leaving the bag and departing the premises by 4:05, Dancer will stay, meet The Man and explain why the shipment is short. Dancer and Julian kidnap Dorothy and Cynthia and bring them to Sutro's so they can back up the story. Dancer should meet The Man.
When Dancer meets The Man in the museum, it turns out that the mastermind is disabled and wheelchair-bound. Dancer explains himself, and The Man has an unexpected reaction; he tells Dancer that "nobody ever sees me," and that because Dancer has seen him, he "is dead". The Man slaps Dancer across the face with the bag of heroin and Dancer, enraged, pushes The Man off a balcony, killing him.
Meanwhile, the San Francisco police have spotted the getaway car with Julian, McLain, and the kidnapped Dorothy and Cynthia. When Dancer exits Sutro's, a high speed car chase ensues, filmed in the area of The Embarcadero. When the car becomes trapped at a barrier on the Embarcadero Freeway, Dancer first shoots his accomplice to death, holding the girl hostage, then tries to flee. He is shot by the police and falls down the bridge.
In the film, Warner Anderson and Marshall Reed reprise their roles as Lieutenant Ben Guthrie and Inspector Fred Asher from the TV series. However, Tom Tully's character, Inspector Matt Grebb, is replaced by Inspector Al Quine, played by Emile Meyer. Tully, the series co-star, was not in the film. Anderson, the series star, was given co-star billing instead of star billing; star billing was given to Wallach, who played the movie's main villain.
Reception
Variety's review called it a "moderately exciting melodrama" that spends too much time on the police procedural aspects.[1]Time Out described it as "more brutal, sadistic and threatening" than The Killers.[2]Dave Kehr of the Chicago Reader called it "a major B movie by one of Hollywood's most accomplished craftsmen".[3]
“Siegel gets at least one scene, in The Lineup, as sensitive as Robert Frank’s still shots. What is so lyrical about the ending, in San Francisco’s Sutro Museum, is the Japanese-print compositions, the late afternoon lighting, the advantage taken of the long hallways, multi-level stairways in a baroque, elegant, glass-palace building...It’s a minor masterpiece of preplanning and an extensively structured pictorial tour by Siegel...”—Film critic Manny Farber in Farber on Film (2009)[5]
Film critic Manny Farber comments on Siegel’s cinematic approach to The Lineup:
The Siegel touch is always apparent in the excessive number of viewpoint shots, the nice feeling for an eroded structure with awkward angles, and especially with the fascination with a somewhat mannered athleticism seen from above, in which a body is poised or moving against background action that is a violent contrast in space, tone and movement.[6]
Faber notes Siegel’s “sad reliance on edgy Broadway acting” in particular “Eli Wallach overworking his nervous leering eyes.”[7] Biographer Judith M. Kass observes that The Line-up “embodies all the characteristics” informing Siegel’s assessment of the “normal” world.[8] Kass writes:
“The ‘normal’ world—the terrain Siegel usually works in—is depicted as not at all normal...the characters are counterpoised against an environment which is as deranged as they are. The straight world is as phony, dishonest and evil as the criminal’s, without the one qualification which may be an improvement on the normal: they [the criminals] are honest about their lawlessness...”[9]
In popular culture
The film contains the line, "When you live outside the law, you have to eliminate dishonesty," of which Jonathan Lethem writes that "Bob Dylan heard it…, cleaned it up a little, and inserted it into 'Absolutely Sweet Marie'" (as "To live outside the law you must be honest.").[10]
Donald Siegel was an American film and television director and producer.
Dirty Harry is a 1971 American action thriller film produced and directed by Don Siegel, the first in the Dirty Harry series. Clint Eastwood plays the title role, in his first appearance as San Francisco Police Department (SFPD) Inspector "Dirty" Harry Callahan. The film drew upon the real-life case of the Zodiac Killer as the Callahan character seeks out a similar vicious psychopath.
Folsom Street Fair (FSF) is an annual BDSM and leather subculture street fair, held in September that concludes San Francisco's "Leather Pride Week". The Folsom Street Fair, sometimes referred to simply as "Folsom", takes place on the last Sunday in September, on Folsom Street between 8th and 13th Streets, in San Francisco's South of Market district.
Rolland Keith Richey, known professionally as Robert Keith, was an American stage and film actor who appeared in several dozen films, mostly in the 1950s as a character actor.
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The Wrong Man is a 1956 American docudrama film noir directed by Alfred Hitchcock and starring Henry Fonda and Vera Miles. The film was drawn from the true story of an innocent man charged with a crime, as described in the book The True Story of Christopher Emmanuel Balestrero by Maxwell Anderson and in the magazine article "A Case of Identity", which was published in Life magazine in June 1953 by Herbert Brean.
Two Mules for Sister Sara is a 1970 American-Mexican Western film in Panavision directed by Don Siegel and starring Shirley MacLaine set during the French intervention in Mexico (1861–1867). The film was to have been the first in a five-year exclusive association between Universal Pictures and Sanen Productions of Mexico. It was the second of five collaborations between Siegel and Eastwood, following Coogan's Bluff (1968). The collaboration continued with The Beguiled and Dirty Harry and finally Escape from Alcatraz (1979).
Madigan is a 1968 American neo-noir crime drama thriller film directed by Don Siegel and starring Richard Widmark, Henry Fonda and Inger Stevens.
Emanuel Farber was an American painter, film critic and writer. Often described as "iconoclastic", Farber developed a distinctive prose style and set of theoretical stances which have had a large influence on later generations of film critics and influence on underground culture. Susan Sontag considered him to be "the liveliest, smartest, most original film critic this country has ever produced."
The Cliff House is a neo-classical style building perched on the headland above the cliffs just north of Ocean Beach, in the Outer Richmond neighborhood of San Francisco, California. The building overlooks the site of the Sutro Baths ruins, Seal Rocks, and is part of the Golden Gate National Recreation Area, operated by the National Park Service (NPS). The Cliff House is owned by the NPS; the building's terrace hosts a room-sized camera obscura.
Woman on the Run is a 1950 American crime film noir directed by Norman Foster and starring Ann Sheridan and Dennis O'Keefe. The film was based on the April 1948 short story "Man on the Run" by Sylvia Tate and filmed on location in San Francisco.
Private Hell 36 is a 1954 American crime film noir directed by Don Siegel starring Ida Lupino, Steve Cochran, Howard Duff, Dean Jagger and Dorothy Malone.
The Lineup is an American police drama which aired on CBS radio from 1950 to 1953 and on CBS television from 1954 to 1960.
Carlos Gómez is an American actor.
The Tourist is a 2010 American romantic thriller film co-written and directed by Florian Henckel von Donnersmarck and starring Johnny Depp, Angelina Jolie, Paul Bettany, and Timothy Dalton. It is a remake of the 2005 French film Anthony Zimmer. GK Films financed and produced the film, with Sony Pictures Worldwide Acquisitions releasing it in most countries through Columbia Pictures. The $100 million budget film went on to gross $278.3 million at the worldwide box office.
The Black Camel is a 1931 American pre-Code mystery film directed by Hamilton MacFadden and starring Warner Oland, Sally Eilers, Bela Lugosi, and Dorothy Revier. It is based on the 1929 novel of the same name by Earl Derr Biggers. It is the second film to star Oland as detective Charlie Chan, and the sole surviving title of the first five Chan films starring Oland. The Black Camel marked the film debut of Robert Young.
Premium Rush is a 2012 American action thriller film directed by David Koepp and written by Koepp and John Kamps. The film stars Joseph Gordon-Levitt, Michael Shannon, Dania Ramirez, and Jamie Chung. It follows a bicycle messenger chased around New York City by a corrupt police officer who wants an envelope the messenger has. It was released on August 24, 2012 by Columbia Pictures.
Moran of the Lady Letty is a 1922 American silent adventure drama film directed by George Melford and stars Rudolph Valentino and Dorothy Dalton. Melford and Valentino had previously worked together on the box office hit The Sheik, in 1921. The film is based on the novel of the same name by Frank Norris and was adapted for the screen by Monte Katterjohn.
From Headquarters is a 1933 American pre-Code murder mystery film starring George Brent, Margaret Lindsay and Eugene Pallette, and directed by William Dieterle.
James Henry White was a Canadian film pioneer, who worked as a director, producer, and cinematographer. He also appeared as an actor in several films. He was employed by the Edison Manufacturing Company as Production Head from 1896 to 1902, and directed over 500 short films, both fictional and documentary. With no functional story or script, just scenes or vignets, White proved prolific and tried to be lyrical in some of his short films i.e. Return of a Lifeboat (1897) and A Storm at Sea (1900) the latter of which was shot on a passenger ship with the camera catching some of the glimmer from the sun.
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