The Lost Language of Cranes

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The Lost Language of Cranes
Lost Language.jpg
The Lost Language of Cranes
1990s reprint book cover
AuthorDavid Leavitt
LanguageEnglish
PublisherKnopf
Publication date
01 January 1986 (1st edition)
Media typePrint

The Lost Language of Cranes is a novel by David Leavitt, first published in 1986. A British TV film of the novel was made in 1991. The film was released on DVD in 2009.

Contents

Plot introduction

The Lost Language of Cranes was the second novel by David Leavitt, and deals primarily with the difficulties a young gay man, Philip Benjamin, has in coming out to his parents, Rose and Owen, and with their subsequent reactions.

Plot summary

Voyages

Rose and Owen find out that their apartment block is to become a co-op. Rose visits her son, who lives in a shabby neighborhood; he says he likes to go to the East Village. One Sunday she takes a walk, goes to an automat and bumps into her husband. Owen then goes to a gay pornographic cinema, where a man leaves him his number.

Philip and Eliot are in bed; Philip gets up to do the dishes. He thinks back to how they met through Sally. Back to the parents, Owen gets back to his apartment, soaked through. Philip and Eliot then wake up; Philip seems keen on flatmate Jerene's research on lost languages. There is then an account of Jerene's childhood up to her coming out to her parents and being spurned by them. Philip and Eliot then talk about their experiences with men. Philip goes on to remember the way he would masturbate a lot and how he tried to ask girls out - and they refused. Finally, he recalls going to a gay pornographic cinema when he was seventeen.

Myths of origin

Owen calls Alex Melchor and finds out it was a wrong number. Philip asks Eliot to introduce him to Derek and Geoffrey. Later, he goes to his parents' flat to look at Derek's books. Jerene is getting ready for a date. Philip meets Eliot's foster parents for dinner, then they go to a gay bar where Philip meets his old acquaintance Alex Kamarov. Outside, Eliot admits to being unsure about their relationship; nevertheless they return to Eliot's, where he teaches Philip how to shave properly.

Philip eventually comes out to his parents. His mother is tersely averse; his father says it is fine, though he starts weeping as soon as the young man has left.

The crane-child

In the library, Jerene reads an article about a child who emulates cranes as this was the only thing he would see out of his window from his cot, and his parents weren't about. He was then sent to a psych ward.

Father and Son

Eliot doesn't return Philip's calls; when Jerene meets Philip for a drink, she admits there is not much that can be done. Later, Philip talks to his friend Brad. He then gets really drunk out on the town to forget. A few days later, he meets Rob in a bar and they return to the boy's dorm room where they have sex. Subsequently, Philip does not return his calls.

Owen calls a gay hotline, then hangs up and calls Alex Melchor, who tells him to call someone else, and then Philip, hanging up before they can talk. Later, Philip runs into his parents and tells them he's broken up with Eliot.

Rose says to Philip that she needs more time to ruminate. Owen calls a gay sex phone-line and starts sobbing. He then goes to a gay bar and meets another man named Frank; they go to Frank's flat and have sex. When he gets home, it's half past two in the morning, and Rose is hurt.

Owen invites Winston Penn to dinner, and attempts to fix him up with Philip. That night, Rose finally realizes that Owen is gay too. While Philip and Brad get into bed together, Rose and Owen have a big argument. Owen goes off to a Burger King until he calls his son asking for a place to stay for the night. Before Philip goes to find his father, he passionately kisses Brad. Upon Philip's arrival Owen confesses to being gay, and they settle in for a sleepless night in Philip's disorderly apartment.

Characters

References to other works

References to real life and actual history

Main themes

Critical reception

It has been said that 'the novel sums up the history of gay books themselves': that is, from the pangs of opprobrium (Owen) to self-acceptance (Philip). [1]

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