The Charlatans were an American folk rock and psychedelic rock band that played a role in the development of the San Francisco Haight-Ashbury music scene during the 1960s. They are often cited by critics as being the first group to play in the style that became known as the San Francisco Sound.
The Chocolate Watchband is an American garage rock band that formed in 1965 in Los Altos, California. The band went through several lineup changes during its existence. Combining psychedelic and garage rock components, their sound was marked by David Aguilar's lead vocals, songwriting, as well as proto-punk musical arrangements. The band's rebellious musical posture made them one of the harder-edged groups of the period with many critics labeling them as America's answer to the Rolling Stones.
Clarence White was an American bluegrass and country guitarist and singer. He is best known as a member of the bluegrass ensemble the Kentucky Colonels and the rock band the Byrds, as well as for being a pioneer of the musical genre of country rock during the late 1960s. White also worked extensively as a session musician, appearing on recordings by the Everly Brothers, Joe Cocker, Ricky Nelson, Pat Boone, the Monkees, Randy Newman, Gene Clark, Linda Ronstadt, Arlo Guthrie, and Jackson Browne among others.
The Brogues were an American garage rock band formed in Merced, California, in 1964. Much of the group's brief recording career was marked by distorted-guitar melodies and R&B-influenced vocals. They released two regionally successful singles in their brief existence, most notably the Annette Tucker and Nancie Mantz-penned "I Ain't No Miracle Worker", which is now considered a classic of the garage rock genre. The song has also appeared on several compilation albums and has been covered by other music artists.
Vincent Melouney is an Australian guitarist, singer and songwriter. He is best known as an official member of the Bee Gees from 1967 to 1969 during the group's initial period of worldwide success.
"Train Kept A-Rollin'" is a song first recorded by American jazz and rhythm and blues musician Tiny Bradshaw in 1951. Originally performed in the style of a jump blues, Bradshaw borrowed lyrics from an earlier song and set them to an upbeat shuffle arrangement that inspired other musicians to perform and record it. Johnny Burnette and the Rock and Roll Trio made an important contribution in 1956 – they reworked it as a guitar riff-driven song, which features an early use of intentionally distorted guitar in rock music.
Love Is the Song We Sing: San Francisco Nuggets 1965–1970 is the fourth Nuggets box set released by Rhino Records. It was released in 2007 and packaged as an 8 1/2 x 11" 120 page hardcover book, the first 73 pages of which were made up mostly of vintage photographs. The compilation focuses on San Francisco Sound bands. Its title is derived from the first line of "Get Together," two versions of which open and close the four-disc set. Although the liner notes cite the 1965 Rag Baby EP as the source for the Country Joe & the Fish track "I-Feel-Like-I'm-Fixin'-To-Die Rag", it was actually taken from the 1967 LP I-Feel-Like-I'm-Fixin'-To-Die.
"Painter Man" is a song written by British singer Kenny Pickett and guitarist Eddie Phillips, first recorded by their group the Creation and released as a single in October 1966. Written as a response to their avant-garde stage show, the single was their only top-forty hit on the UK Singles Chart, reaching number 36. It fared better in West Germany, where it reached number eight. It was later issued on their album We Are Paintermen.
"Glad All Over" is a 1957 song recorded by rock and roll and rockabilly artist Carl Perkins, "The Rockin' Guitar Man", at Sun Records in 1957. It was released as a 45 and 78 single, Sun 287, on January 6, 1958. It was written by Aaron Schroeder, Sid Tepper, and Roy Bennett. It is not the same song as the single "Glad All Over" released in 1963 by The Dave Clark Five.
Born to Be Burned is a compilation album by the San Francisco garage rock and psychedelic rock band The Great Society. The album is made up of material recorded during the band's short-lived association with Autumn Records in 1965, with the majority of it previously unreleased. The exceptions to this are the songs "Someone to Love" and "Free Advice", which had both been issued as a single on Northbeach Records, a subsidiary of Autumn Records, in February 1966.
Ace of Cups is an American rock band formed in San Francisco in 1967 during the Summer of Love era. It has been described as one of the first all-female rock bands.
The Charlatans is the self-titled debut album by the San Francisco psychedelic rock band the Charlatans, and was released by Philips Records in 1969.
Blackburn & Snow were a folk rock duo popular early in the mid-1960s San Francisco music scene in the United States. The duo consisted of guitarist-singer Jeff Blackburn and vocalist Sherry Snow.
Something Good for Your Head is an album by the San Francisco area folk rock duo Blackburn & Snow. The album consists of twenty songs recorded by Jeff Blackburn and Sherry Snow, along with various backing musicians, during their partnership in the mid-1960s. All but four of the songs were not released until being collected for the album, which was issued as a compact disc over thirty years later in 1999.
Neal Ford and the Fanatics were an American psychedelic rock band formed in Houston Texas, in 1964. Led by Neal Ford and featuring members who were all capable songwriters, the band was a forerunner in the development of psychedelic music in the region, along with their contemporaries, The 13th Floor Elevators and the Moving Sidewalks. The group released one album in 1967 before disbanding later in 1970.
Teddy and His Patches were an American garage rock band formed in San Jose, California in 1964. The group, for the greater duration of its existence, was rather straightforward in their musical style; however, their best-known recording, "Suzy Creamcheese", exemplifies some of the odder aspects of psychedelia. The song was a regional hit and has since achieved favor among psychedelic music enthusiasts, who rediscovered the composition through several compilation albums.
"The Witch" is a song by the American garage rock band the Sonics, written by vocalist Gerry Roslie, and first released as the group's debut single in November 1964. It also appears on the Sonics' debut album Here Are the Sonics!!!. Arguably among the most frantic and heaviest recordings of the era, "The Witch" is regarded as being a quintessential stepping stone in the development of punk rock despite the fact the tune never reached national success. Since the song's original release, "The Witch" has appeared on numerous compilation albums, most notably the 1998 reissue of Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968.
The Oxford Circle was an American garage rock and psychedelic rock band from Davis, California, near Sacramento, who were active from 1964 to 1967. They became a popular garage rock act with a proto-punk sound influenced by Them and other blues-based bands of the British Invasion, that, in addition to heavy guitar feedback, came to encompass psychedelia. The group began to make appearances in San Francisco, where they became a top draw in venues such as the Avalon Ballroom. They taped a show at the Avalon in 1966 and, after lying in the vaults for years, it was rereleased in 1997 on the Nuggets from California: Live at the Avalon 1966 anthology. In 1967, they released the single, "Foolish Woman" b/w "Mind Destruction", which is also included, along with several other studio outtakes, on the Nuggets from California compilation. In 1967, drummer Paul Whaley left to play in pioneering heavy rock act Blue Cheer. Lead vocalist and guitarist Gary Lee Yoder and bassist Dehner Patten left to form Kak, who recorded for Epic Records. Yoder subsequently went on to join Blue Cheer in one of their later configurations.
The Final Solution was an American garage rock band formed in San Francisco, California, in 1965. An early group in the development of what later became known as the San Francisco Sound, the Final Solution contradicted its contemporaries with their controversial name and grim lyrics composed by lead guitarist Ernie Fosselius and bassist Bob Knickerbocker. Although the group never released any recordings in their career, the band was pivotal in the San Francisco's live music scene. A recording of the Final Solution performing at the Matrix in 1966 exists and is available, particularly "So Long Goodbye", which appears on Pebbles, Volume 22.
Alejandro "Alec" Palao is a British musician, music historian, writer, and reissue producer. In addition to his musical output with groups like the Sting-rays, the Sneetches, and Mushroom, his works include hundreds of production credits and liner notes on important compilations of vintage rock and soul from Ace Records, Rhino Records, and others, plus a wide array of music-related print and film credits. Palao is unusual in that he normally supervises each aspect of the projects he compiles, including audio transfers and restoration as well as research and liner notes. Honors include five Grammy Award nominations for historical albums and liner notes.
