The Myth of the Machine

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The Myth of the Machine
The Myth of the Machine.jpg
Author Lewis Mumford
Published1967 (Vol.1) / 1970 (Vol.2) (Harcourt Brace Jovanovich)
Media typePrint (2 Vols.)
Pages352 pages (Vol.1) / 495 pages (Vol.2)
ISBN 0-15-662341-2 (Vol.1 ) / ISBN   0-15-163974-4 (Vol.2)

The Myth of the Machine is a two-volume book taking an in-depth look at the forces that have shaped modern technology since prehistoric times. The first volume, Technics and Human Development, was published in 1967, followed by the second volume, The Pentagon of Power, in 1970. The author, Lewis Mumford, shows the parallel developments between human tools and social organization mainly through language and rituals. [1] It is considered a synthesis of many theories Mumford developed throughout his prolific writing career. Volume 2 was a Book-of-the-Month Club selection. [2]

Technology making, modification, usage, and knowledge of tools, machines, techniques, crafts, systems, and methods of organization

Technology is the collection of techniques, skills, methods, and processes used in the production of goods or services or in the accomplishment of objectives, such as scientific investigation. Technology can be the knowledge of techniques, processes, and the like, or it can be embedded in machines to allow for operation without detailed knowledge of their workings. Systems applying technology by taking an input, changing it according to the system's use, and then producing an outcome are referred to as technology systems or technological systems.

Lewis Mumford American historian, sociologist, philosopher of technology, and literary critic

Lewis Mumford was an American historian, sociologist, philosopher of technology, and literary critic. Particularly noted for his study of cities and urban architecture, he had a broad career as a writer. Mumford was influenced by the work of Scottish theorist Sir Patrick Geddes and worked closely with his associate the British sociologist Victor Branford.



"In The Myth of the Machine, Mumford insisted upon the reality of the megamachine: the convergence of science, economy, technics and political power as a unified community of interpretation rendering useless and eccentric life-enhancing values. Subversion of this authoritarian kingdom begins with that area of human contact with the world that cannot be successfully repressed - one's feelings about one's self." [3]

In the Prologue, Mumford defines his purpose here as "to question both the assumptions and the predictions upon which our commitment to the present forms of scientific and technical progress, treated as ends in themselves, have been based."

Mumford dates the emergence of the "Machine" from the pyramid age (primarily with reference to Egypt, but also acknowledging other ancient cultures in that era which produced massive and precisely engineered structures). He uses the term 'Megamachine' to describe the social and bureaucratic structure that enabled a ruler to coordinate a huge workforce to undertake vast and complex projects. Where the projects were public works such as irrigation systems and canals or the construction of cities, Mumford referred to the "labour machine", and where they involved conquest he used the expression "military machine". The term "Megamachine" connoted the social structure in its entirety.

William Manson writes that Mumford differed from other major critics of technology in that "[Mumford] emphasized that the ultimate function of social structures ("society") should be to enhance individual development and mutually beneficial patterns of social cooperation. Living in such conducive, humanly-scaled communities, individuals could develop their many-sided capacities (moral/empathic, cognitive, aesthetic, etc.). Technical means, if limited to these human purposes and values, could enhance such growth and social well-being." [4] Manson describes the dystopian vision of the future that Mumford warned of:

"The beleaguered– even 'obsolete'–individual would be entirely de-skilled, reduced to a passive, inert, 'trivial accessory to the machine.' Technical surveillance and limitless data-collection—'an all-seeing eye' (Panopticon)—would monitor every 'individual on the planet. Ultimately, the totalitarian technocracy, centralizing and augmenting its 'power-complex,' ignoring the real needs and values of human life, might produce a world 'fit only for machines to live in'" [5]

Volume I, Technics and Human Development

In this volume Mumford discusses the progress of terrestrial exploration, and scientific discovery; and traces the interplay of ideological interests, inventions and subjective drives in the evolution of human society. It expands upon the arguments he earlier promoted in Technics and Civilization (1934), and brings them up to date in the light of social developments in the intervening three decades. In the Preface he writes: "...I have been driven, by the wholesale miscarriage of megatechnics, to deal with the collective obsessions and compulsions that have misdirected our energies, and undermined our abilities to live full and spiritually satisfying lives."

Technics and Civilization is a 1934 book by American philosopher and historian of technology Lewis Mumford. The book presents the history of technology and its role in shaping and being shaped by civilizations. According to Mumford, modern technology has its roots in the Middle Ages rather than in the Industrial Revolution. It is the moral, economic, and political choices we make, not the machines we use, Mumford argues, that have produced a capitalist industrialized machine-oriented economy, whose imperfect fruits serve the majority so imperfectly.

Volume II, The Pentagon of Power

The "Pentagon of Power" refers to five aspects of what Mumford calls "the new power complex" of military and industry in industrialized nation-states:

The "pentagon" was also clearly selected to be in reference to the Pentagon, regarding which Mumford commented: "The concrete form of the Pentagon in Washington serves even better than its Soviet counterpart, the Kremlin, as a symbol of totalitarian absolutism: all the more because this particular megastructure combines a pathetically outmoded Renascence plan with the current wasteful and inefficient facilities for monotransportation by car." [6] Mumford found an important aspect of the Pentagon, as a physical structure symbolizing the object of his critique, the way that it functions as an enclosed "citadel" in which the U.S. military's elite make decisions, cut off from the world in which they act.

The Pentagon The United States Department of Defenses office building in Virginia

The Pentagon, in Arlington County, Virginia, across the Potomac River from Washington, D.C., is the headquarters of the United States Department of Defense. As a symbol of the U.S. military, the phrase The Pentagon is often used as a metonym for the Department of Defense and its leadership.

Although much of the volume explores the negative influence of centralised power and exploitative behaviour on the human condition, it finishes on a positive and optimistic note in the closing chapters. His final remark is:

"But for those of us who have thrown off the myth of the machine, the next move is ours: for the gates of the technocratic prison will open automatically, despite their rusty ancient hinges, as soon as we choose to walk out."

William Manson writes that "Ultimately, Mumford advocated a negative revolt — resistance, refusal, withdrawal – whereby individuals may reclaim their autonomy and humanly-derived desires and choices." [5]

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  1. Mumford (1970, 12).
  2. "The Books of the Century, 1970-1979".
  3. Lewis Freid, Makers of the City, Univ Massachusetts Press, 1990. p. 115
  4. Footnote: Manson writes that "this is a humanist vision shared also by such previous thinkers as W. von Humboldt, J. S. Mill, and even Marx & Engels ("the free development of each is the condition for the free development of all")."
  5. 1 2 William Manson, Homo Technomorphis - The Relevance of Lewis Mumford, CounterPunch , 2014.03.21
  6. Mumford, Lewis (1970). The myth of the machine (1st ed.). New York: Harcourt, Brace & World. p. "Illustration 7". ISBN   0151639744. OCLC   424751.