The Paperboys | |
---|---|
Background information | |
Origin | Vancouver, Canada |
Genres | Folk rock, world music |
Years active | 1991–present |
Members | Tom Landa Brad Gillard Kalissa Landa Geoffrey Kelly Sam Esecson Kareem Kandi Nick LaRiviere Miguelito Valdes Greg Lyons |
Past members | Chris Jonat Jeremy Hughes Kevin Ball David Plenkovich Glenn Kruger Moritz Behm Neil Burnett Paul Lawton Steve Mitchell Cam Salay Shona Le Mottée Shannon Saunders Hanz Araki Doug Schmidt Alan Macleod Tom Neville Victor Smith Matt Brain Kendel Carson Miranda Mulholland |
Website | paperboys |
The Paperboys (sometimes billed and credited as Tom Landa and the Paperboys) are a Canadian folk music band from Vancouver that formed in 1991. [1] The Paperboys blend Celtic folk with bluegrass, Mexican, Eastern European, African, zydeco, soul and country influences. [2] [3] [4] The band has had a variety of members and line-ups since its original formation, with Landa remaining as the sole founding member, although veteran banjoist/bassist Cam Salay often returns as a guest performer. Known for consistently creating pop songs with melodic hooks, their music has been called versatile, with a wide range of influences, melding diverse musical influences more successfully than some other Irish rock bands have previously. [5] [6]
The Paperboys first studio album, Late As Usual, was released on their own record label Stompy Discs in 1995. They also created Stomp Productions to produce and market their work themselves. [7] Their first three studio albums have received Juno Award nominations, with 1997's Molinos winning for the Roots and Traditional Album of the Year category. They also won a West Coast Music Award the same year.
Their album Postcards won a West Coast Music Award in 2000. [8]
After the untimely death of drummer Paul Lawton, The Paperboys helped to finance a scholarship in his name. [9] The band has also appeared in and scored award-winning international films. They are noted for their version of Bob Dylan's "All Along the Watchtower", which was part of a tribute album for Dylan's 60th birthday. [3] Their most recent release, and seventh album, was 2014's At Peace With One's Ghosts.
A staple at folk, roots, and bluegrass festivals in North America and Europe, The Paperboys have extensively toured both continents, performing in England, Germany, Switzerland, Norway, Scotland, Ireland, France, and Austria. [10] Frequently featured on Canadian national television, The Paperboys have said in the past, "We get paid for the travel time, but play for free." [10]
The Paperboys were originally formed in 1991 by bassist Christopher Jonat and Tom Landa on acoustic guitar and vocals, with Jeremy Hughes on accordion and vocals, Kevin Ball on fiddle, and Dave Plenkovich on drums. This early version of the band was very popular with the Vancouver college crowds, but after creative discrepancies Landa kept the Paperboys name, and all the other remaining band members reformed as The Clumsy Lovers.
Tom Landa was born in Mexico to a Canadian mother of Irish ancestry and a Mexican father, and later moved from Mexico City to Vancouver, British Columbia. [1] [8] [11] Initially, Landa discovered Celtic music via the Canadian band Spirit of the West, whose flautist and co-vocalist was Geoffrey Kelly. Kelly would later produce half of The Paperboys' first studio album Late as Usual with Colin Nairne (producer & guitarist for Barney Bentall) and eventually end up joining the band full-time.
The original Late As Usual band members included Moritz Behm on fiddle, Neil Burnett on vocals, penny whistle & celtic harp, Glenn Kruger (the Stoaters, Real McKenzies) on drums & vocals, and Cam Salay on banjo and bass. [12] [13] [14] In 1995, the band was later joined by Shona Le Mottée on fiddle, and Shannon Saunders on a variety of instruments (bass, fiddle, banjo), to contribute to the band's live shows. [14] Le Mottée left The Paperboys in 1997, after recording the award-winning Molinos, and was replaced by flautist Hanz Araki. [14] In the late 1990s, they were joined for a time by keyboardist Doug Schmidt. [15]
In 2010, the band consisted of Landa, Kalissa Hernandez on fiddle, Brad Gillard on banjo and bass, Geoffrey Kelly on flutes, and Sam Esecson on drums, with a three-piece horn section consisting of Kareem Kandi on saxophone, Nick LaRiviere on trombone, and either Miguelito Valdes or Greg Lyons on trumpet.
The Paperboys released a cassette album called "January" in 1993 as their first commercially available recording, and sold many copies at local shows around their hometown of Vancouver. Those original recordings were never released on CD (except for the track "Judy's Wedding", which is featured on Tenure), but a few of the songs from January ("January", "Come Tella Me") were re-recorded by the new lineup for the Late As Usual CD. The Paperboys released their first CD studio album, Late as Usual, in 1994, on their self-established label Stompy Discs, with an associated production and management company, Stomp Productions. [7] Late as Usual went on to garner a Juno Award nomination for Roots and Traditional Album of the Year. They followed that album with 1997's Molinos , which also was nominated for the Roots and Traditional category at the Juno Awards, this time winning. Additionally, Molinos took away the Best Roots Recording category in the West Coast Music Award of the same year. One review referred to Molinos as "bluegrass-tinged pop-rock" with an "undercurrent of Celtic wildness". [16] In 2000, The Paperboys released Postcards, their third studio album, which also was nominated in the same category, for their third straight nomination, but Postcards did not win. In 2000, they won another West Coast Music Award for the Best Roots Recording category for Postcards. [8]
They followed next with Tenure in 2002, the double album Dilapidated Beauty in 2003, and The Road to Ellenside in 2006. In a review for Molinos, it was noted that The Paperboys consistently write pop songs with melodic hooks, which other prior Irish-rock inspired bands such as The Pogues and Oysterband, and others were not always successful at. [5] Postcards, which has songs that range musically from bluegrass, zydeco, flamenco, Irish traditional, country, to Celtic-new-age-Native, and with songs that mix some of the themes, was described as a satisfying example of how far the versatile scope of The Paperboys' music extends. [6]
The Paperboys' 2006 album, The Road to Ellenside, is named after the English mansion, Ellenside, Lake District near Ireby where the band, together with producer and engineer Mark Tucker, recorded the album. After a performance in the area, a fan invited the band to spend the night in her mansion for dinner. [17] Landa told her that the home would be an amazing place to record a record, to which the fan replied, "Why not?" [18] One year later, they returned to the Ellenside mansion, living there in Cumbrian countryside full-time while recording their studio album. Additional recording work for The Road to Ellenside was done at the Tragically Hip's studio in Bath, England and in Vancouver. [9] On The Road to Ellenside, The Paperboys covered Sting's song Fragile from his 1987 album …Nothing Like the Sun . The band had intended to film their music video for the track in Cuba, but because of high insurance costs from American companies due to the United States embargo against Cuba, opted to film in Morelia, Mexico. [10]
In 2009, the band released Callithump. This release features the band name "Los Paperboys" on the front cover, although this is not the official new band name.
The Paperboys have performed and appeared in the Genie Award nominated film Marine Life , for which Landa also wrote the musical score, and in the Genie Award winning Lunch with Charles , which was the first-ever film co-production between Hong Kong and Canada. The band have also made numerous appearances on Canadian national television. The band has performed and been interviewed on Vicki Gabereau , The Mike Bullard Show , The Jim Byrnes Show , Urban Rush, Worldbeats , and CBC Television's Terminal City . In 2001, the Red House Records label asked The Paperboys to contribute a track to A Nod to Bob , a 60th birthday homage to Bob Dylan. [19] Their rendition of "All Along the Watchtower" was consistently noted in reviews as one of the highlights of the album. [3] In honor of their former drummer, Paul Lawton, who passed on suddenly in 2005, the band worked on recording ten songs written by him, for a tribute album that would include recorded material by Lawton. [10] Following Lawton's death, a scholarship was created in his name. The Paul Lolly Lawton Scholarship Fund, was established by St. Clair College in Windsor, Ontario, and The Paperboys worked with the Ontario Provincial Government to raise funds for it. [9]
The Paperboys routinely sell out shows in some of the most popular and prestigious clubs and festivals throughout Canada, the United States, Mexico and Europe. One of their most notable appearances was being asked to perform at John F. Kennedy Center for the Performing Arts in Washington D.C. In Canada, The Paperboys appeared at almost every folk festival across the country, including Edmonton, Vancouver, Winnipeg and Toronto. They have also played festivals across the United States, including New York's Falcon Ridge Folk Festival, The Folk Alliance Festival, the New England Folk Festival and Seattle's Bumbershoot. The Paperboys have also performed at other music festivals, including Toronto's Harbourfront, the Milwaukee Irish Fest, and Wintergrass. [7] The band has been asked to return almost every year to several festivals across Europe, headlining at the United Kingdom's Warwick and Trowbridge festivals, as well as at festivals in Germany and Denmark. The band has also toured in Switzerland, Norway, Scotland, Ireland, France, and Austria. [10] According to Landa, their European travels are some of their most successful and popular performances, explaining why they travel to Europe so frequently for long musical tours. [17]
The Paperboys' live performances have been described as high energy and accessible, and they have a reputation for gaining new fans after a single performance. [4] [20] The loyalty of fans to The Paperboys has been previously described as "a growing cult-like following in recent years." [21]
The Washington Post and Billboard have referred to The Paperboys' music as 'reminiscent of early Elton John and Van Morrison', and they have also been compared at times to a "laid back country version" of The Eagles. [2] [3] While their music is sometimes hard to describe, The Paperboys themselves have described it as "Guinness with a tequila chaser while listening to an Americana Jukebox." [22] Other descriptions of The Paperboys have described a fusion of Celtic folk with Bluegrass, Mexican, Eastern European, African, zydeco, soul and country influences. [2] [3] [4] Their songs range from traditional Celtic jigs to modern love songs. [23] Landa has said that one of his own stronger influences in music is the Mexican style of music called Son Jarocho, whose most well-known song is Ritchie Valens's La Bamba. [18] Tom Landa's songwriting has been cited as world-class by Chris Nickerson of the Seattle Weekly . [24]
The band has also been noted for recording a number of pop and rock covers — including The Beatles' "I've Just Seen a Face" on Molinos and Sting's "Fragile" on The Road to Ellenside — which incorporate traditional Celtic jigs and reels into the arrangements; "Fragile", additionally, incorporates lyrics from both the English and Spanish versions of the song.
According to Landa, his bandmate Geoffrey Kelley's other band, Spirit of the West, is a major influence on himself and The Paperboys. Landa said, "Even when playing with (Geoffrey), and him being in the same room, I will still say they were a very big influence on me. I'd almost dare to say that had it not been my hearing their records, I would never have been into Celtic music to begin with -- so the band may not even exist." [25]
Bluegrass music is a genre of American roots music that developed in the 1940s in the Appalachian region of the United States. The genre derives its name from the band Bill Monroe and the Blue Grass Boys. Like mainstream country music, it largely developed out of old-time music, though in contrast to country, it is traditionally played exclusively on acoustic instruments and also kept its roots in traditional English, Scottish and Irish ballads and dance tunes, as well as incorporating blues and jazz. It was further developed by musicians who played with Monroe, including 5-string banjo player Earl Scruggs and guitarist Lester Flatt. Monroe characterized the genre as "Scottish bagpipes and ole-time fiddlin'. It's a part of Methodist, Holiness and Baptist traditions. It's blues and jazz, and it has a high lonesome sound."
Old-time music is a genre of North American folk music. It developed along with various North American folk dances, such as square dancing, contra dance, clogging, and buck dancing. It is played on acoustic instruments, generally centering on a combination of fiddle and plucked string instruments, most often the banjo, guitar, and mandolin. Together, they form an ensemble called the string band, which along with the simple banjo-fiddle duet have historically been the most common configurations to play old-time music. The genre is considered a precursor to modern country music.
Spirit of the West were a Canadian folk rock band from North Vancouver, active from 1983 to 2016. They were popular on the Canadian folk music scene in the 1980s before evolving a blend of hard rock, Britpop, and Celtic folk influences which made them one of Canada's most successful alternative rock acts in the 1990s.
The Irish Rovers is a group of Irish musicians that formed in Toronto, Canada in 1963 and named after the traditional song "The Irish Rover". They are best known for their international television series, contributing to the popularization of Irish Music in North America, and for the songs "The Unicorn", "Drunken Sailor", "Wasn't That a Party", "The Orange and the Green", "Whiskey on a Sunday", "Lily the Pink", "Finnegan's Wake" and "The Black Velvet Band".
The Duhks are a Canadian folk fusion band, formed in 2002 in Winnipeg, Manitoba, Canada. Featuring banjo, fiddle, guitar, percussion, and vocals, The Duhks blend folk music together with various Canadian and American traditional styles, including soul, gospel, old-time country string, and zydeco. The band also commonly plays traditional Irish dance music, integrating Latin-influenced percussion as well as often Celtic- and Cajun-influenced fiddle-playing.
James Jay ("J.") Knutson is a Canadian singer, songwriter, and producer. He is normally credited as simply J. Knutson.
John Paul "J.P." Cormier, is a Canadian bluegrass/folk/Celtic singer-songwriter and multi-instrumentalist. To date he has won thirteen East Coast Music Awards and one Canadian Folk Music Award.
The Clumsy Lovers are a folk rock/bluegrass/Celtic jam band formed in Vancouver, British Columbia with more than 2500 performances in the United States and Canada. The 2015 line-up consists of Jason Homey on banjo and mandolin, Jeff Leonard on bass guitar and vocals, Chandra Johnson on fiddle and vocals, Devin Rice on drums, and Trevor Rogers on vocals and guitar.
Le Vent du Nord is a Canadian folk music group from Saint-Antoine-sur-Richelieu in Quebec. The band performs traditional Québécois music, as well as original numbers in this style, in French. In 2018 the group's membership consists of Simon Beaudry, Nicolas Boulerice, André Brunet, Réjean Brunet and Olivier Demers. Their first eight recordings have been nominated for multiple awards.
Timothy Chaisson is a Canadian singer/songwriter from Souris, Prince Edward Island. He is a member of Juno Award winning group, The East Pointers.
Shona Le Mottee is a Canadian celtic/pop fiddler and vocalist who previously lived in Vancouver, British Columbia. In 2019 she relocated to Glasgow, Scotland.
Molinos is the third studio album by Canadian worldbeat/Celtic rock band The Paperboys. After the success of their second album Late as Usual (1994), Neill Burnett and Moritz Behm left the band and were replaced by Shannon Saunders and Shona LeMotte, both of whom came from musical families and had been steeped in Celtic and bluegrass traditions for years. After a tour of the United States, flutist Hanz Araki joined the band in 1996. The new members of the band drew the band into an increasingly world music-based direction, and began work on Molinos shortly afterwards.
The Kerplunks are a Canadian children's music group based on Gabriola Island, BC. This group was formed in 2006, releasing their first self-titled album in 2007. The Kerplunks have been nominated for multiple Juno Awards and won multiple Parents Choice Awards etc. Due to public outcry for children's music that parents could enjoy, this 4-piece band can be found at top music festivals across Canada and Canada and beyond.
The Creaking Tree String Quartet is a Canadian progressive all-instrumental bluegrass and acoustic roots band from Toronto, Ontario, Canada.
Pharis and Jason Romero are a Canadian folk music duo, most noted as four-time Juno Award winners for Traditional Roots Album of the Year. They won at the 2023 Juno Awards for their album "Tell 'Em You Were Gold", at the Juno Awards of 2021 for their album Bet On Love, the Juno Awards of 2016 for their album A Wanderer I'll Stay, and at the Juno Awards of 2018 for Sweet Old Religion.
Shane Ken Cook is a Canadian violinist. He is a long-time member of the celtic fusion ensemble Bowfire, and is a past Canadian Grand Master fiddler and U.S. National Fiddle Champion. His musical career has taken him to tour across Canada, the United States, Mexico, Germany, England, China and Taiwan.
Ten Strings and a Goat Skin was a Canadian folk music group from Rustico, Prince Edward Island, who performed traditional Celtic and Acadian folk music, in English and French.
The Dead South is a folk-bluegrass musical ensemble based in Regina, Saskatchewan, Canada. The band was initially formed in 2012 as a quartet by Nate Hilts, Scott Pringle, Danny Kenyon and Colton Crawford (banjo). Crawford left the band in 2015 and was replaced by studio musician Eliza Mary Doyle before rejoining in 2018.
Còig is a Canadian folk music quartet from Cape Breton Island, Nova Scotia. The group consists of Darren McMullen, Rachel Davis, Jason Roach and Chrissy Crowley.
Mama's Broke are a Canadian folk music duo from Halifax, Nova Scotia, consisting of Amy Lou Keeler and Lisa Maria. They are most noted as winners of the Canadian Folk Music Award for Ensemble of the Year at the 13th Canadian Folk Music Awards in 2017 for their debut album Count the Wicked.
{{cite web}}
: CS1 maint: unfit URL (link)