Siouxsie and the Banshees were a British rock band formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. They have been widely influential, both over their contemporaries and with later acts. Q magazine included John McKay's guitar playing on "Hong Kong Garden" in their list of "100 Greatest Guitar Tracks Ever", while Mojo rated guitarist John McGeoch in their list of "100 Greatest Guitarists of All Time" for his work on "Spellbound". The Times called the group "one of the most audacious and uncompromising musical adventurers of the post-punk era".
The Sex Pistols were an English punk rock band formed in London in 1975. Although their initial career lasted just two and a half years, they were one of the most culturally influential acts in popular music. The band initiated the punk movement in the United Kingdom and inspired many later punk, post-punk and alternative rock musicians, while their clothing and hairstyles were a significant influence on punk image.
The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the post-punk and new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon.
The Slits were a punk and post-punk band based in London, formed there in 1976 by members of the groups the Flowers of Romance and the Castrators. The group's early line-up consisted of Ari Up and Palmolive, with Viv Albertine and Tessa Pollitt replacing founding members Kate Korus and Suzy Gutsy. Their 1979 debut album, Cut, has been called one of the defining releases of the post-punk era.
The 100 Club Punk Special was a two-day event held at the 100 Club venue in Oxford Street, London, England on 20 and 21 September 1976. The gig showcased eight punk rock bands, most of which were unsigned. The bands in attendance were each associated with the then evolving punk rock music scene of the United Kingdom. Historically, the event has become seen as marking a watershed moment for punk rock, as it began to move from the underground and emerge into the mainstream music scene.
Marco Francesco Andrea Pirroni frequently credited simply as Marco, is a British guitarist, songwriter and record producer. He has worked with Adam Ant, Sinéad O'Connor, Siouxsie and the Banshees and many others from the late 1970s to the present day.
The Heartbreakers, sometimes referred to as Johnny Thunders' Heartbreakers, were an American punk rock band formed in New York City in 1975. The band spearheaded the first wave of punk rock.
The Roxy was a fashionable nightclub located at 41–43 Neal Street in London's Covent Garden, known for hosting the flowering British punk music scene in its infancy.
This is a timeline of punk rock, from its beginnings in the early 1960s to the present time. Bands or albums listed before 1974 are of diverse genres and are retrospectively called by their genre name that was used during the era of their release.
Subway Sect were one of the first British punk bands. Although their commercial success was limited by the small amount of recorded material they released, they have been credited as highly influential on the Postcard Records scene and the indie pop genre which followed.
Ariane Daniele Forster, known by her stage name Ari Up, was a German vocalist best known as a member of the English punk rock band the Slits.
Donovan Letts is a British film director, disc jockey (DJ) and musician. Letts first came to prominence as the videographer for the Clash, directing several of their music videos. In 1984, Letts co-founded the band Big Audio Dynamite with former Clash lead guitarist and co-lead vocalist Mick Jones, acting as the band's sampler and videographer before departing the band in 1990.
The history of the punk subculture involves the history of punk rock, the history of various punk ideologies, punk fashion, punk visual art, punk literature, dance, and punk film. Since emerging in the United States, the United Kingdom and Australia in the mid-1970s, the punk subculture has spread around the globe and evolved into a number of different forms. The history of punk plays an important part in the history of subcultures in the 20th century.
Acme Attractions was a London clothing store on Kings Road, Chelsea, London, that in the early 1970s provided a place for many punk and reggae musicians and scenesters to hang out. Shop assistant and manager Don Letts described Acme Attraction as a place "where the interaction between the different factions became more important than selling merchandise, even though at that age it was a deadly combination."
Post-punk is a broad genre of rock music that emerged in the late 1970s in the wake of punk rock. Post-punk musicians departed from punk's traditional elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines.
"Garageland" is a song by English punk rock band The Clash featured as the final track for their 1977 debut album The Clash.
Smutty Smiff, also known as Stephen Dennis Smith, is a British musician, one of the founding members of rockabilly punk band Levi and the Rockats, discovered by Leee Black Childers, tour manager of David Bowie, Iggy Pop and the Stooges.
The Electric Circus was a music venue in Collyhurst, Manchester, England, situated at the corner of Teignmouth Street and Collyhurst Street. It was an iconic and seminal venue for punk rock in 1970s Manchester.
