London Calling is the third studio album by the English rock band the Clash. It was originally released as a double album in the United Kingdom on 14 December 1979 by CBS Records, and in the United States in January 1980 by Epic Records.
Live at Leeds is the first live album by English rock band the Who. It was recorded at the University of Leeds Refectory on 14 February 1970, and is their only live album that was released while the group were still actively recording and performing with their best-known line-up of Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon.
Music from Big Pink is the debut studio album by the Band. Released in 1968, it employs a distinctive blend of country, rock, folk, classical, R&B, blues, and soul. The music was composed partly in "Big Pink", a house shared by bassist/singer Rick Danko, pianist/singer Richard Manuel and organist Garth Hudson in West Saugerties, New York. The album itself was recorded in studios in New York and Los Angeles in 1968, and followed the band's backing of Bob Dylan on his 1966 tour and time spent together in upstate New York recording material that was officially released in 1975 as The Basement Tapes, also with Dylan. The cover artwork is a painting by Dylan.
12 Songs is the second studio album by American singer-songwriter Randy Newman, released in April 1970 by Reprise Records. It features a swampy style of roots music with introspective, satirical songwriting. "Have You Seen My Baby?", the album's only single, was released in May.
The Band is the second studio album by the Canadian-American rock band the Band, released on September 22, 1969. It is also known as The Brown Album. According to Rob Bowman's liner notes for the 2000 reissue, The Band has been viewed as a concept album, with the songs focusing on people, places and traditions associated with an older version of Americana. Thus, the songs on this album draw on historic themes for "The Night They Drove Old Dixie Down", "King Harvest " and "Jawbone".
Lucinda Gayl Williams is an American singer-songwriter and a solo guitarist. She recorded her first two albums, Ramblin' on My Mind (1979) and Happy Woman Blues (1980), in a traditional country and blues style that received critical praise but little public or radio attention. In 1988, she released her third album, Lucinda Williams, to widespread critical acclaim. Regarded as "an Americana classic", the album also features "Passionate Kisses", a song later recorded by Mary Chapin Carpenter for her 1992 album Come On Come On, which garnered Williams her first Grammy Award for Best Country Song in 1994. Known for working slowly, Williams released her fourth album, Sweet Old World, four years later in 1992. Sweet Old World was met with further critical acclaim, and was voted the 11th best album of 1992 in The Village Voice's Pazz & Jop, an annual poll of prominent music critics. Robert Christgau, the poll's creator, ranked it 6th on his own year-end list, later writing that the album, as well as Lucinda Williams, were "gorgeous, flawless, brilliant".
Robert Thomas Christgau is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for The Village Voice, during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music, and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen."
Let It Bleed is a studio album by the English rock band the Rolling Stones, released on 28 November 1969 by London Records in the United States and on 5 December 1969 by Decca Records in the United Kingdom. Released during the band's 1969 American Tour, it is the follow-up to Beggars Banquet (1968), and like that album is a return to the group's more blues-oriented approach that was prominent in the pre-Aftermath (1966) period of their career. Additional sounds on the album draw influence from gospel, country blues and country rock.
Pack Up the Cats is the third studio album by American alternative rock band Local H, released on September 1, 1998, through Island Records. This would be their last album released on Island before they split from the label, as well as the last album with original drummer Joe Daniels. Local H described the album as "our little concept record about a shitty mid-level band". The album was released around the time when PolyGram, the parent label of Island, merged with Universal, causing the album to be all but forgotten during the transition.
Play is the fifth studio album by American electronic musician Moby. It was released on May 17, 1999, through Mute Records internationally and V2 Records in North America. Recording of the album began in mid-1997, following the release of Moby's fourth album, Animal Rights (1996), which deviated from his electronica style; Moby's goal for Play was to return to electronica, blending downtempo with blues and roots music samples. Originally intended to be his final record, the album was recorded at Moby's home studio in Manhattan.
Beggars Banquet is a studio album by the English rock band the Rolling Stones, released on 6 December 1968 by Decca Records in the United Kingdom and London Records in the United States. It was the first Rolling Stones album produced by Jimmy Miller, whose production work formed a key aspect of the group's sound throughout the late 1960s and early 1970s.
A Love Supreme is an album by American jazz saxophonist John Coltrane. He recorded it in one session on December 9, 1964, at Van Gelder Studio in Englewood Cliffs, New Jersey, leading a quartet featuring pianist McCoy Tyner, bassist Jimmy Garrison and drummer Elvin Jones.
Frampton Comes Alive! is the first double live album by English musician and songwriter Peter Frampton, released in 1976 by A&M Records. Frampton Comes Alive! is one of the best-selling live albums of all time. "Show Me the Way", "Baby, I Love Your Way", and "Do You Feel Like We Do" were released as singles; all three reached the top 15 on the US Billboard Hot 100, and frequently receive airplay on classic rock radio stations. Following four studio albums with no success and sales, Frampton Comes Alive! was a breakthrough for Frampton.
Fun House is the second studio album by American rock band the Stooges. It was released on July 7, 1970, by Elektra Records. Though initially commercially unsuccessful, Fun House has since developed a strong cult following. Like its predecessor and successor, it is considered an integral work in the development of punk rock.
Cahoots is the fourth studio album by Canadian/American rock group the Band. It was released in 1971 to mixed reviews, and was their last album of original material for four years. The album's front cover was painted by New York artist/illustrator Gilbert Stone, while the back cover features a photograph portrait of the group by Richard Avedon. The album features guest vocals from Van Morrison. Libby Titus, the partner of drummer Levon Helm and mother of their daughter Amy Helm, also contributed uncredited backing vocals to "The River Hymn", the first time a woman appeared on a Band album.
Lucinda Williams is the third studio album by American singer-songwriter Lucinda Williams, released in 1988, by Rough Trade Records.
Alive! is the fourth album overall, and the first live album, by American hard rock band Kiss, released on September 10, 1975. It is considered to be their breakthrough, and a landmark for live albums. The double-album contains live versions of selected tracks from their first three studio albums, Kiss, Hotter Than Hell and Dressed to Kill. It was recorded at concerts in Detroit, Michigan; Cleveland, Ohio; Wildwood, New Jersey; and Davenport, Iowa on May 16, June 21, July 20 and 23, 1975.
Squeezing Out Sparks is the fourth studio album by English singer-songwriter Graham Parker and his band the Rumour. The album was released in March 1979. Although the Rumour were not credited on the cover, their name was included on the album label.
Alive, She Cried is the second official live album by the American rock band the Doors, released in October 1983 by Elektra Records. It is the follow-up to the 1970's Absolutely Live, produced by Paul A. Rothchild. The album's title was taken from a line in the song "When the Music's Over".
Radio One is a live album by The Jimi Hendrix Experience. It was released posthumously in November 1988 by Rykodisc and compiles tracks recorded between February and December 1967 for broadcasts by BBC Radio. The album peaked at number 30 on the UK Albums Chart while it charted at number 119 on the Billboard 200 in the United States. After Hendrix's family gained control of his legacy, Radio One was supplanted by the more comprehensive BBC Sessions in 1998.
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