"The Sexuality of Bereavement" | ||||
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Single by My Dying Bride | ||||
Released | Early 1994 | |||
Recorded | 1993 | |||
Genre | Death-doom, doom metal | |||
Length | 15:14 | |||
Producer(s) | Peaceville Records | |||
My Dying Bride singles chronology | ||||
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"The Sexuality of Bereavement" is a song by death/doom metal band My Dying Bride. The single was only available to the Peaceville Collectors Club Series members. The Collectors Club was eventually disbanded because it had too few members. After this point, the band discontinued production of EPs, up until 2006.
"The Sexuality of Bereavement" was originally recorded for the Turn Loose the Swans , but was not included in the final track listing. It was written as a sequel to "The Bitterness and the Bereavement" from As the Flower Withers .
The song appears as a bonus track on the limited edition digipak of their 1995 album The Angel and the Dark River and on its subsequent 1996 expanded reissue as well as several remastered reissues and the most recent vinyl pressing, despite being an outtake from Turn Loose.
It was released in 2003 on the reissued versions of both Turn Loose the Swans and Trinity ; it appears on all issues of the latter including the first pressing, always in replacement of "Transcending (Into the Exquisite)".
Physical Graffiti is the sixth studio album by the English rock band Led Zeppelin. Released as a double album on 24 February 1975 in the United States and on 28 February 1975 in the United Kingdom, it was the group's first album to be released under their new label, Swan Song Records. The band wrote and recorded eight new songs for the album in early 1974 at Headley Grange, a country house in Hampshire, which gave them ample time to improvise arrangements and experiment with recording. The total playing time covered just under three sides of an LP, so they decided to expand it into a double album by including previously unreleased tracks from the sessions for the band's earlier albums Led Zeppelin III (1970), Led Zeppelin IV (1971) and Houses of the Holy (1973). The album covered a range of styles including hard rock, progressive rock, rock 'n' roll and folk. The album was then mixed over summer 1974 and planned for an end-of-year release; however, its release was delayed because the Peter Corriston-designed die-cut album cover proved difficult to manufacture.
Sweet Children is the third EP by American rock band Green Day. It was released in August 1990 through Skene! Records. The name of the EP is a reference to a previous name of the band. One of the tracks is a cover of "My Generation" by The Who. All tracks were later included on the CD and cassette releases of the band's second studio album Kerplunk.
Kill 'Em All is the debut studio album by the American heavy metal band Metallica, released on July 25, 1983, through the independent label Megaforce Records. After forming in 1981, Metallica began by playing shows in local clubs in Los Angeles. They recorded several demos to gain attention from club owners and eventually relocated to San Francisco to secure the services of bassist Cliff Burton. The group's No Life 'til Leather demo tape (1982) was noticed by Megaforce label head Jon Zazula, who signed them and provided a budget of $15,000 for recording. The album was recorded in May with producer Paul Curcio at the Music America Studios in Rochester, New York. It was originally intended to be titled Metal Up Your Ass, with cover art featuring a hand clutching a dagger emerging from a toilet bowl. Zazula convinced the band to change the name because distributors feared that releasing an album with such an offensive title and artwork would diminish its chances of commercial success.
Initium is the 1984 debut album by American deathrock band Samhain, released on lead singer Glenn Danzig's independent record label Plan 9. In various interviews, Danzig stated that the album's title, which translates from Latin to English as "beginning", represents his new start after disbanding his prior band, Misfits, in 1983. Most of the final track, "Archangel", was actually recorded in March 1981 with Jerry Only, and was originally meant to either be a Misfits song featuring Dave Vanian or a track for the band the Damned. The track "Horror Biz" likewise dates to Danzig's Misfits era, as it is a new version of "Horror Business" with different musical arrangements. The album was recorded at Reel Platinum studio in Lodi, New Jersey, excluding the introduction which was recorded at Eerie Von's home on a four track cassette.
Summer in Paradise is the twenty-seventh studio album by American rock band the Beach Boys, released on August 3, 1992, by Brother Records. Produced by Terry Melcher, it is the only album not to feature any new contributions from Brian Wilson, and has been regarded as the band's critical and commercial low point, failing to chart in either the US or UK and receiving almost unanimously negative reviews. In North America, it was the group's first album to be released only on CD and cassette, with a rare vinyl pressing released only in South Korea. The Beach Boys did not record another album of predominately original material until That's Why God Made the Radio in 2012. Summer in Paradise was left out of Capitol's Beach Boys CD reissue campaign of 2000 to 2001, as well as all other reissues for most of the group's discography. Both it and its predecessor, Still Cruisin', are currently out of print. Summer in Paradise, along with Still Cruisin, were pulled from later re-releases due to poor public reception.
No Remorse is a compilation album by English rock band Motörhead, released in September 1984. The album provides an overview of the band's time with Bronze Records and also includes four newly recorded tracks. It is the final album the band released on Bronze Records, with the new material being the first to feature the band's new line-up of Lemmy, Phil Campbell, Würzel, and Pete Gill.
Salisbury is the second studio album by English rock band Uriah Heep, released in January 1971 by Vertigo Records in the UK and Mercury Records in the US. It was produced by Gerry Bron.
Another Music in a Different Kitchen is the first studio album by the English punk rock band Buzzcocks. It was released in March 1978 by the United Artists record label. This was the third line-up of Buzzcocks, with the guitarist Pete Shelley singing following the departure of the original vocalist Howard Devoto and then the firing of the bass guitarist Garth Smith. The album includes the single "I Don't Mind", which reached number 55 in the UK Singles Chart in May 1978.
Kiss is the debut studio album by American rock band Kiss, released on February 18, 1974, by Casablanca Records. Much of the material on the album was written by Gene Simmons and Paul Stanley, as members of their pre-Kiss band Wicked Lester. Simmons estimated that the entire process of recording and mixing took three weeks, while co-producer Richie Wise has stated it took just 13 days.
As the Flower Withers is the debut studio album by Yorkshire-based heavy metal band My Dying Bride. The artwork was designed by Dave McKean. This is the only full-length My Dying Bride album on which lead vocalist Aaron Stainthorpe utilizes his death growl as the sole vocal style.
Diary is the debut studio album by American rock band Sunny Day Real Estate, released on May 10, 1994. The album is considered by many to be a defining emo album of the second wave, and key in the development of its subgenre, Midwest emo. It has also been called the missing link between post-hardcore and the nascent emo genre.
The Light at the End of the World is the sixth album by My Dying Bride, released in 1999. After the more experimental 34.788%...Complete, this album marks a return to the more traditional My Dying Bride doom sound and style of lyrics. It was also the first My Dying Bride release since 1994's The Sexuality of Bereavement to feature growling vocals, although Aaron Stainthorpe has noticeably changed his style and broadened his range. All guitar parts on the album were recorded by Andrew Craighan, following the earlier departure of Calvin Robertshaw. Following Robertshaw's departure, only Craighan and Stainthorpe remained as founding members of the band. Hamish Glencross was soon after recruited as permanent guitarist. The keyboard parts were played by Jonny Maudling of Bal-Sagoth. It is also the first MDB album to feature the drumming of Shaun Steels, who would remain with the band until 2006.
Union is an American rock group formed in Los Angeles in 1997 featuring lead vocalist and guitarist John Corabi, guitarist Bruce Kulick (ex-Kiss), bassist James Hunting, and drummer Brent Fitz (Slash).
Turn Loose the Swans is the second album by the British heavy metal band My Dying Bride, released in 1993.
The Angel and the Dark River is the third album by the British heavy metal band My Dying Bride. The 1996 re-release contains one bonus track "The Sexuality of Bereavement" and a bonus CD titled Live at the Dynamo. The Live CD was recorded during their appearance at the Dynamo Festival in 1995.
Level 42 is the debut album released in August 1981 by the British group Level 42.
Anti-Diluvian Chronicles is a compilation album by My Dying Bride, which features both album tracks and new remixes. It is the fourth My Dying Bride compilation album, following 1995's Trinity and 2000's Meisterwerk 1 and Meisterwerk 2.
Emerging is the title of the only album by the Phil Keaggy Band, released in 1977 on NewSong Records. The album's release was delayed due to a shift in record pressing plant priorities following the death of Elvis Presley. The album was re-released on CD in 2000 as ReEmerging with one original track omitted and four newly recorded songs by the band members.
The Rebels were a band from Buffalo, New York, known for their instrumental "Wild Weekend". The original members were Jim Kipler (Guitar), Mick Kipler (Saxophone), Tom Gorman (Drums) and Paul Balon (Bass/Guitar).
Breaking Loose is the debut studio album by Canadian hard rock band Helix. Recorded primarily at Springfield Sound in Aylmer, Ontario with producer R.A. "Bob" Morten, it was released in 1979 on the band's own label H&S Records. The album features all original material, written by the band's frontman Brian Vollmer, and two guitarists Paul Hackman and Brent Doerner. It was supported by the release of Hackman's "Don't Hide Your Love" and Doerner's "Billy Oxygen" as singles.