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| Editors | Brice Brown, Trevor Winkfield, Mark Shortliffe |
|---|---|
| Categories | Literary magazine |
| Frequency | Annual |
| Year founded | 2006 |
| Final issue | 2010 |
| Company | Sienese Shredder Editions |
| Country | USA |
| Based in | New York City |
| Language | English |
| Website | www.sienese-shredder.com |
The Sienese Shredder was an annual journal of art, literature, design, poetry, and music that was published between 2006 and 2010. In addition to written and visual content each issue contained an audio CD.
The Sienese Shredder was launched in 2006 by New York City-based artists Brice Brown and Trevor Winkfield. They sought to bring attention to artists, art, poetry and writing that had been largely neglected or forgotten. Often this work was completed in the 19th and early 20th centuries. Mark Shortliffe took over as co-editor in 2009 for issue 4.
Each issue brings together poetry, critical writing, visual arts, unpublished rarities, oddball ephemera and other culturally significant material in a way that is exciting, contemporary and fresh. Contents can include writings by visual artists; art by writers; poets as installation artists; photographers as poets, and the range of contributors moves from the well-known and up-and-coming to the unknown or forgotten.
As an archival project, each issue of The Sienese Shredder comes with a CD recording of a well-known poet reading or a musician presenting a retrospective sampling their work. #1 contained an audio CD of poet Harry Mathews reading selected poems he had written between 1955 and 2005. #2 contained an audio CD of poet Charles North reading selected poems he had written between 1970 and 2005. #3 contains an audio CD of music made between 1991 and 2004 by Eric Moe.
Performance poetry is a broad term, encompassing a variety of styles and genres. In brief, it is poetry that is specifically composed for or during a performance before an audience. During the 1980s, the term came into popular usage to describe poetry written or composed for performance rather than print distribution, mostly open to improvisation.
Robert White Creeley was an American poet and author of more than sixty books. He is usually associated with the Black Mountain poets, though his verse aesthetic diverged from that school. He was close with Charles Olson, Robert Duncan, Allen Ginsberg, John Wieners and Ed Dorn. He served as the Samuel P. Capen Professor of Poetry and the Humanities at State University of New York at Buffalo. In 1991, he joined colleagues Susan Howe, Charles Bernstein, Raymond Federman, Robert Bertholf, and Dennis Tedlock in founding the Poetics Program at Buffalo. Creeley lived in Waldoboro, Buffalo, and Providence, where he taught at Brown University. He was a recipient of the Lannan Foundation Lifetime Achievement Award.
Modernist poetry in English started in the early years of the 20th century with the appearance of the Imagists. In common with many other modernists, these poets wrote in reaction to the perceived excesses of Victorian poetry, with its emphasis on traditional formalism and ornate diction. In many respects, their criticism echoes what William Wordsworth wrote in Preface to Lyrical Ballads to instigate the Romantic movement in British poetry over a century earlier, criticising the gauche and pompous school which then pervaded, and seeking to bring poetry to the layman.
Spoken word refers to an oral poetic performance art that is based mainly on the poem as well as the performer's aesthetic qualities. It is a late 20th century continuation of an ancient oral artistic tradition that focuses on the aesthetics of recitation and word play, such as the performer's live intonation and voice inflection. Spoken word is a "catchall" term that includes any kind of poetry recited aloud, including poetry readings, poetry slams, jazz poetry, and hip hop music, and can include comedy routines and prose monologues. Unlike written poetry, the poetic text takes its quality less from the visual aesthetics on a page, but depends more on phonaesthetics, or the aesthetics of sound.
Sound poetry is an artistic form bridging literacy and musical composition, in which the phonetic aspects of human speech are foregrounded instead of more conventional semantic and syntactic values; "verse without words". By definition, sound poetry is intended primarily for performance.
Michael Palmer is an American poet and translator. He attended Harvard University, where he earned a BA in French and an MA in Comparative Literature. He has worked extensively with Contemporary dance for over thirty years and has collaborated with many composers and visual artists. Palmer has lived in San Francisco since 1969.
Dušan Simić, known as Charles Simic, is a Serbian American poet and former co-poetry editor of the Paris Review. He received the Pulitzer Prize for Poetry in 1990 for The World Doesn't End, and was a finalist of the Pulitzer Prize in 1986 for Selected Poems, 1963–1983 and in 1987 for Unending Blues. He was appointed the fifteenth Poet Laureate Consultant in Poetry to the Library of Congress in 2007.
David Abram Antin was an American poet, critic and performance artist.
Hedwig Irene Gorski is an American performance poet and an avant-garde artist who labels her aesthetic as "American futurism." The term "performance poetry," a precursor to slam poetry, is attributed to her. It originated in press releases for experimental spoken word and conceptual theater Gorski created during 1979. She is a first-generation Polish American academic scholar and accomplished creative writer. The innovative poetry, prose, drama, and audio works are published and produced in a variety of media using standard and experimental forms.
William Lewis is an English artist, story-teller, poet and mythographer. He was a founder-member of The Medway Poets and of the Stuckists art group.
Charles Kenneth "C. K." Williams was an American poet, critic and translator. Williams won many poetry awards. Flesh and Blood won the National Book Critics Circle Award in 1987. Repair (1999) won the 2000 Pulitzer Prize for Poetry, was a National Book Award finalist and won the Los Angeles Times Book Prize. The Singing won the 2003 National Book Award and Williams received the Ruth Lilly Poetry Prize in 2005. The 2012 film The Color of Time relates aspects of Williams' life using his poetry.
Kenneth Goldsmith is an American poet and critic. He is the founding editor of UbuWeb and since 2020 is the ongoing artist-in-residence at the Center for Programs in Contemporary Writing (CPCW) at the University of Pennsylvania, where he teaches. He is also a senior editor of PennSound at the University of Pennsylvania. He hosted a weekly radio show at WFMU from 1995 until June 2010. He has published ten books of poetry, notably Fidget (2000), Soliloquy (2001), Day (2003) and his American trilogy, The Weather (2005), Traffic (2007), and Sports (2008). He is the author of three books of essays, Uncreative Writing: Managing Language in the Digital Age (2011), Wasting Time on The Internet (2016), and Duchamp Is My Lawyer: The Polemics, Pragmatics, and Poetics of UbuWeb (2020). In 2013, he was appointed the Museum of Modern Art's first poet laureate.
Imtiaz Dharker is a Pakistan-born British poet, artist, and video film maker. She won the Queen's Gold Medal for her English poetry and was appointed Chancellor of Newcastle University from January 2020.
Taco Shop Poets is the name of a poetry and spoken word collective formed in 1994 at a Poetry Series, Taco Shop Poetry',' hosted by Adolfo Guzman-Lopez at the Centro Cultural de la Raza in Balboa Park, San Diego. It grew to a collective of over 30 poets, band members and performance artists based at El Campo Ruse on 16th St. in Downtown San Diego's East Village.
Christopher John Mosdell is a British lyricist, poet, author, composer, vocalist and illustrator based in Tokyo, Japan, and New York City, United States.
Jen Hadfield is a British poet and visual artist. She has published four poetry collections. Her first collection, Almanacs, won an Eric Gregory Award in 2003. Hadfield is the youngest female poet to be awarded the TS Eliot Prize, with her second collection, Nigh-No-Place, in 2008. Her fourth collection, The Stone Age, was selected as the Poetry Book Society choice for spring 2021 and won the Highland Book Prize, 2021.
Ron Whitehead is an American poet, author and activist. Whitehead was born on a farm in Kentucky, but traveled to the University of Louisville and Oxford University to pursue his academic interests.
Erik La Prade is an American freelance journalist, poet, photographer, and non-fiction writer. La Prade has had 14 publications. He is based in New York City.
Kathleen Tankersley Young (1903–1933) was an American writer, poet, and editor active in publishing during the late 1920s and early 1930s. Although her work has received relatively little attention from scholars and publishers since her death, she published her poetry widely in the poetry magazines of her day and corresponded with a wide circle of literary friends, acquaintances, and collaborators. The literary scholar Eric White has written of Young: "Almost forgotten by literary history, Kathleen Tankersley Young's name appears like a cipher through little magazines of the late 1920s and early 1930s, and in anthologies of Harlem Renaissance and American women's poetry."
Fortner Anderson is an American-born poet, performance artist, and visual artist who has lived in Montreal, Quebec, since 1976. He is the author of several volumes of poetry and has published many audio recordings of his spoken word performances, and is known for innovative use of technology to present poetry readings.