The Sound of Music | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | 1987 | |||
Studio | Quad Penthouse, NYC | |||
Genre | Power pop, alternative rock | |||
Length | 44:46 | |||
Label | I.R.S. | |||
Producer | Greg Edward | |||
The dB's chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Robert Christgau | B [2] |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
MusicHound Rock: The Essential Album Guide | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Spin Alternative Record Guide | 6/10 [6] |
The Sound of Music is an album by American power pop group The dB's, released in 1987 on I.R.S. Records. [7] [8]
The album peaked at No. 171 on the Billboard 200. [8]
The Sound of Music was produced by Greg Edward. [9] Van Dyke Parks and Benmont Tench contributed piano, organ, and synthesizer to the album. [10]
Trouser Press wrote: "The Sound of Music finds the dB’s continuing in the style of Like This, with similarly fine results. The country elements reappear on 'Bonneville' (complete with fiddles and mandolins), 'Never Before and Never Again' (a brilliant [Peter] Holsapple duet with Syd Straw) and 'Looked at the Sun Too Long,' which could easily be mistaken for a Gram Parsons tune." [11] The Washington Post wrote that "without the counterpoint provided by [Chris] Stamey's more adventurous songs, Holsapple's full-bodied but conventional tunes have drifted toward the insipid." [9] The Rolling Stone Album Guide called the album "polished" but "not entirely convincing." [5] The Spin Alternative Record Guide called it "catchy but complacent." [6]
CD bonus tracks
The dB's are an American alternative rock and power pop group, who formed in New York City in 1978 and first came to prominence in the early 1980s. Their debut album, Stands for Decibels, is often acclaimed as one of the greatest "lost" power pop albums of the 1980s.
Born to Mack is the fourth studio album and debut major label album by American rapper Too Short. The album was released in 1987 via Dangerous Music. It was re-released in 1988 by Jive Records/RCA, after the success of Life Is...Too Short, although Jive Records logos did not appear on it until it was released on compact disc in 1989.
Made to Be Broken is the second full-length album by Soul Asylum. It was released on January 18, 1986. It was the first of the three albums released by Soul Asylum in 1986.
Behind Bars is the third studio album by the British-American rapper Slick Rick, released in 1994 on Def Jam Recordings.
Song of the Bailing Man is the fifth Pere Ubu album, released in 1982. It was the final Pere Ubu album until 1988's The Tenement Year.
Out My Way is an EP by the alternative rock band the Meat Puppets, released in 1986. It features a more hard rock-oriented sound than on previous releases, leading some critics to say that the sound is similar to the southern/hard rock stylings of ZZ Top. The EP was reissued in 1999 by Rykodisc, with additional bonus tracks.
Inside is the debut album by alternative rock musician Matthew Sweet. It was released on Columbia Records in 1986. Sweet was dropped from the label after the album's release, and would not put out another record for three years.
Stands for Decibels is the debut studio album by American power pop band the dB's, released January 15, 1981 by Albion Records. The album was commercially unsuccessful but critically acclaimed.
Repercussion is the second studio album by American power pop band the dB's, released in 1981 by Albion Records. Like its predecessor, Stands for Decibels, the album was commercially unsuccessful but critically acclaimed.
Frenzy is the second album by Mojo Nixon and Skid Roper, released in 1986.
Lovey is the fourth studio album by the alternative rock band The Lemonheads. It was released in 1990 on Atlantic Records, the group's first for the record company.
The Real Macaw is an album by Graham Parker, released in 1983.
Silver Sail is the seventh studio album by punk rock band Wipers, released in 1993. After disbanding Wipers in 1989 and releasing a 1991 solo album, Sacrifice , Sage decided to release a new album under the Wipers name.
Like This is the third studio album by the American power pop band the dB's, released in 1984 via Bearsville Records. The band recorded as a trio following the departure of Chris Stamey. The album includes a re-mixed version of "Amplifier", the lead single from their previous album, Repercussion.
Mother Juno is an album by The Gun Club, released in 1987. It was produced by Robin Guthrie of the Cocteau Twins.
Americruiser is the second album by American alternative rock group Urge Overkill, released in 1990.
"Auf Wiedersehen" is a song co-written by Cheap Trick guitarist Rick Nielsen and bassist Tom Petersson and first released on the band's 1978 album Heaven Tonight. It was also released as a single as the B-side of "Surrender". Since its original release, it has also been released by Cheap Trick on several live and compilation albums, including Budokan II; Sex, America, Cheap Trick; The Essential Cheap Trick, and the 30th Anniversary Edition of Cheap Trick at Budokan, which also includes a DVD with a video performance of the song. Allmusic critic Stephen Thomas Erlewine described the song as one of the peaks of Heaven Tonight and as one of Cheap Trick's "stone-cold classics." It has often been used by the band to close their concerts. Since its original release, it has been covered by Anthrax, Cell, John Easdale, and Steel Pole Bath Tub.
Friendly as a Hand Grenade is an album by the American band Tackhead. It was released in 1989 through TVT Records.
Cuba is the second album by the American alternative rock band the Silos, released in 1987.
Year of Mondays is an album by the American alternative rock musician Mike Johnson, released in 1996. Dedicated to Charlie Rich, it was Johnson's first album for a major label.