The Tempest | ||||
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Studio album by | ||||
Released | March 20, 2007 | |||
Recorded | 2006 | |||
Studio | ||||
Genre | ||||
Length | 59:36 | |||
Label | Psychopathic | |||
Producer | Mike E. Clark | |||
Insane Clown Posse chronology | ||||
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The Tempest is the tenth studio album by American hip hop duo Insane Clown Posse. It was released on March 20, 2007, through Psychopathic Records. Recording sessions took place at The Lotus Pod, The Haunted Cabin Studios and The Fun House in Detroit. Production was entirely handled by Mike E. Clark, marking his return after he had a falling-out with the duo in 2000. However, he did not collaborate directly with ICP, and would not do so until their 2009 album Bang! Pow! Boom!
The album's concept compares a violent storm to a roller coaster; its lyrical themes vary from horrorcore-based character deconstructions and songs about the supernatural to humorous and lighter subject matter. Clark's production was praised by critics, and the album peaked at number 20 on the Billboard 200. It is the group's 23rd overall release.
Mike E. Clark produced much of Insane Clown Posse discography, as well as working with other groups on Psychopathic Records, until having a falling-out with ICP in 2000, after completing ICP's album's Bizaar and Bizzar , and beginning production on the Dark Lotus debut album Tales from the Lotus Pod . [1]
After becoming a full-time producer for Kid Rock, Clark contracted pneumonia, but ignored the illness, and began coughing severely as he awoke, leading to a three-month stay in Mount Clemens General Hospital, during which one of his lungs collapsed three times. [1] As the result of his near-death experience, Clark decided to reconcile with Violent J and Shaggy 2 Dope. Phone conversations between Clark and Insane Clown Posse led to Clark producing Shaggy 2 Dope's 2006 solo album F.T.F.O. . [1] The following year, Clark produced The Tempest; however, in both instances, he did not work with Psychopathic Records directly. [1] Because of this, ICP felt that The Tempest was missing the collaborative element that they felt made their earlier albums enjoyable. [1] Clark would not work directly work with Psychopathic Records until 2009's Bang! Pow! Boom! [2]
Unlike previous Insane Clown Posse albums, The Tempest is not connected to the Dark Carnival mythology, which formed the basis for ICP's "Joker's Cards" series, which began in 1992 with Carnival of Carnage and concluded with the albums The Wraith: Shangri-La and Hell's Pit ; however, it references themes, concepts and songs from previous albums. [3] Violent J said that The Tempest is a concept album in its own right. [4] Violent J describes the album's concept as relating to both a violent storm which turns into a tornado and pulls people into a hurricane as well as a roller coaster. [4] According to Violent J, "That's a lot like riding on a violent roller coaster, I'd assume. You get jerked to the left, jerked to the right, sucked way up into the sky, and then you go shooting down to the floor, and then you jerk up to the left and then you whip around to the right. Well, The Tempest is a storm in the form of a roller coaster". [4] As a result of this concept, the album focuses on a variety of different moods. [4]
The Tempest maintains much of the horrorcore lyrical content ICP is known for, as well as their humorous perspective. [3] Unlike previous albums, this album does not contain any disses aimed at other rappers or music industry figures. [3] Violent J and Shaggy 2 Dope's rapping on this album is described by AllMusic reviewer David Jeffries as being delivered in "a carnival barker fashion that fits with their circus motif", and contrasted Violent J and Shaggy 2 Dope themselves as being like "Alice Cooper with a mallrat attitude". [5]
The lyrics of "Growing Again", which describe Violent J growing into a giant, [3] were inspired by Violent J's weight gain; Violent J also says that the song reflects the feeling of being able to "rap about anything we want [...] I feel we have the right for some songs to be softer and not about killing or Dark Carnival". [4] "The Tower" describes a war veteran and expert marksman climbing a college tower and shooting people with an arsenal of weapons, a reference to Charles Whitman's 1966 murder spree. [4]
Mike E. Clark's production incorporates elements of rock and heavy metal, as well as live instrumentation. [3] [5] Reviewer Lana Cooper of PopMatters compares "Ride the Tempest" to A Flock of Seagulls, and describes the instrumentation as incorporating elements of synthesizers and calliope. [3] Cooper says that "Growing Again" incorporates power ballad chords. [3] Jeffries describes "I Do This!" as being influenced by psychedelia, and called "Mexico City" "lowrider music". [5]
Review scores | |
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Source | Rating |
AllMusic | [5] |
PopMatters | 6/10 [3] |
RapReviews | 6/10 [6] |
The album was released with a bonus poster. [5] The Tempest debuted at number 20 on the U.S. Billboard 200, selling about 33,000 copies in its first week. [7] Reviews from AllMusic and PopMatters generally appraised Mike E. Clark's production as the album's most appealing element. [5] [3] AllMusic's David Jeffries wrote, "there's no denying that Clark's vision does wonders for the duo". [5] Lana Cooper of PopMatters said that "[Insane Clown Posse's] theatrics have to be given their due". [3] The Tempest was released on vinyl on February 14, 2020.
All lyrics are written by Joseph Bruce and Joseph Utsler; all music is composed by Mike E. Clark.
No. | Title | Length |
---|---|---|
1. | "The Sky is Falling" | 3:39 |
2. | "Ride the Tempest" | 2:51 |
3. | "Alley Rat" | 2:11 |
4. | "Haunted Bumps" | 3:24 |
5. | "Growing Again" | 4:45 |
6. | "Hum Drum Boogie" | 3:39 |
7. | "I Do This!" | 3:28 |
8. | "What About Now?" | 3:24 |
9. | "Watch My Ride" | 2:42 |
10. | "News at 6 O'Clock" | 4:06 |
11. | "The Tower" | 4:14 |
12. | "The Party" | 3:13 |
13. | "Bitch I Lied" | 4:08 |
14. | "Play My Song" | 2:55 |
15. | "Mexico City" | 3:32 |
16. | "If I Was a Serial Killer" | 7:30 |
Total length: | 59:36 |
Weekly charts
| Year-end charts
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Carnival of Carnage is the debut studio album by American hip hop group Insane Clown Posse, released on October 18, 1992, by Psychopathic Records.
Riddle Box is the third studio album by the American hip hop duo Insane Clown Posse, released in 1995 on Battery Records and Island Records in association with Psychopathic Records. It is the third Joker's Card in the group's Dark Carnival mythology. It was released a second time by Battery Records and Jive Records. In 2008 it was re-released on a Riddle Box vinyl record. The album was the first Insane Clown Posse album in which the group worked with studio vocalist and guitarist Rich Murrell, who would work with the group throughout much of their career under the name Legz Diamond. It was released in four different versions, and earned a gold certification by the Recording Industry Association of America (RIAA). In 2008, Riddle Box was re-released on vinyl double LP format. In 2015, Psychopathic Records reissued the album in a 20th anniversary edition, featuring bonus tracks.
Hell's Pit is the ninth studio album by American hip hop duo Insane Clown Posse. It was released on August 31, 2004 via Psychopathic Records as a follow-up to 2002 The Wraith: Shangri-La and second half of the sixth and final Joker Card in the first Deck of the Dark Carnival mythology. Recording sessions took place at the Lotus Pod in Detroit. Production was handled by ICP themselves.
Ringmaster is the second studio album by American hip hop duo Insane Clown Posse, and their second Joker Card in the first Deck of the Dark Carnival mythology. It was originally released on January 28, 1994 via Psychopathic Records and was reissued in 1998 through Island Records. Recording sessions took place at 313 Studio in Detroit. Production was handled by Mike E. Clark and ICP themselves. It features guest appearances from Capitol E and Jumpsteady. The album's lyrics describe the leader of the Carnival, who serves as one of the judges of one's soul in the afterlife, as being created from the listener's own evils.
Beverly Kills 50187 is the first extended play by American hip hop group Insane Clown Posse. It was released on July 16, 1993 via Psychopathic Records as the first "sideshow" entry in the group's Dark Carnival saga. The group felt that they should release EPs in between their studio albums during the Dark Carnival series, in order to build and satisfy their fanbase. It is the second overall release by Insane Clown Posse.
Joseph Frank Bruce, known by his stage name Violent J, is an American rapper, record producer, professional wrestler, and part of the hip hop duo Insane Clown Posse (ICP). He is a co-founder of the record label Psychopathic Records, with fellow ICP rapper Shaggy 2 Dope and their former manager, Alex Abbiss. Also along with Utsler, Bruce is the co-founder of the professional wrestling promotion Juggalo Championship Wrestling.
Joseph William Utsler, known by his stage name Shaggy 2 Dope, is an American rapper, record producer, DJ, podcast host, and professional wrestler. He is part of the hip hop duo Insane Clown Posse. He is the co-founder of the record label Psychopathic Records, with fellow Insane Clown Posse rapper Violent J and their former manager, Alex Abbiss. Along with Bruce, Utsler is the co-founder of the professional wrestling promotion Juggalo Championship Wrestling, where he currently acts as color commentator.
Tunnel of Love is the fourth EP by American hip hop group Insane Clown Posse, released on April 19, 1996, by Psychopathic Records. It is the third and final "sideshow" entry in the group's Dark Carnival saga.
Michael Earl Clark is an American record producer and DJ from Michigan, best known for working with Kid Rock, Insane Clown Posse, Prozak and Mickey Avalon. Clark has also worked with George Clinton, Patti Smith and R.L. Burnside.
Fuck Off! is an EP by American rapper Shaggy 2 Dope inspired by the success of "Fuck Off!", the rapper's first solo single. "Fuck Off!", the single, was released on November 22, 1994 through Psychopathic Records. Written by Insane Clown Posse, it was recorded at Pulsar Sound Studio and produced by Mike E. Clark.
F.T.F.O. is the debut solo studio album by American rapper Shaggy 2 Dope. It was released on February 21, 2006 via Psychopathic Records. Recording sessions took place at the Lotus Pod in Detroit and at the Funhouse Studio in Sterling Heights, Michigan. Production was handled by Insane Clown Posse, Mike E. Clark, Polar Bear and Fritz the Cat. It features guest appearance from Twiztid. The album art alludes to the ICP tradition of spraying the audience with the American soft drink Faygo.
Blood In Blood Out is the second studio album by American hip hop duo Axe Murder Boyz. It was released on April 18, 2006 through Psychopathic Records, marking the group's debut project for the label. Recording sessions took place at The Lotus Pod and The Funhouse Studio in Detroit. Production was handled by AMB themselves together with Twiztid and Blaze Ya Dead Homie. It features guest appearances from Insane Clown Posse, Blaze Ya Dead Homie and Twiztid.
Eye of the Storm is the twelfth extended play by American hip hop duo Insane Clown Posse. It was released on August 20, 2007 via Psychopathic Records. Recording sessions took place at The Fun House, The Lotus Pod and The Haunted Cabin Studios. Production was handled entirely by Mike E. Clark. It is composed of outtakes from the group's tenth studio album, The Tempest, which was released exactly five months prior. Physical copies could be obtained only on Hatchetgear, then the official Psychopathic Records online webstore.
The Calm is the eleventh extended play by American hip hop duo Insane Clown Posse. It was released on May 17, 2005 via Psychopathic Records. Recording sessions took place at the Lotus Pod in Detroit. Production was handled entirely by ICP themselves. It features the lone guest appearance from Esham. The EP peaked at number 32 on the Billboard 200, number five on the Top Rap Albums and topped the Independent Albums in the United States.
The Shining is the debut solo full-length studio album by American rapper and record producer Violent J. It was released on April 28, 2009, through Psychopathic Records. Recording sessions took place at the Cabin In The Woods Studio and the Fun House Studio in Michigan. Production was handled by Mike E. Clark and Violent J himself. It features guest appearances from Esham, Necro and Shaggy 2 Dope. The album's title and cover art pay homage to Stanley Kubrick's 1980 psychological horror film The Shining.
Bang! Pow! Boom! is the eleventh studio album by the American hip hop group Insane Clown Posse. Released on September 1, 2009 by Psychopathic Records, it was the group's second album with producer Mike E. Clark since his return to Psychopathic Records, and the first album to focus on the Dark Carnival since the conclusion of the group's original "Joker's Cards" series. The character is the first of a set of six new Joker's Cards.
Insane Clown Posse, often abbreviated as ICP, is an American hip hop duo. Formed in Detroit in 1989, ICP's best-known lineup consists of rappers Violent J and Shaggy 2 Dope. Insane Clown Posse performs a style of hardcore hip hop known as horrorcore and is known for its elaborate live performances. The duo has earned two platinum and five gold albums. According to Nielsen SoundScan, the entire catalog of the group had sold 6.5 million units in the United States and Canada as of April 2007. The group has established a dedicated following called Juggalos numbering in the "tens of thousands".
The Marvelous Missing Link: Lost is the thirteenth studio album by Insane Clown Posse. It is the first part of the 3rd Joker Card in the second Deck of the Dark Carnival Saga. It was released on April 28, 2015 on Psychopathic Records via Sony's RED Distribution, three months before the release of its companion album Found. It is the group's 34th overall release.
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F.T.F.O.M.F. is the second solo studio album by American rapper Shaggy 2 Dope. It was released in 2017 through Psychopathic Records. Production was handled by DJ Clay and Shaggy 2 Dope himself. It features the lone guest appearance from Violent J. The album debuted at No. 72 on the US Billboard 200, No. 39 on the Top R&B/Hip-Hop Albums, No. 18 on the Top Album Sales and topped the Independent Albums chart.