| The Third Decade | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1985 | |||
| Recorded | June 1984 | |||
| Studio | Tonstudio Bauer Ludwigsburg, West Germany | |||
| Genre | Jazz | |||
| Length | 41:45 | |||
| Label | ECM 1273 | |||
| Producer | Manfred Eicher | |||
| Art Ensemble of Chicago chronology | ||||
| ||||
The Third Decade is an album by the Art Ensemble of Chicago recorded in June 1984 and released on ECM the following year. [1] [2] [3] [4]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [5] |
| The Penguin Guide to Jazz Recordings |  [6] |
In his review for AllMusic, Stephen Cook stated "For the Art Ensemble of Chicago, Third Decade marked both the end of their relationship with the ECM label and the beginning of a more streamlined stretch of music making. The band would cut back on their once predominant, free-form explorations to make room for more bebop and crossover material". [5] The Penguin Guide to Jazz on CD reviewed the album negatively, calling it "nothing so much as the atrophy of a once-radical band." [7]
Spin wrote, "While not a spectacular LP it is an important exhibit of the kinds of musical moods the group has created over the years. A brief collective history of five men who, for more than 20 years, have shared experiences of great power and poignancy." [8]
The Art Ensemble of Chicago is an avant-garde jazz group that grew out of the Association for the Advancement of Creative Musicians (AACM) in the late 1960s. The ensemble integrates many jazz styles and plays many instruments, including "little instruments": bells, bicycle horns, birthday party noisemakers, wind chimes, and various forms of percussion. The musicians would wear costumes and face paint while performing. These characteristics combined to make the ensemble's performances both aural and visual. While playing in Europe in 1969, five hundred instruments were used.
People in Sorrow is a 1969 album by the Art Ensemble of Chicago recorded in Boulogne for the French Pathé-Marconi label, later reissued in the US on Nessa Records. It features an extended improvised performance by Lester Bowie, Joseph Jarman, Roscoe Mitchell and Malachi Favors Maghostut.
A Jackson in Your House is a 1969 album by the Art Ensemble of Chicago recorded for the French BYG Actuel label. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell and Malachi Favors Maghostut. When issued on CD by Affinity in 1989, the track "The Waltz" was replaced by a six-minute live excerpt entitled "Hey Friend" which has never reappeared on any subsequent reissue.
Tutankhamun is a 1969 album by the Art Ensemble of Chicago first released on the Freedom label. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell and Malachi Favors Maghostut.
Message to Our Folks is a 1969 album by the Art Ensemble of Chicago recorded in Paris for the French BYG Actuel label. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell and Malachi Favors Maghostut.
Reese and the Smooth Ones is a 1969 album by the Art Ensemble of Chicago recorded in Paris for the French BYG Actuel label. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell and Malachi Favors Maghostut.
Live in Paris is a double live album by the Art Ensemble of Chicago recorded in Paris and first released on the BYG Actuel label in Japan as two separate volumes in 1974. It was issued on CD by Charly Records under the title 'Live In Paris' presumably to avoid confusion with the Delmark 'Live At Delmark Hall' album, and then later issued in the US, with the same artwork and design, by Fuel 2000 Records in the US. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut, Fontella Bass and Don Moye. Despite reissues identifying it as "Live In Paris" and claiming a date of 5 October 1969, it was actually a radio broadcast from performances in Chateauvailon on 13 August 1970.
Fanfare for the Warriors is a 1973 album by the Art Ensemble of Chicago first released on the Atlantic label. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut and Don Moye along with AACM leader Muhal Richard Abrams.
Chi-Congo is an album recorded in Paris in 1970 by the Art Ensemble of Chicago which was first released in 1972 on the French Decca label, later reissued in the US on the Paula label. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut, and Don Moye.
Art Ensemble of Chicago with Fontella Bass is a 1970 album by the Art Ensemble of Chicago recorded in Paris and released on the America label in 1971 then reissued in the US on Prestige Records the following year. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut, Fontella Bass, and Don Moye.
Nice Guys is an album by the Art Ensemble of Chicago recorded in May 1978 and released on ECM the following year—their debut for the label. The quintet features trumpeter Lester Bowie, saxophinists Joseph Jarman and Roscoe Mitchell and rhythm section Malachi Favors Maghostut and Famoudou Don Moye.
Full Force is a 1980 album by the Art Ensemble of Chicago, their second to appear on the ECM label.
Urban Bushmen is a live double-album by the Art Ensemble of Chicago recorded at the Amerika Haus in Munich over two days in May 1980 and released on ECM in March 1982.
Thelonious Sphere Monk: Dreaming of the Masters Series Vol. 2 is an album by the Art Ensemble of Chicago and Cecil Taylor released on the Japanese DIW label. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut and Don Moye with Cecil Taylor guesting on piano, vocals and percussion.
Tribute to Lester is an album by the Art Ensemble of Chicago recorded in September 2001 and released on ECM in August 2003, their first release on the label since The Third Decade (1984). It features performances by Roscoe Mitchell, Malachi Favors Maghostut and Don Moye. The album was recorded following Joseph Jarman's temporary retirement from the group and the death of founding member Lester Bowie to whom it is dedicated.
Non-Cognitive Aspects of the City: Live at the Iridium is a live album by the Art Ensemble of Chicago recorded in April, 2004 at the Iridium Jazz Club in New York City and released in 2006 on the Pi Recordings label. It features performances by Joseph Jarman, Roscoe Mitchell and Don Moye with trumpeter Corey Wilkes and bassist Jaribu Shahid replacing the late Lester Bowie and Malachi Favors Maghostut.
The Spiritual is an album by the Art Ensemble of Chicago recorded in 1969 for the Freedom label as the same sessions that produced Tutankhamun. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell and Malachi Favors Maghostut.
Certain Blacks is an album by the Art Ensemble of Chicago recorded in Paris on February 10, 1970, and released on the America label. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut, Chicago Beau, Julio Finn and William A. Howell.
Live at Mandel Hall is a live album by the Art Ensemble of Chicago recorded at the University of Chicago's Mandel Hall on their return to Chicago from Europe in January 1972 and released on the Delmark label. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors and Don Moye.
Kabalaba is a live album by the Art Ensemble of Chicago recorded at the Montreux Jazz Festival in 1974 and released on their AECO label in 1978. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut, and Don Moye along with Muhal Richard Abrams.
