Author | Emma Copley Eisenberg |
---|---|
Cover artist | Roger May |
Language | English |
Genre | Nonfiction, True crime, Memoir |
Publisher | Hachette Books |
Publication date | January 21, 2020 |
Publication place | United States |
Media type | Print (hardcover, paperback), Audio |
ISBN | 9780316449236 |
The Third Rainbow Girl: The Long Life of a Double Murder in Appalachia is a non-fiction book by Emma Copley Eisenberg, published January 21, 2020 by Hachette Books. The book follows the investigation of the murders of Vicki Durian and Nancy Santomero and provides commentary on how people in Appalachia are viewed. [1]
The Third Rainbow Girl follows the true story of the murders of Vicki Durian and Nancy Santomero in Pocahontas County, West Virginia in June 1980 when the duo had been hitchhiking to the Rainbow Gathering. Though no one was prosecuted for the "Rainbow Murders" for 13 years, there were many suspected local residents who were "depicted as poor, dangerous, and backward." [1] A local farmer was convicted in 1993 but was released when Joseph Paul Franklin confessed to the crime. Throughout the story's telling, Copley Eisenberg provides insight into the harmful stories told and believed about people who live in Appalachia. She also discusses how "this mysterious murder has loomed over all those affected for generations, shaping their fears, fates, and desires." [1]
In the summer of 2007, Copley Eisenberg lived in Pocahontas County while completing a school internship, an experience she called "really disorienting and really important." [2] During this time, she heard about the Rainbow Murders, as well as the overarching narrative that the locals didn't like two outsiders coming to their town and thus, murdered them. [3] As an outsider herself, the story stuck with her, but parts of it "felt contradictory" to her experience with "a little, loving, connected, interesting community." [3]
The story and her experiences in the county lingered with her, and while she attempted to write fictional stories about the region, they never felt right. [2] She ended up returning, living in the county from the summer of 2009 to the winter of 2011, during which time she served as an AmeriCorps member [2] and worked "as a counselor at a girls’ wilderness and empowerment camp." [4]
Following various events in Charlottesville, Virginia in the mid-2010s, including the Charlottesville car attack, Copley Eisenberg decided she wanted to write about the county using nonfiction and to "be part of a broader conversation that was going on about the South and Appalachia and gender and class and race and sexual violence." [2] She remembered hearing about the Rainbow Murders and upon researching the topic, found "it was written about so poorly with so many of the stereotypes and offensive, really nasty, violent language." [2] From here, the idea developed to discuss the larger issues within the context of these murders.
After drafting the book, Copley Eisenberg asked several people from within Appalachia and from outside of it to review the material to check whether it told the story clearly, correctly, and portrayed Appalachians the way they wish to be portrayed. [2]
Before the book's publication, she had the book professionally fact-checked. [2]
Overall, The Third Rainbow Girl was positively received by critics, [5] with rave reviews from The New York Times Book Review , [6] Booklist , [7] Star Tribune , [8] The Globe and Mail , [9] The Seattle Times , [10] and NPR, [11] [12] as well as positive reviews from Library Journal , [13] Kirkus , [14] Publishers Weekly , [15] Pittsburgh Post-Gazette , [16] On the Seawall, [17] and Bookreporter [18]
Many critics commented on the book's portrayal of modern misogyny and women's fears. NPR's Maureen Corrigan called The Third Rainbow Girl "[a] haunting ... book about restless women and the things that await them on the road." [12] Writing for The New York Times Book Review, Melissa Del Bosque called it "an unflinching interrogation of what it means to be female in a society marred by misogyny." [6]
Critics also discussed how the book aligned with existing genre conventions. On the topic, The Nation's Rachel Monroe said, "The Third Rainbow Girl is part of a new wave of books upending true-crime tropes and pushing at the boundaries of the genre. If this is a book about a murder, it is also a book about the history of economic exploitation in Appalachia, the systemic biases of the criminal justice system, and the unreliability of memory.” [19] Corrigan referred to the book as "hard-to-characterize." [12] Booklist, too, noted that "The book is more than just another true crime memoir; Eisenberg has crafted a beautiful and complicated ode to West Virginia. Exquisitely written, this is a powerful commentary on society’s notions of gender, violence, and rural America. Readers of literary nonfiction will devour this title in one sitting.” [7]
Spectrum Culture gave a negative review, stating, "Copley Eisenberg tries to cram far too many ideas into one narrative, in turn losing the most important thread contained therein." [20]
The New York Times also included the book in its list of notable books released in 2020. [21]
Year | Award | Category | Result | Ref. |
---|---|---|---|---|
2021 | Edgar Awards | Best Fact Crime | Nominee | [22] |
Anthony Award | Novel | Nominee | [23] | |
Lambda Literary Awards | Bisexual Nonfiction | Finalist | [24] |
West Virginia University Press is a university press and publisher in the state of West Virginia. A part of West Virginia University, the press publishes books and journals with a particular emphasis on Appalachian studies, history, higher education, the social sciences, and interdisciplinary books about energy, environment, and resources. The press also has a small but highly regarded program in fiction and creative nonfiction, including Deesha Philyaw's The Secret Lives of Church Ladies, winner of the 2021 PEN/Faulkner Award for Fiction, winner of the Story Prize 2020/21, winner of the Los Angeles Times Art Seidenbaum Award for First Fiction, and a finalist for the National Book Award for Fiction in 2020. John Warner wrote in the Chicago Tribune, "If you are wondering what the odds are of a university press book winning three major awards, being a finalist for a fourth, and going to a series on a premium network, please know that this is the only example." In 2021, another of WVU Press's works of fiction, Jim Lewis's Ghosts of New York, was named a New York Times Notable Book of the Year. WVU Press also collaborates on digital publications, notably West Virginia History: An Open Access Reader.
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The Appalachian region and its people have historically been stereotyped by observers, with the basic perceptions of Appalachians painting them as backwards, rural, and anti-progressive. These widespread, limiting views of Appalachia and its people began to develop in the post-Civil War; Those who "discovered" Appalachia found it to be a very strange environment, and depicted its "otherness" in their writing. These depictions have persisted and are still present in common understandings of Appalachia today, with a particular increase of stereotypical imagery during the late 1950s and early 1960s in sitcoms. Common Appalachian stereotypes include those concerning economics, appearance, and the caricature of the "hillbilly."
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Queer Appalachia began as a zine founded by Gina Mamone for the Appalachian region and the South at large, and transitioned into a larger project allegedly focusing collaboratively on mutual aid. Established in 2016 after the deaths of Bryn Kelly and Amanda Arkansassy Harris, Queer Appalachia distributes its art, writing, and other work through an Instagram account and a publication called Electric Dirt. According to the magazine Esquire, the collective "seeks to unify the queer people of Appalachia by capturing the variety of races, abilities, genders, religions, and addiction statuses of an area that is largely believed to be straight and white".
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Emma Copley Eisenberg is an American queer writer of fiction and nonfiction works. Her first book, The Third Rainbow Girl, was nominated for an Edgar Award, Lambda Literary Award, and Anthony Bouchercon Award.
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