The Valachi Papers | |
---|---|
Directed by | Terence Young |
Screenplay by | Stephen Geller |
Based on | The Valachi Papers by Peter Maas |
Produced by | Dino De Laurentiis |
Starring | Charles Bronson Lino Ventura Joseph Wiseman Jill Ireland Walter Chiari Gerald S. O'Loughlin Amedeo Nazzari |
Cinematography | Aldo Tonti |
Edited by | Johnny Dwyre Monica Finzi |
Music by | Riz Ortolani Armando Trovajoli |
Color process | Technicolor |
Production companies | Dino De Laurentiis Company Euro-France Films |
Distributed by | S.N. Prodis |
Release dates |
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Running time | 125 minutes |
Countries | Italy France |
Languages | English Italian |
Budget | $4.2 million [2] |
Box office | $17,106,087 [3] |
The Valachi Papers is a 1972 neo noir crime film directed by Terence Young. It is an adaptation of the 1968 non-fiction book of the same name by Peter Maas, with a screenplay by Stephen Geller. It tells the story of Joseph Valachi, a Mafia informant in the early 1960s who was the first ever government witness coming from the American Mafia itself. The film stars Charles Bronson as Valachi and Lino Ventura as crime boss Vito Genovese, with Jill Ireland, Walter Chiari, Joseph Wiseman, Gerald S. O'Loughlin, Guido Leontini, Amedeo Nazzari, Fausto Tozzi, Pupella Maggio, and Angelo Infanti.
Joseph Valachi is an aging prisoner in the Atlanta Federal Penitentiary, who was imprisoned for smuggling heroin. The boss of his crime family, Vito Genovese, is imprisoned there as well. Genovese is certain that Valachi is an informant, and gives him the "kiss of death," whereupon Valachi kisses him back. Valachi has also been the focus of an attempted attack in the shower days before, which might have been caused by Genovese.
Valachi mistakenly kills a fellow prisoner, Joseph Saupp, who he wrongly thinks is a mob assassin. Told of the mistake by federal agent Ryan, Valachi becomes an informant, and is then transferred to Quantico to begin telling Ryan all that he knows. He tells his life story in flashbacks, from when he was a young criminal to a gangster associating with bosses such as Salvatore Maranzano. Maranzano initiates Valachi into the Mafia, and then assigns Gaetano Reina to be Valachi's boss. Valachi serves Reina well until the day that Reina is murdered in a drive-by shooting during the Castellammarese War, forcing Valachi to hide out at Reina's house, where he meets and falls in love with Reina's daughter, Maria. At the funeral for Reina, Maranzano consoles Reina's widow by saying "I cannot bring back the dead. I can only kill the living." After the funeral, Joe Masseria--Reina's murderer--is himself killed by 'Lucky' Luciano. Valachi then marries Maria after getting the blessing to do so by her mother.
Valachi's rise in the Mafia is hampered by his poor relations with his capo, Tony Bender. Bender orders the emasculation of Valachi's business partner, Dominick 'Gap' Petrilli, for having relations with Genovese's wife. Valachi shoots Gap to put him out of his misery.
The mayhem and murder continue to the present, with Valachi shown testifying before a Senate committee. He is upset with having to testify and attempts suicide, but in the end (according to information superimposed on the screen) outlives Genovese, who dies in prison.
Producer Dino de Laurentiis acquired rights to the book in 1969. [2] He had to convince Charles Bronson to take the role of Joe Valachi. He reportedly turned it down at least twice before accepting it when he found out the character got to age from his late teens to early 60s. [4] Bronson was also given a three-film contract that guaranteed him $1 million per picture plus a percentage of the gross. [5]
The film was shot in New York City and at De Laurentiis' studios in Rome. [1] Production began on March 20, 1972. [1]
The film shows a 1930s night street scene, 27 minutes into the film, in which numerous 1960s model cars are parked and drive by. In another scene depicted as occurring in the early 1930s, Valachi, eluding police pursuit, drives a car into the East River just north of the Brooklyn Bridge, where the Twin Towers of the World Trade Center are clearly visible against the dawn sky; the Towers were only recently completed when the film was released in 1972.
Paramount, the film's original distributor, had planned to release the film in February 1973, but the premiere date was moved up to capitalize on the popularity of the similarly-themed film The Godfather . [5] Bronson's opinion of Francis Ford Coppola's gangster epic, although he admired Marlon Brando's performance, was "The Godfather? that was the shittiest movie I've ever seen in my entire life." [6] On The Dick Cavett Show however, he called The Godfather a good picture. [7] The film departed from the true story of Joseph Valachi, as recounted in the Peter Maas book, in a number of ways. Though using real names and depicting real events, the film also contained numerous events that were fictionalized. Among them was the castration scene (the mobster in question was ordered killed, not castrated). [5]
The Valachi Papers grossed about $17 million domestically, [3] generating theatrical rentals of $9.3 million. [8]
Reviews were mostly negative, as many critics inevitably compared the film unfavorably to The Godfather. [5] Roger Greenspun of The New York Times wrote, "Often ludicrous and often just dull, Terence Young's 'The Valachi Papers' has the look of a movie project that ran short of ideas before it was finished, and ran out of class almost before it was begun." [9] A positive review in Variety called the film "a hard-hitting, violence-ridden documented melodrama of the underworld" that "carries a fine sweep that immediately projects it as an important crime picture." [10] Roger Ebert of the Chicago Sun-Times gave the film two-and-a-half stars out of four and called it "an ambitious but not inspired movie about the mob." [11] Gene Siskel of the Chicago Tribune awarded two stars out of four and wrote, "Generally, 'The Valachi Papers' tries to cover too many years, and thus provides paper-thin treatment of each event. As a result, the film implies power and violence, but rarely shows it. The visual power of 'The Godfather' has been replaced with meaningless names and dates." [12] Kevin Thomas of the Los Angeles Times dismissed the film as "two hours of relentless tedium, interrupted from time to time by savage violence." [13] Gary Arnold of The Washington Post declared the film "a stiff. It may be possible to make a duller gangster melodrama, but I would hate to sit through the attempt ... It takes considerable ineptitude to produce a gangster movie this enervating." [14] John Raisbeck wrote in The Monthly Film Bulletin , "Inviting inevitable comparisons with The Godfather, Terence Young's film proves markedly, even surprisingly, inferior to Coppola's on every level. Young and his screenwriter Stephen Geller, though faithful in fact to Peter Maas' original document, have simply plodded through a catalogue of events, content to name names but failing to treat the material with any consistency of form or theme." [15]
Joseph Charles Bonanno, sometimes referred to as Joe Bananas, was an Italian-American crime boss of the Bonanno crime family, which he ran from 1931 to 1968.
Carlo Gambino was a Sicilian crime boss who was the leader and namesake of the Gambino crime family of New York City. Following the Apalachin Meeting in 1957, and the imprisonment of Vito Genovese in 1959, Gambino took over the Commission of the American Mafia and played a powerful role in organized crime until his death from a heart attack in 1976. During a criminal career that spanned over fifty years, Gambino served only twenty-two months in prison for a tax evasion charge in 1937.
Salvatore Maranzano, nicknamed Little Caesar, was an Italian-American mobster from the town of Castellammare del Golfo, Sicily, and an early Cosa Nostra boss who led what later would become the Bonanno crime family in New York City. He instigated the Castellammarese War in 1930 to seize control of the American Mafia, winning the war after the murder of rival faction head Joe Masseria in April 1931. He then briefly became the Mafia's capo di tutti capi and formed the Five Families in New York City but was murdered on September 10, 1931, on the orders of Charles "Lucky" Luciano, who established The Commission, in which families shared power to prevent future turf wars.
Frank Costello was an Italian-American crime boss of the Luciano crime family.
Joseph Michael Valachi was an American mobster in the Genovese crime family who was the first member of the Italian-American Mafia to acknowledge its existence publicly in 1963. He is credited with the popularization of the term cosa nostra.
Giuseppe "Joe the Boss" Masseria was an early Italian-American Mafia boss in New York City. He was boss of what is now called the Genovese crime family, one of the New York City Mafia's Five Families, from 1922 to 1931. In 1930, he battled in the Castellammarese War to take over the criminal activities in New York City. The war ended with his murder on April 15, 1931, in a hit ordered by his own lieutenant, Charles "Lucky" Luciano, in an agreement with rival faction head Salvatore Maranzano.
Joseph Anthony Doto, known as Joe Adonis, was an Italian-American mobster who was an important participant in the formation of the modern Cosa Nostra crime families in New York City and the National Crime Syndicate. Doto became a powerful caporegime in the Luciano crime family.
Vito Genovese was an Italian-born American mobster of the American Mafia. A childhood friend and criminal associate of the legendary Lucky Luciano, Genovese took part in the Castellammarese War and helped Luciano shape the new American Mafia's rise as a major force in organized crime in the United States. He would later lead Luciano's crime family, which would in 1957 be renamed by the FBI as the Genovese Crime Family after its then boss Vito.
The Castellammarese War was a bloody power struggle for control of the American Mafia between partisans of Joe "The Boss" Masseria and Salvatore Maranzano that took place in New York City from February 1930, until April 15, 1931. The feud was named after the Sicilian town of Castellammare del Golfo, Maranzano's birthplace.
The Genovese crime family, also sometimes referred to as the Westside, is an Italian-American Mafia crime family and one of the "Five Families" that dominate organized crime activities in New York City and New Jersey as part of the American Mafia. The Genovese family has generally maintained a varying degree of influence over many of the smaller mob families outside New York, including ties with the Philadelphia, Cleveland, Patriarca, and Buffalo crime families.
Manfredi "Al" or "Alfred" Mineo was an Italian American mobster, who headed a strong American Mafia crime family during the Castellammarese War. Mineo's organization would eventually become the present-day Gambino crime family.
The Five Families refer to five Italian American Mafia crime families that operate in New York City. In 1931, the five families were organized by Salvatore Maranzano following his victory in the Castellammarese War. Maranzano reorganized the Italian American gangs in New York City into the Maranzano, Profaci, Mangano, Luciano, and Gagliano families, which are now known as the Bonanno, Colombo, Gambino, Genovese, and Lucchese families, respectively. Each family had a demarcated territory and an organizationally structured hierarchy and reported to the same overarching governing entity.
Thomas Gaetano Lucchese, sometimes known by the nicknames "Tommy", "Thomas Luckese", "Tommy Brown" or "Tommy Three-Finger Brown", was an Italian-American gangster and founding member of the Mafia in the United States, an offshoot of the Cosa Nostra in Sicily. From 1951 until 1967, he was the boss of the Lucchese crime family, one of the Five Families that dominate organized crime in New York City.
Stefano Ferrigno was an American mobster of Sicilian origin who led an important Italian criminal gang in the 1920s. Ferrigno was murdered along with Alfred Mineo during the so-called Castellammarese War.
Buster from Chicago was a pseudonym used for a mobster and freelance hitman of the 1930s. He is alleged to have played a key role in the Castellammarese War (1929–1931) as the assassin of Giuseppe Morello and others. Some claim that Buster was gangster Sebastiano Domingo (1910–1933), notably Bill Bonanno, the son of Bonanno crime family leader Joseph Bonanno, who participated in the War. Others charge that Buster is a character created by Joe Valachi to evade his responsibility for various killings.
Anthony C. Strollo, also known as "Tony Bender", was a New York mobster who served as a high-ranking capo and underboss of the Genovese crime family for several decades.
Gaetano Reina was an Italian-American gangster. He was an early American Mafia boss who was the founder of what has for many years been called the Lucchese crime family in New York City. He led the family until his murder on February 26, 1930, on the orders of Joe Masseria.
The Valachi hearings, also known as the McClellan hearings, investigated organized crime activities across the United States. The hearings were initiated by Arkansas Senator John L. McClellan in 1963. Named after the major government witness against the American Mafia, foot soldier and made man Joseph Valachi, the trial exposed American organized crime to the world through Valachi's televised testimony. At the trial, Valachi was the first member of the Italian-American Mafia to acknowledge its existence publicly, and is credited with popularization of the term cosa nostra. The trial also exposed the hierarchy of the American Mafia, including the Five Families and The Commission.
The Lucchese crime family is an Italian-American Mafia crime family and one of the "Five Families" that dominate organized crime activities in New York City, within the nationwide criminal phenomenon known as the American Mafia. Members refer to the organization as the Lucchese borgata; borgata is Mafia slang for criminal gang, which itself was derived from a Sicilian word meaning close-knit community. The members of other crime families sometimes refer to Lucchese family members as "Lukes".
The kiss of death is the sign given by a mafioso boss or caporegime that signifies that a member of the crime family has been marked for death, usually as a result of some perceived betrayal. It is unclear how much is based on fact and how much on the imagination of authors, but it remains a cultural meme and appears in literature and films. Illustrative is the scene in the film The Valachi Papers when Vito Genovese gives the kiss of death to Joe Valachi to inform him that his betrayal of "the family" is known, and that he will be executed.