Michael Latham Powell was an English filmmaker, celebrated for his partnership with Emeric Pressburger. Through their production company The Archers, they together wrote, produced and directed a series of classic British films, notably The Life and Death of Colonel Blimp (1943), A Canterbury Tale (1944), I Know Where I'm Going! (1945), A Matter of Life and Death, Black Narcissus (1947), The Red Shoes (1948) and The Tales of Hoffmann (1951).
The Battle of the River Plate is a 1956 British war film in Technicolor and VistaVision by the writer-director-producer team of Michael Powell and Emeric Pressburger. The film stars John Gregson, Anthony Quayle, Bernard Lee and Peter Finch. It was distributed worldwide by Rank Film Distributors Ltd.
Emeric Pressburger was a Hungarian-British screenwriter, film director, and producer. He is best known for his series of film collaborations with Michael Powell, in a collaboration partnership known as the Archers, and produced a series of films, including 49th Parallel, The Life and Death of Colonel Blimp (1943), A Matter of Life and Death, Black Narcissus (1947), The Red Shoes (1948), and The Tales of Hoffmann (1951).
A Matter of Life and Death is a 1946 British fantasy-romance film set in England during World War II.
The Life and Death of Colonel Blimp is a 1943 British romantic-war film written, produced and directed by the British film-making team of Michael Powell and Emeric Pressburger. It stars Roger Livesey, Deborah Kerr and Anton Walbrook. The title derives from the satirical Colonel Blimp comic strip by David Low, but the story is original. Although the film is strongly pro-British, it is a satire on the British Army, especially its leadership. It suggests that Britain faced the option of following traditional notions of honourable warfare or to "fight dirty" in the face of such an evil enemy as Nazi Germany.
The British film-making partnership of Michael Powell (1905–1990) and Emeric Pressburger (1902–1988)—together often known as The Archers, the name of their production company—made a series of influential films in the 1940s and 1950s. Their collaborations—24 films between 1939 and 1972—were mainly derived from original stories by Pressburger with the script written by both Pressburger and Powell. Powell did most of the directing while Pressburger did most of the work of the producer and also assisted with the editing, especially the way the music was used. Unusually, the pair shared a writer-director-producer credit for most of their films. The best-known of these are The Life and Death of Colonel Blimp (1943), A Canterbury Tale (1944), I Know Where I'm Going! (1945), A Matter of Life and Death (1946), Black Narcissus (1947), The Red Shoes (1948), and The Tales of Hoffmann (1951).
The Spy in Black is a 1939 British film, and the first collaboration between the British filmmakers Michael Powell and Emeric Pressburger. They were brought together by Alexander Korda to make the World War I spy thriller novel of the same title by Joseph Storer Clouston into a film. Powell and Pressburger eventually made over 20 films during the course of their partnership.
Contraband is a 1940 wartime spy film by the British director-writer team of Michael Powell and Emeric Pressburger, which reunited stars Conrad Veidt and Valerie Hobson after their earlier appearance in The Spy in Black the previous year. On this occasion, Veidt plays a hero, something he did not do very often, and there is also an early (uncredited) performance by Leo Genn.
49th Parallel is a 1941 British war drama film, the third made by the team of Michael Powell and Emeric Pressburger. It was released in the United States as The Invaders.
Ill Met by Moonlight (1957), released in the US as Night Ambush, is a film by the British writer-director-producer team of Michael Powell and Emeric Pressburger, and the last movie they made together through their production company "The Archers". The film, which stars Dirk Bogarde and features Marius Goring, David Oxley, and Cyril Cusack, is based on the 1950 book Ill Met by Moonlight: The Abduction of General Kreipe by W. Stanley Moss, which is an account of events during the author's service on Crete during World War II as an agent of the Special Operations Executive (SOE). The title is a quotation from Shakespeare's A Midsummer Night's Dream, and the book features the young agents' capture and evacuation of the German general Heinrich Kreipe.
The Boy Who Turned Yellow (1972) is the last film collaboration by the British filmmakers Michael Powell and Emeric Pressburger, and the last theatrical feature to be written by Emeric Pressburger or directed by Michael Powell. The film was made for the Children's Film Foundation.
Twice Upon a Time is a 1953 British comedy film directed by Emeric Pressburger and starring Hugh Williams, Elizabeth Allan, Yolande Larthe, and Charmian Larthe. It is based on the 1949 novel Lisa and Lottie by Erich Kästner.
Arthur Lawson (1908–1970) was a British art director. He had a long association with film directors Michael Powell and Emeric Pressburger, beginning in 1943 when he was floor manager on The Life and Death of Colonel Blimp. Three years later, when Powell and Pressburger, also known as The Archers, made A Matter of Life and Death (1946), Lawson had graduated to assistant art director.
The Lion Has Wings is a 1939 British, black-and-white, documentary-style, propaganda war film that was directed by Adrian Brunel, Brian Desmond Hurst, Alexander Korda and Michael Powell. The film was produced by London Film Productions and Alexander Korda Film Productions and 'was preparing the nation [for war] and shining a light on the power of the RAF'.
Józef Żmigrod, better known by his stage name Allan Gray, was a Polish composer active in the UK film industry from the late 1930s until the mid 1950s.
Miracle in Soho is a 1957 British drama film directed by Julian Amyes and starring John Gregson, Belinda Lee and Cyril Cusack. It was written by Emeric Pressburger. The film depicts the lives of the inhabitants of a small street in Soho and the romance between a local road-builder and the daughter of Italian immigrants.
Ian Christie is a British film scholar. He has written several books including studies of the works of Michael Powell and Emeric Pressburger, Martin Scorsese and the development of cinema. He is a regular contributor to Sight & Sound magazine and a frequent broadcaster. Christie is Professor of Film and Media History at Birkbeck, University of London.
Walter Percy Day O.B.E. (1878–1965) was a British painter best remembered for his work as a matte artist and special effects technician in the film industry. Professional names include W. Percy Day; Percy Day; "Pop" or "Poppa" Day, owing to his collaboration with sons Arthur George Day (1909–1952) draughtsman, Thomas Sydney Day (1912–1985), stills photographer and cameraman, and stepson, Peter Ellenshaw, who also worked in this field.
Fred Daniels was an English pioneer of still photography in the film industry and recognised by the BFI. Daniels was the first portrait photographer to popularise Powell and Pressburger and created stylised photographs that were developed into publicity material. In a effort to retain creative freedom Daniels maintained copyright of his work and developed hand printed photographs from his small studio. These were often signed works. His portraits will be forever linked to Powell and Pressburger.
Charles Orme was a British film producer. He worked regularly with Powell & Pressburger, Ralph Thomas, Basil Dearden and John Boorman. He has over 50 credits on a number of classics including The 39 Steps (1959), Khartoum (1966), Deliverance (1972), The Man with the Golden Gun (1974) and The Omen (1976). He was an original member of the multiple-award-winning Powell & Pressburger production team known as The Archers. He was a production assistant, production manager and assistant director on many of their classic productions, including The Red Shoes (1948), The Small Back Room (1949), Gone to Earth (1950) and The Elusive Pimpernel (1950), The Tales of Hoffmann (1951), Oh... Rosalinda!! (1955), The Battle of the River Plate (1956) and Ill Met by Moonlight (1957).
