Walter Bishop Jr. was an American jazz pianist.
The Complete Reprise Studio Recordings is a 1995 box set album by the American singer Frank Sinatra. The release coincided with Sinatra's 80th birthday celebration.
Tell It the Way It Is! is an album recorded in 1963 by saxophonist Paul Gonsalves. He is joined by Johnny Hodges and Ray Nance, both members of the Duke Ellington Orchestra, pianist Walter Bishop Jr., and trumpeter Rolf Ericson.
Harold Vick was an American jazz saxophonist and flutist.
Intensity is a 1960 jazz album by saxophonist Art Pepper playing with Dolo Coker, Jimmy Bond, and Frank Butler. The album was released in 1963.
Hollywood – My Way is a studio album by Nancy Wilson issued in July 1963 on Capitol Records. The album rose to No. 11 on the Billboard 200 chart.
Time Remembered is a live album by jazz pianist Bill Evans with Chuck Israels and Larry Bunker partially recorded at the Shelly Manne's club in Hollywood, California in May 1963, but not released until 1983 on the Milestone label as a 16-track double LP. It would be later reissued on CD in 1999, with only 13 tracks. The trio performances were recorded at the same sessions that produced At Shelly's Manne-Hole (1963) and were first released on Bill Evans: The Complete Riverside Recordings (1984). The four solo performances were recorded in a separate session in April 1962 in New York City. "Some Other Time" was recorded in December 1958, in New York City.
Live at the Blue Note is a live album by American pianist, composer and bandleader Duke Ellington recorded at The Blue Note nightclub in Chicago for the Roulette label in 1959.
Down Home is the third album by the double bass player and cellist Sam Jones, recorded in 1962 and released on the Riverside label.
Jug is an album by saxophonist Gene Ammons recorded in 1961 and released on the Prestige label.
Late Hour Special is an album by saxophonist Gene Ammons compiling sessions recorded in 1961 and 1962 and released on the Prestige label in 1964.
Most Much! is an album by saxophonist Jimmy Forrest recorded in 1961 and released on the Prestige label.
Baby, Baby, Baby is an album by blues vocalist Jimmy Witherspoon which was recorded in 1963 and released on the Prestige label. The title track, "Baby Baby Baby" with music by Jerry Livingston and lyrics by Mack David, was written in 1950 but first sung by Teresa Brewer in the film Those Redheads from Seattle (1953), and then became title track of the album Baby, Baby, Baby by Mindy Carson.
Something Nice is an album by jazz vocalist Etta Jones which was recorded in late 1960 and early 1961 and released on the Prestige label.
Lonely and Blue is an album by jazz vocalist Etta Jones which was recorded in 1962 and released on the Prestige label.
Love Shout is an album by jazz vocalist Etta Jones which was recorded in late 1962 and early 1963 and released on the Prestige label.
Bish Bash is an album by pianist Walter Bishop Jr. that was recorded in 1964 and 1968 and released on the Xanadu label.
Blue Rabbit is an album by American jazz saxophonist Johnny Hodges and organist Wild Bill Davis featuring performances recorded in 1963 and 1964 and released on the Verve label.
Things Ain't What They Used to Be is an album by the First Annual Prestige Swing Festival featuring two all-star groups, one including Coleman Hawkins, Hilton Jefferson, Jimmy Hamilton and Joe Newman and the other led by Al Sears with Buddy Tate, Pee Wee Russell and Joe Thomas which was recorded in 1961 and first released on the Swingville label as a double album before being reissued as two single discs with Hawkins name prominently displayed; Things Ain't What They Used to Be and Years Ago. All tracks were also reissued as Jam Session in Swingville which was credited to Hawkins and Russell.
Thank You for Everything is a studio album by American jazz vocalist Johnny Hartman, released in 1998 by Audiophile Records. The material was originally recorded in mid-1976 for two episodes of Alec Wilder's National Public Radio series entitled American Popular Song. Each episode focused on one composer, and Hartman chose works by Billy Strayhorn and Cole Porter. Most of the songs from the two episodes are included on Thank You for Everything and marked the first time they had been commercially released.
