The Wedding of Sir Gawain and Dame Ragnelle (The Weddynge of Syr Gawen and Dame Ragnell) is a 15th-century English poem, one of several versions of the "loathly lady" story popular during the Middle Ages. An earlier version of the story appears as "The Wyfe of Bayths Tale" ("The Wife of Bath's Tale") in Geoffrey Chaucer's The Canterbury Tales , [1] and the later ballad "The Marriage of Sir Gawain" is essentially a retelling, though its relationship to the medieval poem is uncertain. [2] The author's name is not known, but similarities to Le Morte d'Arthur have led to the suggestion that the poem may have been written by Sir Thomas Malory. [3] [4]
Stories about the Arthurian court were popular in medieval England, and the worn condition of some of the manuscripts suggests that they were well read. The Ragnelle narrative may have been intended for a festive or less than serious audience. Thomas Garbáty sees the poem as a humorous parody of the Arthurian legend, where Arthur is cowed by both the challenging knight and Ragnelle, "passing the buck" to Gawain. [5] The Wedding of Sir Gawain survives in a poorly copied 16th-century manuscript located in the Bodleian Library (Bodleian 11951, formerly Rawlinson C. 86) [6] though it was probably written in the 15th century. [7]
The story begins when the mystical knight Sir Gromer Somer Joure challenges King Arthur to discover what women desire the most, or face dire consequences. This encounter takes place following the stalking of a deer by the king in Inglewood Forest, a setting that in other Middle English Arthurian poems such as The Awntyrs off Arthure and Sir Gawain and the Carle of Carlisle , is a haunted forest and a place where the Otherworld is near at hand. [8] The king, on his own instructions, becomes separated from the rest of his hunting party, follows the deer, kills it and is then surprised by the arrival of an armed knight, Sir Gromer Somer Joure, whose lands, this knight claims, have been seized from him by Sir Gawain. King Arthur is alone and unarmed and Sir Gromer's arrival poses a real threat to him. Sir Gromer tells the king that he must return in exactly one year's time, alone and dressed as he is now, and give him the answer to a question he will ask. If the king fails to give a satisfactory answer, Sir Gromer will cut off his head. The question is this: what is it that women most desire?
King Arthur returns to Carlisle with his knights and it is not long before Sir Gawain pries from his uncle the reason for his sudden melancholy. King Arthur explains to his nephew what happened to him in the forest and Sir Gawain, optimistically upbeat, suggests that they both ride about the country collecting answers to this tricky question. So they both do this, riding separately about the kingdom and writing down the answers they receive. When they return, they compare notes.
Sir Gawain is still willing, but King Arthur senses the hopelessness of it all and decides to go once more into Inglewood Forest to look for inspiration. In the forest he encounters an ugly hag on a fine horse, a loathly lady who claims to know the king's problem and offers to give him the answer to this question that will save his life, on one condition: that she is allowed to marry Sir Gawain. The king returns to Carlisle and reluctantly confronts Sir Gawain with this dilemma; for he is sure that his nephew will be willing to sacrifice himself in order to save him. Gawain selflessly consents in order to save his uncle. Soon, King Arthur rides alone into the forest to fulfill his promise to Sir Gromer Somer Joure and quickly meets with Dame Ragnelle, who is, in fact, Sir Gromer's sister and who reminds King Arthur of the hopelessness of his task:
King Arthur tells her that Sir Gawain accepts her terms and she reveals to him that what women desire most is sovereynté over men. With this answer King Arthur wins Gromer's challenge, and much to his despair, the wedding of Gawain and Ragnelle goes ahead as planned.
Later, the newlyweds retire to their bedroom. After brief hesitation, Gawain assents to treat his new bride as he would if she were desirable, and go to bed with her as a dutiful husband is expected to do. However, when he looks up, he is astonished to see not an ugly hag, but the most beautiful woman he has ever seen standing before him. Ragnelle explains she had been under a spell to look like a hag until a good knight married her; now her looks will be restored, but only half the day. She gives him a choice—would he rather have her beautiful at night, when they are together, or during the day, when they are with others? Instead, his heart swells with love and he allows her to make the choice herself. This answer lifts the curse for good, and Ragnelle's beauty returns permanently.
The couple live happily, and the court is overjoyed when they hear Ragnelle's story. Sadly, Ragnelle lives for only five more years, after which Gawain mourns her for the rest of his life. According to the poem, Ragnelle bore Gawain his son Gingalain, who is the hero of his own romance and whose arrival at King Arthur's court and subsequent adventures are related, possibly by Thomas Chestre, in the Middle English version of the story of The Fair Unknown, or Lybeaus Desconus [10] (although in this and most other versions of the story, Gingalain's mother is a fay who raises him ignorant of his father). [11] The poem concludes with the poet's plea that God will help him get out of jail, leading P.J.C. Field to suggest that the poem may have been written by Sir Thomas Malory. [12]
"The Wedding of Sir Gawain and Dame Ragnelle" was most likely written after Geoffrey Chaucer's "The Wife of Bath's Tale", one of The Canterbury Tales . The differences between the two almost identical plots lead scholars to believe that the poem is a parody of the romantic medieval tradition. The physical characteristics of Dame Ragnelle are exaggerated in comparison to the earlier text. Other characters, such as Sir Gawain and King Arthur, are portrayed as very stylized stereotypes of themselves. [13] [14]
There are many references to aristocratic practices which seem to indicate the author's overall distaste for them. For example, Dame Ragnelle behaves appallingly at the Wedding feast, offending the onlookers; however, because she is now married to a knight, she must be considered better than the population regardless of her atrocious manners. Also, when King Arthur is presented with the challenge by Sir Gromer, it is expected that a knight should take on the mission for him. In other Arthurian stories, the challenge often involves danger or threat to the king, but this instance seems like a silly task to delegate, although the king's life is still at stake if the correct answer is not found. The other most prominent ritual is the spoken oath. The author lends a more approving tone to the notion of using a spoken word as a trustworthy contract. Throughout the story, everyone remains good to their word, and nothing bad comes of it. Perhaps the author used this as a contrast to indicate that, while most social practices were ridiculous, it was appropriate to keep the useful ones. [15]
Another major theme in the poem is the reversal of stereotypical gender roles. Because Dame Ragnelle is a hag with no manners, she falls out of the expected female role. While Gromer is attempting to regain control of the land that he claims should be his, Dame Ragnelle simply circumvents the system. She strategizes with Gawain to marry into a more desired class with a title, at which point she no longer needs to regain her family's land which would have gone straight to the male heir, Gromer, regardless. Ragnelle's power over others and in society generally increase through the poem. [16]
Sir Thomas Malory was an English writer, the author of Le Morte d'Arthur, the classic English-language chronicle of the Arthurian legend, compiled and in most cases translated from French sources. The most popular version of Le Morte d'Arthur was published by the famed London printer William Caxton in 1485. Much of Malory's life history is obscure, but he identified himself as a "knight prisoner", apparently reflecting that he was either a criminal, a prisoner-of-war, or suffering some other type of confinement. Malory's identity has never been confirmed. Since modern scholars began researching his identity the most widely accepted candidate has been Sir Thomas Malory of Newbold Revel in Warwickshire, who was imprisoned at various times for criminal acts and possibly also for political reasons during the Wars of the Roses. Recent work by Cecelia Lampp Linton, however, presents new evidence in support of Thomas Malory of Hutton Conyers, Yorkshire.
Guinevere, also often written in Modern English as Guenevere or Guenever, was, according to Arthurian legend, an early-medieval queen of Great Britain and the wife of King Arthur. First mentioned in popular literature in the early 12th century, nearly 700 years after the purported times of Arthur, Guinevere has since been portrayed as everything from a fatally flawed, villainous, and opportunistic traitor to a noble and virtuous lady. Many records of the legend also feature the variably recounted story of her abduction and rescue as a major part of the tale.
Gawain, also known in many other forms and spellings, is a character in Arthurian legend, in which he is King Arthur's nephew and one of the premier Knights of the Round Table. The prototype of Gawain is mentioned under the name Gwalchmei in the earliest Welsh sources. He has subsequently appeared in many Arthurian tales in Welsh, Latin, French, English, Scottish, Dutch, German, Spanish, and Italian, notably as the protagonist of the Middle English poem Sir Gawain and the Green Knight. Other works featuring Gawain as their central character include De Ortu Waluuanii, Diu Crône, Ywain and Gawain, Golagros and Gawane, Sir Gawain and the Carle of Carlisle, L'âtre périlleux, La Mule sans frein, La Vengeance Raguidel, Le Chevalier à l'épée, Le Livre d'Artus, The Awntyrs off Arthure, The Greene Knight, and The Weddynge of Syr Gawen and Dame Ragnell.
Lancelot du Lac, alternatively written as Launcelot and other variants, is a popular character in Arthurian legend's chivalric romance tradition. He is typically depicted as King Arthur's close companion and one of the greatest Knights of the Round Table, as well as a secret lover of Arthur's wife, Guinevere.
The Knights of the Round Table are the legendary knights of the fellowship of King Arthur that first appeared in the Matter of Britain literature in the mid-12th century. The Knights are an order dedicated to ensuring the peace of Arthur's kingdom following an early warring period, entrusted in later years to undergo a mystical quest for the Holy Grail. The Round Table at which they meet is a symbol of the equality of its members, who range from sovereign royals to minor nobles.
Morgan le Fay, alternatively known as Morgan[n]a, Morgain[a/e], Morgant[e], Morg[a]ne, Morgayn[e], Morgein[e], and Morgue[in] among other names and spellings, is a powerful and ambiguous enchantress from the legend of King Arthur, in which most often she and he are siblings. Early appearances of Morgan in Arthurian literature do not elaborate her character beyond her role as a goddess, a fay, a witch, or a sorceress, generally benevolent and connected to Arthur as his magical saviour and protector. Her prominence increased as the legend of Arthur developed over time, as did her moral ambivalence, and in some texts there is an evolutionary transformation of her to an antagonist, particularly as portrayed in cyclical prose such as the Lancelot-Grail and the Post-Vulgate Cycle. A significant aspect in many of Morgan's medieval and later iterations is the unpredictable duality of her nature, with potential for both good and evil.
Le Morte d'Arthur is a 15th-century Middle English prose reworking by Sir Thomas Malory of tales about the legendary King Arthur, Guinevere, Lancelot, Merlin and the Knights of the Round Table, along with their respective folklore. In order to tell a "complete" story of Arthur from his conception to his death, Malory compiled, rearranged, interpreted and modified material from various French and English sources. Today, this is one of the best-known works of Arthurian literature. Many authors since the 19th-century revival of the legend have used Malory as their principal source.
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Gaheris is a Knight of the Round Table in the chivalric romance tradition of Arthurian legend. A nephew of King Arthur, Gaheris is the third son of Arthur's sister or half-sister Morgause and her husband Lot, King of Orkney and Lothian. He is the younger brother of Gawain and Agravain, the older brother of Gareth, and half-brother of Mordred. His figure may have been originally derived from that of a brother of Gawain in the early Welsh tradition and then later split into a separate character of another brother, today best known as Gareth. German poetry also described him as Gawain's cousin instead of brother.
Agravain is a Knight of the Round Table in Arthurian legend, whose first known appearance is in the works of Chrétien de Troyes. He is the second eldest son of King Lot of Orkney with one of King Arthur's sisters known as Anna or Morgause, thus nephew of King Arthur, and brother to Sir Gawain, Gaheris, and Gareth, as well as half-brother to Mordred. Agravain secretly makes attempts on the life of his hated brother Gaheris starting in the Vulgate Cycle, participates in the slayings of Lamorak and Palamedes in the Post-Vulgate Cycle, and murders Dinadan in the Prose Tristan. In the French prose cycle tradition included in Thomas Malory's Le Morte d'Arthur, together with Mordred, he then plays a leading role by exposing his aunt Guinevere's affair with Lancelot, which leads to his death at Lancelot's hand.
Perceval, the Story of the Grail is the unfinished fifth verse romance by Chrétien de Troyes, written by him in Old French in the late 12th century. Later authors added 54,000 more lines to the original 9,000 in what are known collectively as the Four Continuations, as well as other related texts. Perceval is the earliest recorded account of what was to become the Quest for the Holy Grail but describes only a golden grail in the central scene, does not call it "holy" and treats a lance, appearing at the same time, as equally significant. Besides the eponymous tale of the grail and the young knight Perceval, the poem and its continuations also tell of the adventures of Gawain and some other knights of King Arthur.
Balinthe Savage, also known as the Knight with the Two Swords, is a character in the Arthurian legend. Like Galahad, Balin is a late addition to the medieval Arthurian world. His story, as told by Thomas Malory in Le Morte d'Arthur, is based upon that told in the continuation of the second book of the Post-Vulgate cycle of legend, the Suite du Merlin.
The loathly lady, is a tale type commonly used in medieval literature, most famously in Geoffrey Chaucer's The Wife of Bath's Tale. The motif is that of a woman who appears unattractive but undergoes a transformation upon being approached by a man in spite of her unattractiveness, becoming extremely desirable. It is then revealed that her ugliness was the result of a curse which was broken by the hero's action.
"The Marriage of Sir Gawain" is an English Arthurian ballad, collected as Child Ballad 31. Found in the Percy Folio, it is a fragmented account of the story of Sir Gawain and the loathly lady, which has been preserved in fuller form in the medieval poem The Wedding of Sir Gawain and Dame Ragnelle. The loathly lady episode itself dates at least back to Geoffrey Chaucer's "Wife of Bath's Tale" from The Canterbury Tales. Unlike most of the Child Ballads, but like the Arthurian "King Arthur and King Cornwall" and "The Boy and the Mantle", "The Marriage of Sir Gawain" is not a folk ballad but a song for professional minstrels.
In some versions of Arthurian legend, Lynette is a haughty noble lady who travels to King Arthur's court seeking help for her beautiful sister Lyonesse, whose lands are besieged by the Red Knight. The young Gareth picks up the quest, eventually marrying Lyonesse, while Lynette becomes the lady of his brother Gaheris.
King Arthur and King Cornwall is an English ballad surviving in fragmentary form in the 17th-century Percy Folio manuscript. An Arthurian story, it was collected by Francis James Child as Child Ballad 30. Unlike other Child Ballads, but like the Arthurian "The Boy and the Mantle" and "The Marriage of Sir Gawain", it is not a folk ballad but a professional minstrel's song. It is notable for containing the Green Knight, a character known from the medieval poems The Greene Knight and the more famous Sir Gawain and the Green Knight; he appears as "Bredbeddle", the character's name in The Greene Knight.
Sir Gawain and the Carle of Carlisle is a Middle English tail-rhyme romance of 660 lines, composed in about 1400. A similar story is told in a 17th-century minstrel piece found in the Percy Folio and known as The Carle of Carlisle. These are two of a number of early English poems that feature the Arthurian hero Sir Gawain, the nephew of King Arthur, in his English role as a knight of the Round Table renowned for his valour and, particularly, for his courtesy.
Sir Perceval of Galles is a Middle English Arthurian verse romance whose protagonist, Sir Perceval (Percival), first appeared in medieval literature in Chrétien de Troyes' final poem, the 12th-century Old French Conte del Graal, well over one hundred years before the composition of this work. Sir Perceval of Galles was probably written in the northeast Midlands of England in the early 14th century, and tells a markedly different story to either Chretien's tale or to Robert de Boron's early 13th-century Perceval. Found in only a single manuscript, and told with a comic liveliness, it omits any mention of a graal or a Grail.
Gawen is a masculine given name and a surname. It may refer to: