The Tale of Melibee

Last updated

"The Tale of Melibee" (also called "The Tale of Melibeus") is one of The Canterbury Tales by Geoffrey Chaucer.

Contents

This is the second tale in the collection told by Chaucer himself. After being interrupted by the host Harry Bailly and reprimanded for the poor quality of his first story, Sir Thopas, which was compared to a turd, Chaucer launches into one of the longest and some would say most boring of all the tales. Complaining of Sir Thopas's lewedness, Bailly requests a prose tale with doctryne. In response, Chaucer tells The Tale of Melibee, which is exactly that. Bailly, seemingly pleased with this tale, says he wishes his wife had heard it as she might learn something from Dame Prudence.

The tale is a translation of the Livre de Melibée et de Dame Prudence by Renaud de Louens. Renaud's work itself is a very loose translation of Liber consolationis et consilii by Albertanus of Brescia, suggesting the tale's popularity. The tale's length has resulted in its omission in some modern English editions, such as Nevill Coghill's translation.

Plot

The story concerns Melibee who is away one day when three enemies break into his house, beat his wife Dame Prudence, and attack his daughter, leaving her for dead. The tale then proceeds as a long debate mainly between Melibee and his wife on what actions to take and how to seek redress from his enemies. His wife, as her name suggests, counsels prudence and chides him for his rash opinions. The discussion uses many proverbs and quotes from learned authorities and the Bible as each make their points. [1] Dame Prudence's discussion of marriage mirrors those of the Wife of Bath and the wife in "The Shipman's Tale". [2]

Style

Melibee is a long tale, light on plot and told in "workman-like prose". As such, it has been largely ignored by critics and has a reputation for being boring. [3] :216–18

Melibee, and Thopas before it, form a self-referential joke; Chaucer was already a well-known poet by the time he wrote The Canterbury Tales, but Chaucer-the-character's two submissions to Harry Bailly's contest are a doggerel poem and an inelegant prose tale, neither of which seem appropriate for a poet of Chaucer's skill and renown. [3] :217 Chaucer uses similar self-deprecating humour in House of Fame .

Themes

The tale is a serious and philosophical take on "civic violence and its management", which would have had particular importance for Chaucer and his audience, given the deadly political turmoil of London in the late fourteenth century. [3] :216–18

Related Research Articles

<i>The Canterbury Tales</i> Story collection by Geoffrey Chaucer

The Canterbury Tales is a collection of twenty-four stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387 and 1400. It is widely regarded as Chaucer's magnum opus. The tales are presented as part of a story-telling contest by a group of pilgrims as they travel together from London to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the Tabard Inn at Southwark on their return.

<span class="mw-page-title-main">Geoffrey Chaucer</span> English poet and author (c. 1340s – 1400)

Geoffrey Chaucer was an English poet, author, and civil servant best known for The Canterbury Tales. He has been called the "father of English literature", or, alternatively, the "father of English poetry". He was the first writer to be buried in what has since come to be called Poets' Corner, in Westminster Abbey. Chaucer also gained fame as a philosopher and astronomer, composing the scientific A Treatise on the Astrolabe for his 10-year-old son, Lewis. He maintained a career in the civil service as a bureaucrat, courtier, diplomat, and member of parliament.

<span class="mw-page-title-main">The Knight's Tale</span> Part of the Canterbury Tales

"The Knight's Tale" is the first tale from Geoffrey Chaucer's The Canterbury Tales.

<span class="mw-page-title-main">The Wife of Bath's Tale</span> Part of the Canterbury Tales

"The Wife of Bath's Tale" is among the best-known of Geoffrey Chaucer's Canterbury Tales. It provides insight into the role of women in the Late Middle Ages and was probably of interest to Chaucer himself, for the character is one of his most developed ones, with her Prologue twice as long as her Tale. He also goes so far as to describe two sets of clothing for her in his General Prologue. She holds her own among the bickering pilgrims, and evidence in the manuscripts suggests that although she was first assigned a different, plainer tale—perhaps the one told by the Shipman—she received her present tale as her significance increased. She calls herself both Alyson and Alys in the prologue, but to confuse matters these are also the names of her 'gossib', whom she mentions several times, as well as many female characters throughout The Canterbury Tales.

<span class="mw-page-title-main">Breton lai</span> Short, rhymed tales of love and chivalry

A Breton lai, also known as a narrative lay or simply a lay, is a form of medieval French and English romance literature. Lais are short, rhymed tales of love and chivalry, often involving supernatural and fairy-world Celtic motifs. The word "lay" or "lai" is thought to be derived from the Old High German and/or Old Middle German leich, which means play, melody, or song, or as suggested by Jack Zipes in The Oxford Companion to Fairy Tales, the Irish word laid (song).

The Hengwrt Chaucer manuscript is an early-15th-century manuscript of the Canterbury Tales, held in the National Library of Wales, in Aberystwyth. It is an important source for Chaucer's text, and was possibly written by someone with access to an original authorial holograph, now lost.

<span class="mw-page-title-main">The Nun's Priest's Tale</span> Part of the Canterbury Tales

"The Nun's Priest's Tale" is one of The Canterbury Tales by the Middle English poet Geoffrey Chaucer. Composed in the 1390s, it is a beast fable and mock epic based on an incident in the Reynard cycle. The story of Chanticleer and the Fox became further popularised in Britain through this means.

<span class="mw-page-title-main">The Man of Law's Tale</span> Part of the Canterbury Tales

"The Man of Law's Tale" is the fifth of the Canterbury Tales by Geoffrey Chaucer, written around 1387. John Gower's "Tale of Constance" in Confessio Amantis tells the same story and may have been a source for Chaucer. Nicholas Trivet's Les chronicles was a source for both authors.

"Sir Thopas" is one of The Canterbury Tales by Geoffrey Chaucer, published in 1387. The tale is one of two—together with The Tale of Melibee—told by the fictive Geoffrey Chaucer as he travels with the pilgrims on the journey to Canterbury Cathedral. The tale concerns the adventures of the knight Sir Thopas and his quest to win the elf-queen.

<span class="mw-page-title-main">General Prologue</span> First part of "The Canterbury Tales"

The General Prologue is the first part of The Canterbury Tales by Geoffrey Chaucer. It introduces the frame story, in which a group of pilgrims travelling to the shrine of Thomas Becket in Canterbury agree to take part in a storytelling competition, and describes the pilgrims themselves. The Prologue is arguably the most familiar section of The Canterbury Tales, depicting traffic between places, languages and cultures, as well as introducing and describing the pilgrims who will narrate the tales.

Thomas Chestre was the author of a 14th-century Middle English romance Sir Launfal, a verse romance of 1045 lines based ultimately on Marie de France's Breton lay Lanval. He was possibly also the author of the 2200-line Libeaus Desconus, a story of Sir Gawain's son Gingalain based upon similar traditions to those that inspired Renaut de Beaujeu's late-12th-century or early-13th-century Old French romance Le Bel Inconnu, and also possibly of a Middle English retelling of the mid-13th-century Old French romance Octavian. Geoffrey Chaucer parodied Libeaus Desconus, among other Middle English romances, in his Canterbury Tale of Sir Thopas.

Tail rhyme is a family of stanzaic verse forms used in poetry in French and especially English during and since the Middle Ages, and probably derived from models in medieval Latin versification.

<i>The Canterbury Tales</i> (film) 1972 Italian film by Pier Paolo Pasolini

The Canterbury Tales is a 1972 medieval erotic black comedy Italian film directed by Pier Paolo Pasolini based on the medieval narrative poem by Geoffrey Chaucer. The second film in Pasolini's "Trilogy of Life", preceded by The Decameron and followed by Arabian Nights, it won the Golden Bear at the 22nd Berlin International Film Festival.

The Legend of Good Women is a poem in the form of a dream vision by Geoffrey Chaucer during the fourteenth century.

<i>The Wedding of Sir Gawain and Dame Ragnelle</i> 15th-century English poem

The Wedding of Sir Gawain and Dame Ragnelle is a 15th-century English poem, one of several versions of the "loathly lady" story popular during the Middle Ages. An earlier version of the story appears as "The Wyfe of Bayths Tale" in Geoffrey Chaucer's The Canterbury Tales, and the later ballad "The Marriage of Sir Gawain" is essentially a retelling, though its relationship to the medieval poem is uncertain. The author's name is not known, but similarities to Le Morte d'Arthur have led to the suggestion that the poem may have been written by Sir Thomas Malory.

Albertanus of Brescia was an author of Latin social treatises and sermons.

Sir Perceval of Galles is a Middle English Arthurian verse romance whose protagonist, Sir Perceval (Percival), first appeared in medieval literature in Chrétien de Troyes' final poem, the 12th-century Old French Conte del Graal, well over one hundred years before the composition of this work. Sir Perceval of Galles was probably written in the northeast Midlands of England in the early 14th century, and tells a markedly different story to either Chretien's tale or to Robert de Boron's early 13th-century Perceval. Found in only a single manuscript, and told with a comic liveliness, it omits any mention of a graal or a Grail.

<i>Trinity Tales</i> 1975 British TV drama series

Trinity Tales is a 1975 British television series, consisting of six 50-minute programmes, written by Alan Plater and shown on BBC2. It was loosely based on Geoffrey Chaucer's Canterbury Tales, updated to a modern setting.

Reynaud or Renaut de Louhans or Louens was a Dominican translator from Poligny, in the Kingdom of France, active in the 1330s.

<span class="mw-page-title-main">The Host (Canterbury Tales)</span> Character in The Canterbury Tales

The Host is a character who plays a key role in and throughout Geoffrey Chaucer's The Canterbury Tales. He is the owner of the Tabard Inn in London, where the pilgrimage begins and he agrees to travel on the pilgrimage, and promises to judge both the tales the pilgrims tell, and disputes among the pilgrims. He discusses his marriage to his absent wife, Goodelief, when commenting on The Tale of Melibee with its message of patience. The Host says Goodelief is herself extremely impatient and speedy in urging him to violent revenge. Her name Goodelief may be a real name or just meaning, perhaps ironically, good dear one.

References

  1. Summary and Analysis - The Tale of Melibee Archived 10 October 2012 at the Wayback Machine
  2. The Canterbury Tales Summary and Analysis - Chaucer's Tale of Melibee
  3. 1 2 3 Simpson, James (2022). "The Ellesmere Chaucer: The Once and Future Canterbury Tales". Huntington Library Quarterly. 85 (2): 197–218. doi:10.1353/hlq.2022.0014. ISSN   1544-399X.