The Tale of Melibee (also called The Tale of Melibeus) is one of The Canterbury Tales by Geoffrey Chaucer.
This is the second tale in the collection told by Chaucer himself. After being interrupted by the host Harry Bailly and reprimanded for the poor quality of his first story, Sir Thopas, which was compared to a turd, Chaucer launches into one of the longest and some would say most boring of all the tales. Complaining of Sir Thopas's lewedness, Bailly requests a prose tale with doctryne. In response, Chaucer tells The Tale of Melibee, which is exactly that. Bailly, seemingly pleased with this tale, says he wishes his wife had heard it as she might learn something from Dame Prudence.
The tale's length has resulted in its omission in some modern English editions, such as Nevill Coghill's translation.
The story concerns Melibee who is away one day when three enemies break into his house, beat his wife Dame Prudence, and attack his daughter, leaving her for dead. The tale then proceeds as a long debate mainly between Melibee and his wife on what actions to take and how to seek redress from his enemies. His wife, as her name suggests, counsels prudence and chides him for his rash opinions. The discussion uses many proverbs and quotations from learned authorities and the Bible as each make their points.
The tale is a translation of the Livre de Melibée et de Dame Prudence by Renaud de Louens. Renaud's work itself is a very loose translation of Liber consolationis et consilii by Albertanus of Brescia. Chaucer used Brescia's Liber de doctrina dicendi et tacendi (Book of Speaking and Keeping Silent) as a source for the Manciple's Tale, and his De amore dei (On the Love of God) for the Merchant's Tale. Albertanus himself sourced many of his anecdotes and proverbs from the Solomonic books of the Bible, Seneca, Cicero, and others. [1] : 1000–01
Melibee is a long tale, light on plot and told in "workman-like prose". As such, it has been largely ignored by critics and has a reputation for being boring. [2] : 216–18
Melibee, and Thopas before it, form a self-referential joke; Chaucer was already a well-known poet by the time he wrote The Canterbury Tales, but Chaucer-the-character's two submissions to Harry Bailly's contest are a doggerel poem and an inelegant prose tale, neither of which seem appropriate for a poet of Chaucer's skill and renown. [2] : 217 Chaucer uses similar self-deprecating humour in House of Fame .
The tale is a serious and philosophical take on "civic violence and its management", which would have had particular importance for Chaucer and his audience, given the deadly political turmoil of London in the late fourteenth century. [2] : 216–18
The Canterbury Tales is a collection of twenty-four stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387 and 1400. It is widely regarded as Chaucer's magnum opus. The tales are presented as part of a story-telling contest by a group of pilgrims as they travel together from London to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the Tabard Inn at Southwark on their return.
Geoffrey Chaucer was an English poet, author, and civil servant best known for The Canterbury Tales. He has been called the "father of English literature", or, alternatively, the "father of English poetry". He was the first writer to be buried in what has since come to be called Poets' Corner, in Westminster Abbey. Chaucer also gained fame as a philosopher and astronomer, composing the scientific A Treatise on the Astrolabe for his 10-year-old son, Lewis. He maintained a career in the civil service as a bureaucrat, courtier, diplomat, and member of parliament.
This article contains information about the literary events and publications of 14th century.
The Parson's Tale is the final "tale" of Geoffrey Chaucer's fourteenth-century poetic cycle The Canterbury Tales. Its teller, the Parson, is a virtuous priest who takes his role as spiritual caretaker of his parish seriously. Instead of telling a story, like the other pilgrims do, he delivers a treatise on penitence and the Seven Deadly Sins. This was a popular genre in the Middle Ages; Chaucer's is a translation and reworking that ultimately derives from the Latin manuals of two Dominican friars, Raymund of Pennaforte and William Perault. Modern readers and critics, however, have found it pedantic and boring, especially in comparison to the rest of the Canterbury Tales. While some scholars have questioned whether Chaucer ever intended the Parson's Tale to be part of the Tales at all, more recent scholarship understands it as integral to them, forming an appropriate ending to a series of stories concerned with the value of fiction itself.
"The Miller's Tale" is the second of Geoffrey Chaucer's Canterbury Tales (1380s–1390s), told by the drunken miller Robin to "quite" "The Knight's Tale". The Miller's Prologue is the first "quite" that occurs in the tales.
"The Wife of Bath's Tale" is among the best-known of Geoffrey Chaucer's Canterbury Tales. It provides insight into the role of women in the Late Middle Ages and was probably of interest to Chaucer, himself, for the character is one of his most developed ones, with her Prologue twice as long as her Tale. He also goes so far as to describe two sets of clothing for her, in his General Prologue. She calls herself both Alyson and Alys in the prologue, but to confuse matters, these are also the names of her 'gossip', whom she mentions several times, as well as many female characters throughout The Canterbury Tales.
The Hengwrt Chaucer manuscript is an early-15th-century manuscript of the Canterbury Tales, held in the National Library of Wales, in Aberystwyth. It is an important source for Chaucer's text, and was possibly written by someone with access to an original authorial holograph, now lost.
"The Man of Law's Tale" is the fifth of the Canterbury Tales by Geoffrey Chaucer, written around 1387. John Gower's "Tale of Constance" in Confessio Amantis tells the same story and may have been a source for Chaucer. Nicholas Trivet's Les chronicles was a source for both authors.
"Sir Thopas" is one of The Canterbury Tales by Geoffrey Chaucer, published in 1387. The tale is one of two—together with The Tale of Melibee—told by the fictive Geoffrey Chaucer as he travels with the pilgrims on the journey to Canterbury Cathedral. The tale concerns the adventures of the knight Sir Thopas and his quest to win the elf-queen.
The General Prologue is the first part of The Canterbury Tales by Geoffrey Chaucer. It introduces the frame story, in which a group of pilgrims travelling to the shrine of Thomas Becket in Canterbury agree to take part in a storytelling competition, and describes the pilgrims themselves. The Prologue is arguably the most familiar section of The Canterbury Tales, depicting traffic between places, languages and cultures, as well as introducing and describing the pilgrims who will narrate the tales.
The Distichs of Cato is a Latin collection of proverbial wisdom and morality by an unknown author from the 3rd or 4th century AD. The Cato was the most popular medieval schoolbook for teaching Latin, prized not only as a Latin textbook, but as a moral compass. Cato was in common use as a Latin teaching aid as late as the 18th century, used by Benjamin Franklin. It was one of the best-known books in the Middle Ages and was translated into many languages.
Tail rhyme is a family of stanzaic verse forms used in poetry in French and especially English during and since the Middle Ages, and probably derived from models in medieval Latin versification.
The Canterbury Tales is a 1972 medieval erotic black comedy Italian film directed by Pier Paolo Pasolini based on the medieval narrative poem by Geoffrey Chaucer. The second film in Pasolini's "Trilogy of Life", preceded by The Decameron and followed by Arabian Nights, it won the Golden Bear at the 22nd Berlin International Film Festival.
Nevill Henry Kendal Aylmer Coghill was an Anglo-Irish literary scholar, known especially for his modern-English version of Geoffrey Chaucer's Canterbury Tales. He was an associate of the literary discussion group "The Inklings", which included J. R. R. Tolkien and C. S. Lewis.
The Wedding of Sir Gawain and Dame Ragnelle is a 15th-century English poem, one of several versions of the "loathly lady" story popular during the Middle Ages. An earlier version of the story appears as "The Wyfe of Bayths Tale" in Geoffrey Chaucer's The Canterbury Tales, and the later ballad "The Marriage of Sir Gawain" is essentially a retelling, though its relationship to the medieval poem is uncertain. The author's name is not known, but similarities to Le Morte d'Arthur have led to the suggestion that the poem may have been written by Sir Thomas Malory.
Carolyn P. Collette is an American literary critic and a specialist in medieval literature, particularly Geoffrey Chaucer's The Canterbury Tales. She is Professor Emerita of English Language and Literature at Mount Holyoke College, and a research associate at the Centre for Medieval Studies at the University of York, in England.
Albertanus of Brescia was an author of Latin social treatises and sermons.
Norman Francis Blake was a British academic and scholar specialising in Middle English and Early Modern English language and literature on which he published abundantly during his career.
Reynaud or Renaut de Louhans or Louens was a Dominican translator from Poligny, in the Kingdom of France, active in the 1330s.
The Host is a character who plays a key role in and throughout Geoffrey Chaucer's The Canterbury Tales. He is the owner of the Tabard Inn in London, where the pilgrimage begins and he agrees to travel on the pilgrimage, and promises to judge both the tales the pilgrims tell, and disputes among the pilgrims.