Contact between Geoffrey Chaucer and the Italian humanists Petrarch or Boccaccio has been proposed by scholars for centuries. [1] More recent scholarship tends to discount these earlier speculations because of lack of evidence. As Leonard Koff remarks, the story of their meeting is "a 'tydying' worthy of Chaucer himself". [2] [3] [4] [5] [6]
There are government records that show Chaucer was absent from England visiting Genoa and Florence from December 1372 until the middle of 1373. [5] [7] He went with Sir James de Provan and John de Mari, eminent merchants hired by the king, and some soldiers and servants. [7] [8] During this Italian business trip for the king to arrange for a settlement of Genoese merchants these scholars say it is likely that sometime in 1373 Chaucer made contact with Petrarch or Boccaccio. [5] [9] [10] [11] [12] [13] [14]
They believe it plausible that Chaucer not only met Petrarch at this wedding but also Boccaccio. [7] [11] This view today, however, is far from universally accepted. William T. Rossiter, in his 2010 book on Chaucer and Petrarch argues that the key evidence supporting a visit to the continent in this year is a warrant permitting Chaucer to pass at Dover, dated 17 July. No destination is given, but even if this does represent a trip to Milan, he would have missed not only the wedding, but also Petrarch, who had returned to Pavia on 3 July. [15] [16] [17] [18] [19] [20] [21] [22] [23] [24] [25] [26]
However, this does not mean necessarily that Chaucer himself met Petrarch. [28] [29] [30] [31] [32] [33] [34] [35] [36]
Chaucer followed the general plan of Boccaccio's work On Famous Women in The Legend of Good Women . [29] [35] [37] [38] [39] [22] [40] [41] [42] [43] [44] [45]
The Knight's Tale uses Boccaccio's Teseida and the Filostrato is the major source of Troilus and Creseyde.
The Canterbury Tales is a collection of twenty-four stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387 and 1400. It is widely regarded as Chaucer's magnum opus. The tales are presented as part of a story-telling contest by a group of pilgrims as they travel together from London to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the Tabard Inn at Southwark on their return.
Geoffrey Chaucer was an English poet, author, and civil servant best known for The Canterbury Tales. He has been called the "father of English literature", or, alternatively, the "father of English poetry". He was the first writer to be buried in what has since come to be called Poets' Corner, in Westminster Abbey. Chaucer also gained fame as a philosopher and astronomer, composing the scientific A Treatise on the Astrolabe for his 10-year-old son, Lewis. He maintained a career in the civil service as a bureaucrat, courtier, diplomat, and member of parliament.
Giovanni Boccaccio was an Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Born in the town of Certaldo, he became so well known as a writer that he was sometimes simply known as "the Certaldese" and one of the most important figures in the European literary panorama of the fourteenth century. Some scholars define him as the greatest European prose writer of his time, a versatile writer who amalgamated different literary trends and genres, making them converge in original works, thanks to a creative activity exercised under the banner of experimentalism.
This article contains information about the literary events and publications of 14th century.
"The Franklin's Tale" is one of The Canterbury Tales by Geoffrey Chaucer. It focuses on issues of providence, truth, generosity and gentillesse in human relationships.
"The Merchant's Tale" is one of Geoffrey Chaucer's Canterbury Tales. In it Chaucer subtly mocks antifeminist literature like that of Theophrastus ("Theofraste"). The tale also shows the influence of Boccaccio, Deschamps' Le Miroir de Mariage, Roman de la Rose by Guillaume de Lorris, Andreas Capellanus, Statius, and Cato. The tale is found in Persia in the Bahar Danush, in which the husband climbs a date tree instead of a pear tree. It could have arrived in Europe through the One Thousand and One Nights, or perhaps the version in book VI of the Masnavi by Rumi. Though several of the tales are sexually explicit by modern standards, this one is especially so. Larry Benson remarks:
The central episode of the Merchant's Tale is like a fabliau, though of a very unusual sort: It is cast in the high style, and some of the scenes are among Chaucer's most elaborate displays of rhetorical art.
A fabliau is a comic, often anonymous tale written by jongleurs in northeast France between c. 1150 and 1400. They are generally characterized by sexual and scatological obscenity, and by a set of contrary attitudes—contrary to the church and to the nobility. Several of them were reworked by Giovanni Boccaccio for the Decameron and by Geoffrey Chaucer for his Canterbury Tales. Some 150 French fabliaux are extant, the number depending on how narrowly fabliau is defined. According to R. Howard Bloch, fabliaux are the first expression of literary realism in Europe.
Troilus and Criseyde is an epic poem by Geoffrey Chaucer which re-tells in Middle English the tragic story of the lovers Troilus and Criseyde set against a backdrop of war during the siege of Troy. It was written in rime royale and probably completed during the mid-1380s. Many Chaucer scholars regard it as the poet's finest work. As a finished long poem, it is more self-contained than the better known but ultimately unfinished The Canterbury Tales. This poem is often considered the source of the phrase: "all good things must come to an end" (3.615).
Walter William Skeat, was a British philologist and Anglican deacon. The pre-eminent British philologist of his time, he was instrumental in developing the English language as a higher education subject in the United Kingdom.
The Clerk's Tale is one of Chaucer's Canterbury Tales, told by the Clerk of Oxford, a student of what would nowadays be considered philosophy or theology. He tells the tale of Griselda, a young woman whose husband tests her loyalty in a series of cruel torments that recall the biblical Book of Job.
"The Monk's Tale" is one of the Canterbury Tales by Geoffrey Chaucer.
Palamon and Arcite is part of Fables, Ancient and Modern written by John Dryden and published in 1700. Palamon and Arcite is a translation of The Knight's Tale from The Canterbury Tales by Geoffrey Chaucer. Although the plot line is identical, Dryden expanded the original text with poetic embellishments. The source of Chaucer's tale was Boccaccio's Teseida. Translations include those by Percival Ashley Chubb (1899) and Walter William Skeat (1904).
Four Plays, or Moral Representations, in One is a Jacobean era stage play, one of the dramatic works in the canon of John Fletcher and his collaborators. Initially published in the first Beaumont and Fletcher folio of 1647, the play is notable both for its unusual form and for the question of its authorship.
Griselda is a figure in European folklore noted for her patience and obedience.
De casibus virorum illustrium is a work of 56 biographies in Latin prose composed by the Florentine poet Giovanni Boccaccio of Certaldo in the form of moral stories of the falls of famous people, similar to his work of 106 biographies De Mulieribus Claris.
The Decameron, subtitled Prince Galehaut and sometimes nicknamed l'Umana commedia, is a collection of short stories by the 14th-century Italian author Giovanni Boccaccio (1313–1375). The book is structured as a frame story containing 100 tales told by a group of seven young women and three young men; they shelter in a secluded villa just outside Florence in order to escape the Black Death, which was afflicting the city. Boccaccio probably conceived of the Decameron after the epidemic of 1348, and completed it by 1353. The various tales of love in The Decameron range from the erotic to the tragic. Tales of wit, practical jokes, and life lessons contribute to the mosaic. In addition to its literary value and widespread influence, it provides a document of life at the time. Written in the vernacular of the Florentine language, it is considered a masterpiece of early Italian prose.
Nationality words link to articles with information on the nation's poetry or literature.
The Floure and the Leafe is an anonymous Middle English allegorical poem in 595 lines of rhyme royal, written around 1470. During the 17th, 18th, and most of the 19th century it was mistakenly believed to be the work of Geoffrey Chaucer, and was generally considered to be one of his finest poems. The name of the author is not known but the poem presents itself as the work of a woman, and some critics are inclined to take this at face value. The poet was certainly well-read, there being a number of echoes of earlier writers in the poem, including Geoffrey Chaucer, John Lydgate, John Gower, Andreas Capellanus, Guillaume de Lorris, Guillaume de Machaut, Jean Froissart, Eustache Deschamps, Christine de Pizan, and the authors of the "Lai du Trot" and the Kingis Quair.
The History of English Poetry, from the Close of the Eleventh to the Commencement of the Eighteenth Century (1774-1781) by Thomas Warton was a pioneering and influential literary history. Only three full volumes were ever published, going as far as Queen Elizabeth's reign, but their account of English poetry in the Late Middle Ages and Renaissance was unrivalled for many years, and played a part in steering British literary taste towards Romanticism. It is generally acknowledged to be the first narrative English literary history.
Borghesi, Peter, Boccaccio and Chaucer, N. Zanichelli, 1903,.
Chaucer met Petrarch.
Dutton Donald Howard Chaucer 1987 His-life his-world His works.
House of Fame Chaucer Petrarch.
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