The National Gallery of Victoria, popularly known as the NGV, is an art museum in Melbourne, Victoria, Australia. Founded in 1861, it is Australia's oldest and most visited art museum.
The Victorian Artists Society, which can trace its establishment to 1856 in Melbourne, promotes artistic education, art classes and gallery hire exhibition in Australia. It was formed in March 1888 when the Victorian Academy of Arts and the Australian Artists' Association amalgamated.
The Heidelberg School was an Australian art movement of the late 19th century. It has been described as Australian impressionism.
Frederick McCubbin was an Australian artist, art teacher and prominent member of the Heidelberg School art movement, also known as Australian impressionism.
Thomas William Roberts was an English-born Australian artist and a key member of the Heidelberg School art movement, also known as Australian impressionism.
Louis Buvelot, born Abram-Louis Buvelot, was a Swiss landscape painter who lived 17 years in Brazil and following 5 years back in Switzerland stayed 23 years in Australia, where he influenced the Heidelberg School of painters.
Sir Arthur Ernest Streeton was an Australian landscape painter and a leading member of the Heidelberg School, also known as Australian Impressionism.
Walter Herbert Withers was an English-born Australian landscape artist and a member of the Heidelberg School of Australian impressionists.
Albert Henry Fullwood was an Australian artist who made a significant contribution to art in Australia. He painted with Heidelberg School artists around Melbourne and moved with Tom Roberts and Arthur Streeton to live and paint at their camp in Sirius Cove, Sydney. Fullwood was the Australian official war artist to the 5th Division in the World War I.
Artists' camps flourished around Sydney Harbour in the 1880s and 1890s, mainly in the Mosman area making it "Australia's most painted suburb", but died out after the first decade of the twentieth century. They developed as a result of the enthusiasm for painting en plein air fostered by the Barbizon and Impressionist movements in France in the second half of the 19th century, and were modelled on the artists' colonies which grew up in France and parts of the British Isles. In them, free-spirited young men gathered to live cheaply together in the open air, trying to capture the beauty of their surroundings in paintings and drawings. Financial stringency during the depression of the 1890s made life in the camps even more attractive for Australian artists trying to establish themselves in a difficult market.
Curlew Camp was an artists' camp established in the late 19th century on the eastern shore of Little Sirius Cove, now part of Mosman Bay in Sydney. It was home for some years to several leading Australian artists, such as Arthur Streeton and Tom Roberts of the Heidelberg School, and it was from here that some of their most famous paintings were created. Today the site is still in its natural state and the Mosman Council has built a foreshore walk called the "Curlew Camp Artist's Walk" which traces the journey that the residents of the camp followed when they disembarked from the ferry at South Mosman ferry wharf, then known as "Musgrave Street Wharf," and returned to the camping site. The walk starts at the wharf and continues along the harbour's edge for 1.6 km until it finishes at Taronga Zoo Wharf.
A holiday at Mentone is an 1888 painting by the Australian artist Charles Conder. The painting depicts a beach in the Melbourne suburb of Mentone on a bright and sunny day. Conder's depiction of people engaged in seaside activities and the brilliant noonday sunshine mark the painting as distinctively Australian in character.
Golden Summer, Eaglemont is an 1889 landscape painting by Australian artist Arthur Streeton. Painted en plein air at the height of a summer drought, it is an idyllic depiction of sunlit, undulating plains that stretch from Streeton's Eaglemont "artists' camp" to the distant blue Dandenong Ranges, outside Melbourne. Naturalistic yet poetic, and a conscious effort by the 21-year-old Streeton to create his grandest work yet, it is a prime example of the artist's distinctive, high-keyed blue and gold palette, what he considered "nature's scheme of colour in Australia".
Polly Hurry, was an Australian painter. She was a founding member of the Australian Tonalist movement and part of the Twenty Melbourne Painters Society.
Leon Pole was an Australian artist who was associated with the Heidelberg School art movement, also known as Australian Impressionism.
The Exhibition of Australian Art in London was a show organised by the trustees of the Art Gallery of New South Wales (AGNSW), notably Julian Ashton, and financially supported by the philanthropist Eadith Walker. Held at London's Grafton Galleries between April and September 1898, it featured 371 artworks made in Australia by 114 artists, and was the first major exhibition of Australian art to occur internationally.
John Llewellyn Jones, often referred to as Llewellyn or J. Llewellyn Jones, was an Australian artist and photographer who was associated with the Heidelberg School art movement, also known as Australian impressionism.
Thomas Humphrey was a Scottish-born Australian artist and photographer who was associated with the Heidelberg School art movement, also known as Australian impressionism.
Josephine Margaret Muntz Adams was an Australian artist who distinguished herself as a portraitist. Her portrait of Duncan Gillies, 14th Premier of the state of Victoria (1886-1890), hangs in Parliament House, Melbourne. Her portrait of the Queensland and Australian Federal politician Charles McDonald is in Parliament House, Canberra.
Jessie LavingtonEvans (1860–1943) was an Australian artist who specialised in plein air impressionist painting.
