Charcoal burners | |
---|---|
Artist | Tom Roberts |
Year | 1886 |
Medium | oil on canvas |
Dimensions | 61.4 cm× 92.3 cm(24.2 in× 36.3 in) |
Location | Art Gallery of Ballarat, Ballarat |
Charcoal burners (previously known as Wood splitters) is a 1886 painting by the Australian artist Tom Roberts. [1] The painting depicts three rural labourers "splitting and stacking timber for the preparation of charcoal". [1] Roberts, influenced by the Barbizon school and Jules Bastien-Lepage, would later return to the theme of rural men working in his works A break away! and Shearing the Rams . [1]
Roberts painted the picture from sketches made at a camp he made with Frederick McCubbin at Box Hill, then a rural locality east of Melbourne. [1]
The painting was acquired by the Art Gallery of Ballarat in 1961. [1]
The work was stolen from the gallery in 1978. A ransom was paid the following year for the safe recovery of the painting from a park in Sydney. [2]
Indigenous Australian art includes art made by Aboriginal Australians and Torres Strait Islanders, including collaborations with others. It includes works in a wide range of media including painting on leaves, bark painting, wood carving, rock carving, watercolour painting, sculpting, ceremonial clothing and sandpainting. The traditional visual symbols vary widely among the differing peoples' traditions, despite the common mistaken perception that dot painting is representative of all Aboriginal art.
Australian art is a broad spectrum of art created in or about Australia, or by Australians overseas, spanning from prehistoric times to the present day. The art forms include, but are not limited to, Aboriginal, Colonial, Landscape, Atelier, and Contemporary art.
The Heidelberg School was an Australian art movement of the late 19th century. It has been described as Australian impressionism.
The Eureka Flag was flown at the Battle of the Eureka Stockade, which took place on 3 December 1854 at Ballarat in Victoria, Australia. It was the culmination of the 1851–1854 Eureka Rebellion on the Victorian goldfields. Gold miners protested the cost of mining permits, the officious way the colonial authorities enforced the system, and other grievances. An estimated crowd of over 10,000 demonstrators swore allegiance to the flag as a symbol of defiance at Bakery Hill on 29 November 1854. It was then flown over the Eureka Stockade during the battle that resulted in at least 27 deaths. Around 120 miners were arrested, and many others were badly wounded, including five soldiers.
Thomas William Roberts was an English-born Australian artist and a key member of the Heidelberg School art movement, also known as Australian impressionism.
Sir Arthur Ernest Streeton was an Australian landscape painter and a leading member of the Heidelberg School, also known as Australian Impressionism.
The Box Hill artists' camp was a site in Box Hill, Victoria, Australia favoured by a group of plein air painters in the mid to late 1880s who later became associated with the Heidelberg School art movement, named after Heidelberg, the site of another one of their camps.
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Albert Henry Fullwood was an Australian artist who made a significant contribution to art in Australia. He painted with Heidelberg School artists around Melbourne and moved with Tom Roberts and Arthur Streeton to live and paint at their camp in Sirius Cove, Sydney. Fullwood was the Australian official war artist to the 5th Division in the World War I.
Robert Jacks was an award-winning Australian painter, sculptor and printmaker and acknowledged as one of Australia's leading abstract artists.
The Art Gallery of Ballarat is the oldest regional art gallery in Australia. It was established in 1884 as the Ballarat Fine Art Gallery by a company of interested citizens led by James Oddie. It initially rented out the first floor of the Ballarat Academy of Music; the current building on Lydiard Street North opened in 1890. The gallery was privately owned until financial insecurity led to the building and collection being handed over to the Ballarat City Council in 1977. In 2008, the gallery adopted its current name and became a free-entry venue. Louise Tegart is the gallery's current director.
Shearing the Rams is an 1890 painting by Australian artist Tom Roberts. It depicts sheep shearers plying their trade in a timber shearing shed. Distinctly Australian in character, the painting is a celebration of pastoral life and work, especially "strong, masculine labour", and recognises the role that the wool industry played in the development of the country.
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Vaughan Murray Griffin was an Australian print maker and painter.
The Golden Fleece, originally known as Shearing at Newstead, is an 1894 painting by the Australian artist Tom Roberts. The painting depicts sheep shearers plying their trade in a timber shearing shed at Newstead North, a sheep station near Inverell on the Northern Tablelands of New South Wales. The same shed is depicted in another of Roberts' works, Shearing Shed, Newstead (1894).
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