1886 in art

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List of years in art (table)
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Events from the year 1886 in art.

Events

Awards

Works

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<span class="mw-page-title-main">Camille Pissarro</span> French painter (1830–1903)

Jacob Abraham Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas. His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.

<span class="mw-page-title-main">Impressionism</span> 19th-century art movement

Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities, ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s.

<span class="mw-page-title-main">Georges Seurat</span> French painter (1859–1891)

Georges Pierre Seurat was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface.

<span class="mw-page-title-main">Post-Impressionism</span> Predominantly French art movement, 1886–1905

Post-Impressionism was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne, Paul Gauguin, Vincent van Gogh and Georges Seurat.

<span class="mw-page-title-main">Pointillism</span> Technique of painting with small, distinct dots

Pointillism is a technique of painting in which small, distinct dots of color are applied in patterns to form an image.

<i>A Sunday Afternoon on the Island of La Grande Jatte</i> Painting by Georges Seurat

A Sunday Afternoon on the Island of La Grande Jatte was painted from 1884 to 1886 and is Georges Seurat's most famous work. A leading example of pointillist technique, executed on a large canvas, it is a founding work of the neo-impressionist movement. Seurat's composition includes a number of Parisians at a park on the banks of the River Seine. It is held in the collection of the Art Institute of Chicago.

<span class="mw-page-title-main">Neo-Impressionism</span> Art movement

Neo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat. Seurat's most renowned masterpiece, A Sunday Afternoon on the Island of La Grande Jatte, marked the beginning of this movement when it first made its appearance at an exhibition of the Société des Artistes Indépendants in Paris. Around this time, the peak of France's modern era emerged and many painters were in search of new methods. Followers of Neo-Impressionism, in particular, were drawn to modern urban scenes as well as landscapes and seashores. Science-based interpretation of lines and colors influenced Neo-Impressionists' characterization of their own contemporary art. The Pointillist and Divisionist techniques are often mentioned in this context, because they were the dominant techniques in the beginning of the Neo-Impressionist movement.

<span class="mw-page-title-main">Armand Guillaumin</span> French painter

Armand Guillaumin was a French impressionist painter and lithographer.

<span class="mw-page-title-main">Théo van Rysselberghe</span> Belgian painter (1862–1926)

Théophile "Théo" van Rysselberghe was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the twentieth century.

19th-century French art was made in France or by French citizens during the following political regimes: Napoleon's Consulate (1799–1804) and Empire (1804–14), the Restoration (1814–30), the July Monarchy (1830–48), the Second Republic (1848–52), the Second Empire (1852–71), and the first decades of the Third Republic (1871–1940).

The year 1887 in art involved some significant events.

<span class="mw-page-title-main">Divisionism</span> Style in Neo-Impressionist paintings

Divisionism, also called chromoluminarism, is the characteristic style in Neo-Impressionist painting defined by the separation of colors into individual dots or patches that interact optically.

<span class="mw-page-title-main">John Rewald</span> American art historian

John Rewald was an American academic, author and art historian. He was known as a scholar of Impressionism, Post-Impressionism, Cézanne, Renoir, Pissarro, Seurat, and other French painters of the late 19th century. He was recognized as a foremost authority on late 19th-century art. His History of Impressionism is a standard work.

<span class="mw-page-title-main">Fauvism</span> Artistic style

Fauvism is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of les Fauves, a group of modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. The leaders of the movement were André Derain and Henri Matisse.

<i>Asnières</i> (Van Gogh series) Location and painting series by Vincent van Gogh

Asnières, now named Asnières-sur-Seine, is the subject and location of paintings that Vincent van Gogh made in 1887. The works, which include parks, restaurants, riverside settings and factories, mark a breakthrough in van Gogh's artistic development. In the Netherlands his work was shaped by great Dutch masters as well as Anton Mauve a Dutch realist painter who was a leading member of the Hague School and a significant early influence on his cousin-in-law van Gogh. In Paris van Gogh was exposed to and influenced by Impressionism, Symbolism, Pointillism, and Japanese woodblock print genres.

<i>Seine</i> (Van Gogh series) Painting series by Vincent van Gogh

Seine (paintings) is the subject and location of paintings that Vincent van Gogh made in 1887. The Seine has been an integral part of Parisian life for centuries for commerce, travel and entertainment. Here van Gogh primarily captures the respite and relief from city life found in nature.

<i>Two Nudes in an Exotic Landscape</i> Painting by Jean Metzinger

Baigneuses: Deux nus dans un paysage exotique is an oil painting created circa 1905 by the French artist and theorist Jean Metzinger (1883–1956). Two Nudes in an Exotic Landscape is a Proto-Cubist work executed in a highly personal Divisionist style during the height of the Fauve period. The painting is part of Carmen Cervera's art collection and its exhibited in the Thyssen-Bornemisza Museum, Madrid

<i>Parade de cirque</i> Painting by Georges Seurat

Parade de cirque is an 1887-88 Neo-Impressionist painting by Georges Seurat. It was first exhibited at the 1888 Salon de la Société des Artistes Indépendants in Paris, where it became one of Seurat's least admired works. Parade de cirque represents the sideshow of the Circus Corvi at place de la Nation, and was his first depiction of a nocturnal scene, and first painting of popular entertainment. Seurat worked on the theme for nearly six years before completing the final painting.

The Helen Birch Bartlett Memorial Collection is an art collection held by the Art Institute of Chicago. It is based on a collection assembled by Helen Louise Birch and her husband, Frederic Clay Bartlett.

<i>Models</i> (painting) Painting by Georges Seurat

Models, also known as The Three Models and Les Poseuses, is a work by Georges Seurat, painted between 1886 and 1888 and held by the Barnes Foundation in Philadelphia. Models was exhibited at the fourth Salon des Indépendants in spring of 1888.

References

  1. Gersh-Nesic, Beth. "The Eighth Impressionist Exhibition - 1886". About Education. Archived from the original on 2015-09-06. Retrieved 2015-06-17.
  2. Hutton, John G. (2004). Neo-impressionism and the Search for Solid Ground: Art, Science, and Anarchism in Fin-de-siecle France. Baton Rouge: Louisiana State University Press. ISBN   0-8071-1823-0.