While attending the free school, the Académie Suisse, in Paris, Pissarro becomes friends with a number of younger artists also choosing to paint in a more realistic style, including Monet, Guillaumin and Cézanne.
Photography is admitted to the Paris Salon for the first time.[5]
↑Karlholm, Dan (2006). Art of Illusion: The Representation of Art History in Nineteenth-century Germany and Beyond. Lang. p.197. ISBN978-3-03910-958-6.
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